Eight issues of the interview zine about performance.
Exhibition catalogue; comprises essays and a section containing documents, hitherto unpublished interviews and a gallery discussion. Exhibition: 27 January – 1 May 2017, Museum Tinguely, Basel.
Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art.
Existing in the space between imaginative proposition and a call to action, the book is an assemblage of provocations, proposals and potential ways of operating — ranging from navigating the city and inhabiting the margins to errant acts of reading; from preparing for the unexpected to learning how to ‘not know’, from minor acts of singular sedition to collective expressions of an insurgent ‘we’.
Kaprow's sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Various issues, 2009-2016 + two flyers.
Generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, this book presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in “psychogeography” to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties.
Published to mark the 20th century of the Arts Catalyst, this article showcases some of the institution's landmark projects. In misc folder 5A.
Text for a work originally performed in August 1988 as “The Return of the Horse to the Riding School” in the Manege – Saint Petersburg's Central Exhibition Hall which was once the Imperial Riding School – during the Second Festival of Experimental Art and Performance