This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Essays by Richard Grayson and Matt Adams. Documentation of an ambulatory work commissioned by the De La Warr Pavilion for the Venice Biennale 2009. This project is based on real world events and is an explicit engagement with political questions. Participants are invited to assume the role of Ulrike or Eamon and make a walk through the city while receiving phone calls. The experience culminates with an interview in a hidden room.