Julia Bardsley’s talk at Fresh Tips, Queen Mary University of London, 2011
| Artist / Author | Julia Bardsley |
|---|---|
| Digital Ref | EF5060 |
| Date | 2011 |
| Type | Digital File |
On observing the Wooster Group process.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
Audio recording from the informal event which included a practical session of creating ‘access and equality riders’ for artists and audiences. LADA, 26 June 2018. 2 audio files.
On group practice, space making in rehearsal, working with directors/actors.
Offers a richly detailed portrait of the internationally renowned composer, performer, director, and filmmaker.
Charts a year at John Hansard Gallery in Southampton and the experience of communities forming in and around changing gallery spaces.
Maps the artistic processes over a nine month period of the making of the art work Not a Decorator..
The “Artists' Book” of the post-war period: a unique collaborative work by four artists associated with various avant-garde art movements, including Fluxus and Nouveau Réalisme.
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
Comprehensively examines the life and art of David Wojnarowicz (1954-1992), who came to prominence in New York’s East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal.
Part of the Library of Performing Rights (P3041)