Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Documents a series of site-specific performances which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Documents a series of site-specific performances by bonelli, which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Documentation from the fourth edition of the performance art festival, held in Herdla, Norway. The artists gathered for a week having the opportunity to work within the environment of the site, before presenting their work on 30th August 2014.
In Norwegian and English.
Clip of a site-specific installation, video, and performance-based project. In a private performance for the camera, a quintet of women will tear apart an enormous cube comprising more than5,050 pounds of wet clay. As the block disappears, the space will be covered in the evidence of action.
Documentation of a site-specific performance made for the disused Marshall Street Baths, Soho and Star Dust commissioned by Live Art Development Agency for a Variety Weekend at the newly refurbished De La Warr Pavilion, Bexhill on Sea.
An interview with two members of the artistic-led collective Platform. In Miscellaneous Article 4 folder.
Hundreds of the vessels tumble and turn through my hands and through the kiln over time, until they begin to make themselves heard above the silence that each one has held for so long.
From 31st March-28th April 2007 the top floor of Clarke Tower opened its doors to the public in the form of a unique short stay hotel.
A site-responsive durational performance interrogating the continual haunting power of the Famine in relation to the Republic of Ireland’s recent economic collapse.
Collected for the first time in print, over a decade of texts from one of British theatre’s fiercest voices, documenting the extraordinary site-specific solo performances which have run parallel to Bartlett’s work as a mainstream director.
A practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch.
Between 2009 and 2012 Artsadmin worked with Town Hall Hotel & Apartments, a five star hotel in Bethnal Green’s Grade II-listed Old Town Hall building, to commission two major series’ of artworks by local artists.
Charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes.
This item is referenced in the Making Routes Study Room Guide (P1964).
Suggests organizing principles, innovative strategies, methods and exercises for making theatre in a variety of contexts and locations, and through examples, case studies and projects develops distinctive theoretical insights into the relationship of site and performance, scenario and scenography.
Accompanying CD for Performance Research: On Listening Vol. 15 No. 3.Linked articled A0336, A0335, A0334. Includes Listening-as-Touch: Paying attention to Rosemary Lee’s Common Dance, To See versus To Believe: A conversation on listening and The Horizon of Sound: Soliciting the Earwitness
Box archive of Anne Bean’s Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard Wilson.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
On public art in the YSP.
Participants and contributors include Aria Alagha, Archie Alexander Sinclair, Pippa North, Edna Read
relates to P0926
Examines some of the most important performance in Britain from the mid-1980s into the new millennium.
Charts the development of an experimental art form in an experimental way: traces the fascinating historical antecedents of today’s installation and performance art, while also assembling a unique documentation of contemporary practice around the world.
This item is referenced in the Making Routes Study Room Guide (P1964), the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)