The first anthology to chronicle the global critical reception of Aboriginal Art since the early 1980s, when the art world began to understand it as contemporary art.
Part of Library of Performing Rights (P3041)
Examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery.
An important addition to the current body of scholarly material on contemporary performance and theatre; it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance.
Part of the Library of Performing Rights (P3041).
Interrogates the often fraught endeavours of activists from colonial backgrounds seeking to be politically supportive of Indigenous struggles.
Part of the Library of Performing Rights (LPR) (P3041).
An indepth analysis of the work of three significant African diaspora artists – David Hammons, Maria Magdalena Campos-Pons and Pamela Z – with essays examining site specific installations and peformances concieved by these artists for Dak'Art 2004, the Biennale of Contemporary African Art
Based on a new performance series the artist began in May at the Louisiana Museum of Modern Art as part of the ‘Made in China’ exhibition.