Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.
A disparate collection of 'chance' materials and objects assembled and curated via post by the participants with the artist Anne Bean. Part of the DIY 11 collaborative project using chance device as a means for intuition and creation. Loose materials in large black folder.
Portfolio of images of the artistic work accompished by the duo over the last two decades.
A site-responsive durational performance interrogating the continual haunting power of the Famine in relation to the Republic of Ireland’s recent economic collapse.
Programme for [IN] visible 3-17 June performed at The Crypt St. Pancras ChurchArtists Silvia Battista, Roberto Bortolotti, Enver Gursev, Marion Herlet, Mahmut KunterAngelo Madonna.
Site-specific and stage performances.