The first book of the women’s liberation movement to put forth a feminist theory of politics.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.
Siona Wilson investigates the charged relationship of sex and labour politics as it played out in the making of feminist art in 1970s Britain.
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.