LADA x Fringe! The Body Is a Thing in Time
- Date
- Saturday 13 Sep 2025 - Sunday 21 Sep 2025
- Venue
The Garrett Centre
- Timings
Saturday & Sunday 11am-4pm
- Price
FREE
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For the last 15 years, Fringe! Queer Film & Arts Fest sprawls out across east London every Autumn showcasing an eclectic mix of films, arts and events that celebrate queer stories.
Join us across two weekends in September for an exhibition in the Study Room featuring performance documentation, performance to camera and video work from LADA’s digital collection presented alongside new works from Devika Bilimoria, Claye Bowler, kane stonestreet, and Sweatmother.
Performance as a form has tended to prioritise liveness but documentation casts a long shadow in the history and transmission of this ephemeral art practice. The Body Is a Thing in Time is an exploration of how the viewer’s experience is mediated through the screen – either in the work’s original form, as with video work and performance to camera, or in the secondary record of performance documentation. The exhibition also includes work from Léann Herlihy, Martin O’Brien, SITE and Joshua Woolford.
Biographies
Devika Bilimoria (AUS/GB) courts an X-disciplinary practice of performance, moving image and photography to explore notions of queering, time and materiality with experiences from the South Asian diaspora through queer, feminist and ecological perspectives. Central to their practice is a concept of ‘body-ing’, where formations of matter are in perpetual movement, affecting and affected by forces of sociality, texture, pressure, light, and chance. In Australia, Devika has shown works at the National Portrait Gallery, the Museum of Australian Photography, and PHOTO 2022 International Festival of Photography. In 2025, their durational performance installation Offerings (2022-25) was selected for The London Open Live programme at Whitechapel Gallery.
Claye Bowler is an artist based in London. His practice centres on collection and documentation of experience, memory and the remnants of humanity. Claye uses sculptural practices to highlight stories that are not historically collected through institutional means, often working with narratives of queerness and disability. Whilst also working in museum registration, Claye often incorporates, yet questions, the ethics, administration and aesthetics of museum collecting in his work. He has a strong connection to sound and music, increasingly integrating these elements into his work, using field recordings and traditional British folk songs.
kane stonestreet is a transdisciplinary artist. Their work seeks to pervert time, dilated through altered states. By attuning to a drip from a block of ice or touching a single frond of moss, kane uncovers slower ways of being. Their actions take place in the city time but their mind is in tectonic time. kane’s practice is based in collaboration. They have established connections with strangers, friends and lovers, through which they find new entanglements. Their performances are containers for collective creation, built on an invitation for witnesses to act as interpreters. Their ritual actions are a process of survival.
SWEATMOTHER is an artist and filmmaker based in London. His moving image work blends performance, self-recorded documentation, internet and archival materials to explore and make visible queer lived experiences. He seeks to create art for his community to share, learn from and find solace in sensitive depictions of their shared raw realities and obscured histories. He continues to develop his visual art practice alongside his collaborations and lived experiences, proposing new ways the world can interact with otherness.
Access Information
Event information:
The exhibition includes multiple screens with seating. Various seating options will be available including fold out chairs, office chairs, a sofa and a bench. All are welcome to join in a relaxed space and are free to come and go as they please. The lighting will be fixed with no sudden changes. All videos are presented with audio on headphones. There are disposable masks and hand sanitiser available.
LADA space:
The building is wheelchair accessible by lift and provides a wheelchair accessible ground-floor bathroom. All bathrooms are gender inclusive. There is no isolated quiet space inside, but there is a small quiet outdoor area. Some of the art on display in the space includes naked bodies. You can find more information and see photos of the space here. Should you have any particular access requirements, please email [email protected] and we will be happy to offer further support.
Content notes:
Age recommendation: 18+. The exhibition includes depictions of nudity, blood and S&M practices.
Please email [email protected] if you would like more information on what to expect.
Banner image credit:
Image Claye Bowler
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