Investigates the extent to which performance can represent the 'unrepresentable' of trauma.
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529), the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290) and the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)