This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German and English.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Combining an art project with critical commentary, Fusco addresses the role of women in the war on terror and explores how female sexuality is being used as a weapon against Islamic terrorists. Using details drawn from actual accounts of detainee treatment in US military prisons, Fusco conceives a field guide of instructional drawings that prompts questions regarding the moral dilemma of torture in general and the use of female sexuality specifically.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The volume introduces English language readers for the first time to work by an emerging group of critics and artists addressing the legacies of colonial violence in present-day Japan. The volume contains translated essays, and an accompanying DVD with artist interviews.
Poet and painter Adrian Henri gives an account of the origins of ‘total art’ followed by fully documented chapters on the American environmental tradition of Kaprow, Oldenburgh, Warhol, Kienholz and many others.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Trascript of a presentation by Live Art DK on the state of performance in Denmark, in particular in relation to the issues of presentation, production and documentation. Artsadmin, 13th July 2015.
In four thematic sections, a group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation’s potential to act as a reconsideration of conventional museum spaces.
This item is referenced in the Dreams for an Institution Guide (P2313).
This exhibition catalogue explores the material & hidden narratives that inform Stitt's public demonstrations as an internationally acclaimed performance artist. Including introductions by Nicola Hood and Heike Roms with interviews & texts by Stewart Home, Simon Herbert, Roddy Hunter, Lukasz Guzak & Phil Babot plus an exclusive interview investigating formative work made in Belfast during the late nineteen seventies.