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Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
A publication on the performance for adults which explored, through image, sound, light, text and the choreography of hundreds of objects, what it is to change, to grow, and to age.
Original production: Young Vic – London: 27th September – 9th October 2010
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
This performance project explored infertility and Assisted Reproduction Technologies (A.R.T) across the gender, sexuality, ethnic and reproductive experiences within the company.
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
Frakcija no 55 explores the work of the curator.
A report on two new initiatives aimed at supporting Live Artists in the UK and raising the profile of their work.
See also, The Live Art Almanac vol. 2, catalogue ref. P1696. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)