The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
Examines the construct of memory, the passage of time, and the “end of history.”
On the role and necessity of dance writers.
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.