Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.
Sheds light on a range of practices in the area of contemporary performance in Australia.
Illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.
Feature on Duets on Ice, Landfall and Dirtday!.
Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity.
The first major book on the more than 20-year history of Beaconsfield, an important artists association in London founded by two trained painters David Crawforth and Naomi Siderfin.
This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.
72-82 tells the story of the first ten years of Acme Studios and their ground breaking work providing artists' housing and studios in London. It also features some of the pioneering exhibitions at the Acme Gallery that was based in Covent Garden from 1976-81. The film comprises visual archive materials brought to life by the voices of the artists involved. Interviewees include: Cosey Fanni Tutti, Jock McFadyen and David Critchley.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
This volume documents the innovative oeuvre of Uwe Frank Laysiepen, better known as Ulay. Contributors include: Laurie Anderson, Thomas McEvilley, Timea Lelik, Tevz Logar, Charlemagne Palestine, John Reuter, Silvio Wolf, Marina Abramovic.