Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.
Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Report by the 2016 Travel Fellowship holder.
Report by the 2016 Travel Fellowship holder.
Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.
Drawn from empirical and extensive experience and research, the book provides a curriculum and framework for thinking about the complexity of socially engaged practices. Locating the methodologies of this work in between disciplines, Helguera draws on histories of performance, pedagogy, sociology, ethnography, linguistics, community and public practices.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
List of works from the exhibition at CHELSEA space (16/11-16/12 2016).
A discussion dealing with the topics of art in the Croatian educational context. Interviewees Dijana Curkovic, Hrvoje Juric, Martina Kontosic, Andreja Kuluncic, Zdravko Popovic, Izvor Rukavina talk about their experiences of self-organisation in the field of institutional education and the role of art in education.
Article explore two organizations in London area of Peckham: Royal Court Theatre Local and Peckham Space.
Interview with the Los Angeles-based artist Suzanne Lacy.
Practice Based Research into Cultural Democracy and the Commissioning of Art to Effect Social Change.
Review of Jacques Ranciere’s The Emancipated Spectator