The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
Offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting.
Davis explores definitions of entertainment, arguing that it can be found embedded in all forms of theatre, not just the 'popular'.
Essays on philosophical and aesthetic perspectives on painting, photography, music, architecture, performance and cinema.
See Pop Trauma DVD: D1793