The Live Art Development Agency houses a range of publications, newsletters, policy documents and research reports related to Live Art.
We have also catalogued a number of articles relating to Live Art.
To arrange to visit the Study Room and view the material you can phone or email to request an appointment.
You can search the publications and articles list below using your internet browser, using the "Find..." option in the "Edit" menu.
The full catalogue of Study Room titles is held on a database, which can be accessed in the Study Room. Through the database, you can search for and access titles through a range of routes (eg. subject, artform, date etc); we also have many titles classified using different keywords (see attached file). Please contact us if you need to find or research a title we may have.
In the listings, reference numbers begining with P are publications and those beginning with A are articles.
To purchase publications visit Unbound.
| Title | Artist / Author | Editor | Date | Ref |
|---|---|---|---|---|
| Let’s Get It On: The politics of black performance | Catherine Ugwu | May 1995 | P0001 | |
| Performance, Live Art since the 60’s | RoseLee Goldberg | Oct 1998 | P0002 | |
| Contemporary Feminist Theatres | Lizbeth Goodman | 1993 | P0003 | |
| The Routledge Reader in Gender and Performance | Lizbeth Goodman | 1998 | P0004 | |
| Imagining Women (Cultural representations & gender) | Lizbeth Goodman, Frances Bonner, Richard Allen, Linda Jones & Catherine King | 1992 | P0005 | |
| Feminist Stages | Lizbeth Goodman | 1996 | P0006 | |
| Untitled (Prayers) | Marie Cool and Fabio Balducci | 2005 | P0007 | |
| Talking Art | Adrian Searle | 1993 | P0008 | |
| Outside The Frame (performance and the object) | 1994 | P0009 | ||
| Performance Art into the 90s | Nicola Hodges | 1994 | P0010 | |
| Richard Wright | Richard Wright | 2000 | P0011 | |
| Archiving My Own history | Rose Garrard | 1994 | P0012 | |
| Body Art / Performing The Subject | Amelia Jones | 1998 | P0013 | |
| A Split Second of Paradise: Live Art, Installation and Performance | Jeni Walwin and Nicky Childs | 1998 | P0014 | |
| Art In Everyday Life | Linda Montano | 1981 | P0015 | |
| Live Art in Schools | Richard Layzell | 1993 | P0016 | |
| The Cyberspace Lexicon | Bob Cotton & Richard Oliver | 1994 | P0017 | |
| Franko B | FAM | 1998 | P0018 | |
| Franko B | 1998 | P0019 | ||
| On Becoming A Man | Paul Wong | 1995 | P0020 | |
| Bad Girls | Penny Arcade, Nicole Eisenman, Nan Goldin, Deborah Levy, Peggy Phelan, Riot Grrl | 1994 | P0021 | |
| Phenomena/The Catalogue | Hadass Ophrat | 1988 | P0022 | |
| The River Pierce: Sacrifice II, 13.4.90 | Michael Tracy, Eugenia Vargas Daniels, Eloy Tarcisio, Joan Christophel, Edward Leffingwell | The River Pierce Foundation | 1990 | P0023 |
| Bum Boy | Michael Atavar, Pascal Brannan, Robert Pacitti | 1994 | P0024 | |
| Felix Gonzales Torres | Tim Rollins, Susan Cohen, Jon Augikos | 1993 | P0025 | |
| Laurie Simmons | Sarah Charleswort | 1994 | P0026 | |
| EuroKaz | Festival Novag Kazalista | 1996 | P0027 | |
| Zona Aizel | Gerold Wucherer, Martin Osterider | 1995 | P0028 | |
| Poliester | Kurt Hollander | 1994 | P0029 | |
| Poliester, “The Work of Others” | Kurt Hollander | 1995 | P0030 | |
| Poliester, “Tourism” | Kurt Hollander | 1995 | P0031 | |
| Poliester, “Comics, etc.” | Kurt Hollander | 1993 | P0032 | |
| Breathing Form | Susan Brind and Brian Catlink | 1994 | P0033 | |
| Obscenitat | Marcel-li Antunez | P0038 | ||
| Diverse Works: Artspace 1983-1993 | Elizabeth McBride, Lorenzo Thomas | P0034 | ||
| Images from Hong Kong Arts Festival Commissioned Productions 1997 - 1999 | Linda Yip | 2000 | P0035 | |
| Nurture and Desire | Heather Yaxley | 2000 | P0036 | |
| Dispatches in Creative Curating | Visual Arts Department, Goldsmiths College | Amy Plaut, Ronnie Simpson | P0037 | |
| Las Rosas en el Jardin Secreto de Los Angeles | Dorrit Yacoby | 1998 | P0039 | |
| Pinto my Rayo -- a Brief Story of Almost 10 Years of Applied Conceptual Art Projects | Victor Lerma and Monica Mayer | 1998 | P0040 | |
| i am curious | Simon Grant, Mats Stjernstedt, Jeremy Millar, Will Bradley | 1996 | P0041 | |
| EthicsLanguageCommunity | Kari Rentola | 1997 | P0042 | |
| Live Art | Robert Ayers and David Butler | 1991 | P0043 | |
| The Future’s Mirror | Cornelia Hesse-Honegger | 1995 | P0044 | |
| Four Contemporary Artists from Trinidad | Edward Bowen, Christopher Cozier, Steve Ouditt, Irenee Shaw | 1996 | P0045 | |
| Writing and Rewriting the Holocaust | James E. Young | 1988 | P0046 | |
| The Holocaust and the Literary Imagination | Lawrence L. Lancer | 1974 | P0047 | |
| How the East Sees the East | Irwin with Apt-Art International and Ridzhina Gallery | P0048 | ||
| Fireball -- Alternative Miss World 1995 | Andrew Logan | 1995 | P0049 | |
| untitled | DNT Yung | P0050 | ||
| File zero / file one | Cheung Fai | 1995 | P0051 | |
| Los Angeles Festival | The Audrey Skirball Kenis Theatre Series | 1 - 16 Sept 1990 | P0052 | |
| Los Angeles Festival | The Audrey Skirball Kenis Theatre Series | 1990 | P0053 | |
| Los Angeles Festival | The Audrey Skirball Kenis Theatre Series | 20 Aug - 19 Sept 1993 | P0054 | |
| Con el Cuerpo por Delante: 47882 Minutos de Performance | 2001 | P0055 | ||
| Inverted Odysseys | Claude Cahun, Maya Deren, Cindy Sherman | Shelley Rice | 1999 | P0056 |
| Unknown Resurrections | Stephen J. Shanabrook | 1996 | P0058 | |
| Grzech Pierworodny | Alicia Zebrowska | P0059 | ||
| Acts and Revelations | Gary Carter | 1996 | P0060 | |
| Zuni Icosahedron | P0061 | |||
| Rona Lee | Rona Lee | 1996 | P0062 | |
| Directions | Rudolf Schwarzkogler | 1997 | P0063 | |
| Akko Theatre | David Maayan | P0064 | ||
| Athey and Franko B. Chat | Ron Athey and Franko b. | P0065 | ||
| Ron Athey in conversation with Andre Stitt | Andre Stitt | 1995 | P0066 | |
| Live Art | 1997 | P0067 | ||
| Culture, Technology and Creativity | Philp Hayward | 1990 | P0068 | |
| Guidebook: Three Manoeuvres by Tim Brennan in London e1/e2 | Tim Brennan and Geoff Cox | 1999 | P0069 | |
| Alastair Maclennan: Coming to Meet | Alastair Maclennan | 1996 | P0070 | |
| A Show About Time | Sally Tallant | 1998 | P0071 | |
| Escens de L’imaginari | Festival Internacional de Teatre Visual i de Titelles de Barcelona | 1998 | P0072 | |
| Marcel-li Antunez Roca: Performances, objetos y dibujos | Claudia Giannetti | 1998 | P0073 | |
| Immutablity and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings | Kenji Misawa | 1997 | P0074 | |
| Silent Energy: New Art From China | David elliot, Lydie Mepham | 1993 | P0075 | |
| Hong Kong Odessey | Mathias Woo | 2001 | P0076 | |
| disOriented: Shifting Identities of Asian Women in America | Margo Machida, curator | 1995 | P0077 | |
| Feng Shui | Elspeth Sage | 1994 | P0078 | |
| Journeys West: contemporary paintings, sculpture and installation | Jessie Lim | 1995 | P0079 | |
| Stephan Gec | Andrew Patrizio | Jon Bewley | 2002 | P0080 |
| Skeleton | John Newling | 1995 | P0081 | |
| Sight and Sound | Philip Dodd | July 1996 | P1070 | |
| Systems End: Contemporary Art in Austrailia (ART: Asia Pacific) | Dinah Dysart | 1996 | P0083 | |
| Cronologia del Performance 1992 - 1997 | 1997 | P0084 | ||
| The Generation of Images: Reality’s Desire | various | Roberto Pinto | 2003 | P0085 |
| Supporting a Landscape | Andrea Phillips | 1996 | P0086 | |
| Simon Patterson | Patricia Bickers | 2002 | P0087 | |
| Miroslac Mandic | Ruza Lutanja | 1994 | P0088 | |
| Piece of Paper Press | 1996 | P0089 | ||
| A Good Book | Virgil Tracy | P0090 | ||
| International Festival of Performance, Puppet and Visual Theatre | 1996 | P0091 | ||
| The Perplexities of Waiting: Crash Subjectivity 1993 - 95 Lloyd Gibson | Jon Bewley and Simon Herbert | 1995 | P0092 | |
| The Daffodils, The Blackcap Returns and Roll Over Jenny Holzer | Bill Drummond | 2002 | P0093 | |
| A Public Auction of Private Art Works | Nina Pope | 2001 | P0094 | |
| Last order(s) | R. Bentley and A. Coles | 1995 | P0095 | |
| The Apotheosis of ... Virgil Tracy | 1997 | P0096 | ||
| The Next Generation | Torsten Mab | P0097 | ||
| Spotlight Contacts: Stage, TV, Screen & Radio | The Spotlight | Oct 1989 | P0098 | |
| Live 5 My Perfect Theatre | David Tushingham | 1997 | P0099 | |
| Live 4 Freedom Machine | David Tushingham | 1996 | P0100 | |
| Live 3 Critical Mass | Methuen | P0101 | ||
| Live 2 Not What I am The Experience of Performing | David Tushingham | 1995 | P0102 | |
| Totally Wired: Science, Technology and the Human Form | ICA | 1996 | P0103 | |
| Radical Postures - art, new media and race | Shaheen Merali / Jeremy Mulvey | 1996 | P0104 | |
| There Will be No Tears | SuAndi | Melanie Harris and Josephine Burns | 1995 | P0105 |
| Is No: Alastair MacLennan 1975 - 1988 | Stephen Snoddy | 1988 | P0106 | |
| Le Shovelle Diplomatique | Le Shovelle Diplomatique | 1995 | P0107 | |
| Manual II: Gregory Green A Selection of Works 1986 - 1996 | Gregory Green | 1996 | P0108 | |
| New Collectivism | Urbanaria | 1994 | P0109 | |
| Scheufler and Heiss, World Tour 1990-2000 | Rick Poynor and Jill Wozencraft | 1998 | P0110 | |
| Neue Slowenische Kunst (NSK) | NSK | New Collectivism | 1991 | P0111 |
| Geography of Time | Irwin | 1994 | P0112 | |
| Prayer Machine | NSK: Noordung Cosmokinetic Cabinet | P0113 | ||
| Yellow Peril Reconsidered | Paul Wong | 1990 | P0114 | |
| Kaaitheater 1994-1995 | Kaaitheater | 1995 | P0115 | |
| The Artist’s Body | Tracey Warr/Amelia Jones | 2000 | P0116 | |
| Dangerous Border Crossers | Guillermo Gomez Pena | 2000 | P0117 | |
| Unmarked, the politics of performance | Peggy Phelan | 1993 | P0118 | |
| The 20th Century Performance Reader | Michael Huxley/Noel Witts | 1996 | P0119 | |
| The Flux Reader | Ken Friedman | 1998 | P0120 | |
| The Routledge Reader in Politics and Performance | Lizbeth Goodman/Jane de Gay | 2000 | P0121 | |
| Marina Abramovic Artist Body: Performances 1969 - 1998 | Marina Abramovic | Toni Stoos | 1998 | P0122 |
| Body Art and Performance: the body as language | Lea Vergine | 2000 | P0123 | |
| The Explicit Body in Performance | Rebecca Schneider | 1997 | P0124 | |
| The Essential Joseph Beuys | Alain Borer | 1996 | P0125 | |
| Installation Art | Nicolas de Oliveira/Nicola Oxley/Michael Petry | 1994 | P0126 | |
| On Photography | Susan Sontag | 1977 | P0127 | |
| Mourning Sex: Perfroming Public Memories | Peggy Phelan | 1997 | P0128 | |
| Dialogues in the Diasporas | Nikos Papastergiadis | 1998 | P0129 | |
| Blimey | Matthew Collings | 1999 | P0130 | |
| Ways Of Seeing | John Berger | 1972 | P0131 | |
| Black Visual Culture | Gen Doy | 2000 | P0132 | |
| Out of Actions: Between Performance and the Object 1949 - 1979 | Paul Schimmmel, Russell Ferguson | 1998 | P0133 | |
| Performing the Body/Performing The Text | Amelia Jones and Andrew Stephenson | 1999 | P0134 | |
| Certain Fragments | Tim Etchells | 1999 | P0135 | |
| This is Modern Art | Matthew Collings | 1999 | P0136 | |
| Lux Europa | Isabel Vasseur | 1993 | P0137 | |
| Analysis of Performance Art | Anthony Howell | 1999 | P0138 | |
| Mythic Women/Real Women | Lizbeth Goodman | 2000 | P0139 | |
| Corpus Delecti | Coco Fusco | 2000 | P0140 | |
| Lie of the Land | Antonia Payne | 2000 | P0141 | |
| Performing Arts Journal 49 | Bonnie Marranca/Guatam Dasgupta | 1995 | P0142 | |
| Performing Arts Journal 53 | Bonnie Marranca/Guatam Dasgupta | 1995 | P0143 | |
| Angry Women | Andrea Juno V. Vale | 1991 | P0144 | |
| Digitising Disability | Andrea Phillips | 1999 | P0145 | |
| Langage Alive One | cris cheek | 1995 | P0146 | |
| Language Alive Two | cris cheek | 1995 | P0147 | |
| Digipunk Television | Ronald Fraser-Munro | 1999 | P0148 | |
| Walter Van Bierendonck | N/A | 1997 | P0149 | |
| Desviaciones | Jose A Sanchez | 1999 | P0150 | |
| ashowabouttime | Sally Tallant | 1998 | P0151 | |
| Perfroming the Word | Polly Gould | 1998 | P0152 | |
| Living Proof | Michael McMillan | 1992 | P0153 | |
| The Black Boy Pub and Other Stories | Michael McMillan | 1997 | P0154 | |
| Anne Seagrave | Robert Ayers | 2000 | P0155 | |
| Enhanced Performance | Richard Layzell | 1998 | P0156 | |
| Performance Art | RoseLee Goldberg | 1988 | P0157 | |
| The Cybercultures Reader | David Bell / Barbara M Kennedy | 2000 | P0158 | |
| If I Could Fly | Michael McMillan | 1998 | P0159 | |
| Artists in Residence 1996-98 | Alistair Raphael/Victoria Clarke | 1999 | P0160 | |
| Believe | Walter Van Beirendonck/Orlan | 1999 | P0161 | |
| DasArts | Jan Brand and Ewan Lentjes | 2000 | P0162 | |
| Work & Leisure International 1999 | Paulette Terry Brien and Laurence Lane | 1999 | P0163 | |
| Tiny Stars (70s 80s 90s) | Michael Atavar | 1997 | P0164 | |
| I Love L A: Postcards from a Volatile Corpus | Mark Waugh | 2001 | P0165 | |
| jesus_c._odd_size | Hotel Pro Forma | 2000 | P0166 | |
| Paul Wong: On Becoming a Man | Lynda Muir and Jacques Pichette | 1995 | P0167 | |
| Orlan: Triumph of the Baroque | Christine Buci-Glucksmann | 2000 | P0168 | |
| Show Home: A Development by Nathan Coley | Nathan Coley | 2003 | P0169 | |
| Deal; Susan Pui Lok and Mayling To | Susan Pui Lok and Mayling To | 1998 | P0170 | |
| Michael Laub/Remote Control Productions | Claudine Profitlich | 2000 | P0171 | |
| Launch: Lucy Kimbell | Bergit Arends | 1999 | P0172 | |
| Niu Bo: The Possibility and Practice of Extra-Terrestrial Cultural Creation | Niu Bo | 1993 | P0173 | |
| Northern Exchanges 1 | Roland Miller and Katharine Robinson | 1999 | P0174 | |
| Performance Festival Odense 1999: For Eyes and Ears | Else Jespersen | 1999 | P0175 | |
| Body Act | Camilla Ericsson and Mans Holst-Ekstrom | 1998 | P0176 | |
| It’s Queer Up North 1992 - 1996: A Catalogue of Queer Performance | Neil Bartlett, Sue-Ellen Case, Leslie Paris, Pacitti, Lois Weaver, Peggy Shaw | Charlie Spencer and Paul Heritage | 1996 | P0177 |
| International Market Development for Australian New Media Artsits | X-Events | 2002 | P0178 | |
| Locus+ 1993 - 1996 | Samantha Wilkinson | 1996 | P0179 | |
| Shelf Life | 2000 | P0180 | ||
| The Quay Thing Documented | Wrights and Sites | 2000 | P0181 | |
| Small Acts: Performance, the Millennium and the Marking of Time | Adrian Heathfield | 2000 | P0182 | |
| Myths of the Near Future: JG Ballard Science Fiction Developed for Performance | Stewart Laing | 2000 | P0183 | |
| Manifiesta 2 | Hayde Rovirosa | 1997 | P0184 | |
| Ex Teresa Arte Actual | Aug - Sep 1999 | P0185 | ||
| ARTEaccion: Ciclo de mesas redondas y exposicion de fotografia de acciones | Andrea Ferreyra | 2000 | P0186 | |
| Nothing’s Finished; Nothing Is - listening to Alastair MacLennan | Robert Ayers | 2000 | P0187 | |
| Obsolete Body/Alternate Strategies - listening to Stelarc | Robert Ayres | 1998 | P0188 | |
| Millennium Collection; an occurrence of things not worth keeping | cris cheek and Kirsten Lavers | cris cheek and Kirsten Lavers | 2000 | P0189 |
| Carte Blanche/the White Papers | Shaheen Merali | 1999 | P0190 | |
| Li Wei | Li Wei | 2005 | P0191 | |
| Live From the Vinyl Junkyard: The Ultimate Mix | Bryan Biggs, Colin Fallows and Jonathan Hitchen | 1998 | P0192 | |
| Performance Artists Talking in the Eighties | Linda M Montano | 2000 | P0193 | |
| Valentine | Monica Ross | 2000 | P0194 | |
| Site-Specific Art; Performance, Place and Documentation | Nick Kaye | 2000 | P0195 | |
| Performance: A Critical Introduction | Marvin Carlson | 1996 | P0196 | |
| Hearing Things | Aaron Williamson | 2001 | P0197 | |
| 39 Microlectures: In Proximity of Performance | Matthew Goulish | 2000 | P0198 | |
| Shattered Anatomies: Traces of the Body in Performance | Adrian Heathfield with Fiona Templeton and Andrew Quick | 1997 | P0199 | |
| Void Spaces: Hugo Glendinning, Tim Etchells and Forced Entertainment | Hugo Glendinning, Tim Etchells and Forced Entertainment | 2000 | P0200 | |
| Out of Time: Hull Time Based Arts 1984 to 1998 | Andrea Phillips | 1997 | P0201 | |
| Wreckers of Civilisation: The Story of Coum Transmissions & Throbbing Gristle | Simon Ford | 1999 | P0202 | |
| Locus Solus | Jon Bewley and Simon Herbert | 2000 | P0203 | |
| Join the Dots | Michael Atavar | 2001 | P0204 | |
| Of Pigs & Lovers | Lone Twin | 2001 | P0205 | |
| Forced Entertainment; Educational Resource Pack | Forced Entertainment | 2001 | P0206 | |
| 9 Night in Eldorado | Donald G Rodney | P0207 | ||
| Skart publications | Skart | 2000 | P0208 | |
| Karel Miler, Petr Stembera, and Jan Mlcoch 1970 - 1980 | Karel Srp | 1997 | P0209 | |
| Live Art Now | Tracey Warr, Gray Watson, and Jeni Walwin | Tracey Warr | 1987 | P0210 |
| Translated Acts: Performance and Body Art from East Asia 1990 - 2001 | Yu Yeon Kim | 2001 | P0211 | |
| Szuper Gallery | 2001 | P0212 | ||
| Oh Lover Boy | Franko B, Gray Watson, Sarah Wilson | 2001 | P0213 | |
| Tending the Vortex: the Works of Brian Catling | Simon Perril | 2001 | P0214 | |
| The Special and the Unusual - Listening to Orlan | Robert Ayers | Mar 1999 | P0215 | |
| Afterlife - Heather Ackroyd and Dan Harvey | Heather Ackroyd and Dan Harvey | 2001 | P0216 | |
| Research in Process | Manick Govinda and David Hughes | 2000 | P0217 | |
| National Arts and Media Strategy: Discussion Document on Live Art | Lois Keidan | 1991 | P0218 | |
| Sonia Khurana: Lone Women Don’t Lie | Sonia Khurana | 2000 | P0219 | |
| Andre Stitt: Homework: Scores + Statements + Notes for Akshuns 1976 - 2000 | Andre Stitt and Dietmar Pokoyski | 2000 | P0220 | |
| On Edge: Performance at the End of the Twentieth Century | Cynthia Carr (C. Carr) | 1993 | P0221 | |
| Strange and Charmed | Sian Ede | 2000 | P0222 | |
| Performing Pedagogy: Towards an Art of Politics | Charles R Garoian | 1999 | P0223 | |
| Performance Art: From Futurism to the Present | RoseLee Goldberg | 2001 (revised edition) | P0224 | |
| Art for All? Their Policies and Our Culture | Mark Wallinger and Mary Warnock | 2000 | P0225 | |
| Art, Not Chance: Nine Artists’ Diaries | Paul Allen | 2001 | P0226 | |
| British Drama and Dance On Tour: Live Art | Sally Cowling and Sara Hitchens | Aug 1999 | P0227 | |
| Goan Atom | Caroline Bergvall | 2001 | P0228 | |
| Art and Feminism | Helena Reckitt and Peggy Phelan | 2001 | P0229 | |
| Manifesto | Robert Ayers | 2001 | P0230 | |
| Strawberry Girl; Deej Fabyc Some Projects 1995 - 2001 | Deej Fabyc | 2001 | P0231 | |
| Kiborg 1 (calendar) | 2000 | P0232 | ||
| Bad Girls and Sick Boys: Fantasies in Contemporary Art and Culture | Linda S Kauffman | 1998 | P0233 | |
| Perform or Else: From Discipline to Performance | Jon McKenzie | 2001 | P0234 | |
| Theatre/Archaeology: Disciplinary Dialogues | Mike Pearson and Michael Shanks | 2001 | P0235 | |
| The Dream Dictionary for the Modern Dreamer | Tim Etchells | 2001 | P0236 | |
| Contemporary Theatre Review, Vol 10, Part 3; The Body in Performance | Patrick Campbell | 2000 | P0237 | |
| Making a Scene | Henry Rogers and David Burrows | 2000 | P0238 | |
| Oleg Kulik: Art Animal | Jonathan Watkins and Deborah Kermode | 2001 | P0239 | |
| Liveness: Performance in a Mediaized Culture | Philip Auslander | 1999 | P0240 | |
| The Bodies That Were Not Ours and Other Writings | Coco Fusco | 2001 | P0241 | |
| Fashion and Performance: A Special Issue of Fashion Theory | Ginger Gregg Duggan | P0242 | ||
| The Citizen Artist: 20 Years of Art in the Public Arena | Linda Frye Burnham and Steve Durland | 1998 | P0243 | |
| Michael Snow: Almost Cover to Cover | Catsou Roberts and Lucy Steeds | 2001 | P0244 | |
| Flaming Creatures: The Art and Times of Jack Smith | Edward Leffingwell, Carole Kismaric, Marvin Heiferman | 1997 | P0245 | |
| Cremaster 4 | Matthew Barney | 1995 | P0246 | |
| Fax Book Project | M2: Noel Molloy and Patrick Anderson McQuoid | 1999 | P0247 | |
| Focus Live Art | Lois Keidan and Daniel Brine | 2001 | P0248 | |
| Paul McCarthy | Tim Yohn and Karen McCarthy | 2000 | P0249 | |
| Gallery Talks - Szuper Gallery | Szuper Gallery | P0250 | ||
| Szuper Gallery - A catalogue of works from the Szuper Gallery collection | Szuper Gallery | 1998 | P0251 | |
| Small Time Life; Andre Stitt | André Stitt | Locus + and Duncan McCorquodale | 2001 | P0252 |
| David Cotterrell Selected Works 1995 - 2001 | David Cotterrell | 2001 | P0253 | |
| Joshua Sofaer A Biography by Margaret Taylor | Joshua Sofaer | Margaret Turner | 1997 | P0254 |
| Performance Analysis An Introductory Coursebook | Colin Counsell and Laurie Wolf | 2001 | P0255 | |
| Mounting | Rose English, Jacky Lansley, and Sally Potter | 1977 | P0256 | |
| Performancemania | Hayley Newman | 2001 | P0257 | |
| Confession Time. That Cool and Immature Feeling of Total Honesty | Zero Visibility Corp | 2001 | P0258 | |
| The Missing Voice (Case Study B) | Janet Cardiff | 1999 | P0259 | |
| Artsadmin 20 years | Judith Knight | 1999 | P0260 | |
| The River | Harry Palmer, Paul Burwell, Mike Dearing, Robert Cary, and Brian Gilson | 2001 | P0261 | |
| Live at the End of the Century: Aspects of Performance Art in Vancouver | Brice Canyon | 2000 | P0262 | |
| Two Hotels | Corridor (Geraldine Pilgrim Artistic Director) | 2001 | P0263 | |
| Span 2 International Performance Art | Andre Stitt and Roddy Hunter | 2001 | P0264 | |
| Writing Live | John Deeney | 1998 | P0265 | |
| The Week of Small Miracles | Peter Cusack and Ed Baxter | 2000 | P0266 | |
| Institute of Contemporary Arts (ICA) Bulletin | Sep 1992 - Mar 1997 (inclusive) | P0267 | ||
| n | Lloyd Gibson and Mark Little | Locus + | 2000 | P0268 |
| Chasing Rainbows | Anya Gallaccio | 1999 | P0269 | |
| .comp | Unknown Public | 2000 | P0270 | |
| Echo | Wendy Kirkup | 2001 | P0271 | |
| Reading the Contemporary: African Art from Theory to the Marketplace | Olu Oguibe and Okwui Enwezor | 1999 | P0272 | |
| Beyond the Fantastic: Contemporary Art Criticism from Latin America | Gerardo Mosquera | 1995 | P0273 | |
| Heri Dono | David Elliott and Gilane Tawadros | 1996 | P0274 | |
| Sonia Boyce: Performance | Mark Crinson | 1998 | P0275 | |
| La Historia de Arias | Fernando Arias | 1998 | P0276 | |
| Maps for Wayward Performers: Feminist Readings and Contemporary Live Art Practice in Britain | Marie-Anne Mancio | 1996 | P0277 | |
| La Ribot | La Ribot | 2002 | P0278 | |
| Blood: Art, Power, Politics and Pathology | James M Bradburne | 2001 | P0279 | |
| The Degenerate Art Book | Mat Hawthorne | 2001 | P0280 | |
| Gina Pane | Caroline Collier and Stephen Foster | 2002 | P0281 | |
| Gilles Jobin | Gilles Jobin | 2002 | P0282 | |
| Codex Espangliensis: From Columbus to the Border Patrol | Guillermo Gomez Pena, Enrique Chagoya, Felicia Rice | 2000 | P0283 | |
| Theatre and Everyday Life: An Ethics of Performance | Alan Read | 1993 | P0284 | |
| Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century | Jo Bonney | 2000 | P0285 | |
| Dear Thank You Yours Sincerely | Atsuhide Ito | 2001 | P0286 | |
| Contract with the Skin: Masochism, Performance Art, and the 1970s | Kathy O'Dell | 1998 | P0287 | |
| Una Decada Y Pico: Textos de Performance | Monica Mayer | 2001 | P0288 | |
| Performance Studies: An Introduction | Richard Schechner | 2002 | P0289 | |
| The Palace of Projects | Ilya & Emilia Kabakov | 1998 | P0290 | |
| Con Art | Carol Maund, Helen Varola, Pier Giorgio Varola | 2002 | P0291 | |
| Transparent Room | Michael Pinsky | 1998 | P0292 | |
| Box Story | Bobby Baker | 2001 | P0293 | |
| Drawings 1, 2, 3 | Helena Johard | 2001 | P0294 | |
| Body Blows: Six Performances | Tim Miller | Joan Larkin, David Bergman | 2002 | P0295 |
| Performances: Were You There? | Anet van de Elzen, Irene Veenstra | 2001 | P0296 | |
| International Festival of Arts & Ideas | 1996 | P0297 | ||
| Situaciones | Fine Art Faculty, Universidad de Castilla-La Mancha | Apr 2001 | P0298 | |
| Mohawk Beaver | Gritt Uldal-Jessen | 1999 | P0299 | |
| Sonictraps: Involuntary Head Sounds | Aaron Williamson | 2000 | P0300 | |
| Plugged In: Multimedia and the Arts in London | Lisa Haskel | Jan 1996 | P0301 | |
| Cultural Grounding: Live Art and Cultural Diversity: Action Research Project | Michael McMillan | Oct 1990 | P0302 | |
| The Landscape of Fact: Towards a Policy for Cultural Diversity for the English Funding System: African, Caribbean, Asian and Chinese Arts | Feb 1997 | P0303 | ||
| Attitudes Among Britain’s Black Community Towards Attendance at Arts, Cultural and Entertainment Events | Jenni Francis | July 1990 | P0304 | |
| Manifestas 2: Cabula situacionista | 1997 | P0305 | ||
| transfuge - la vie: mode d’(in)emploi | Raphael Cuir | 1999 | P0306 | |
| By The Way | Tea | 1999 | P0307 | |
| The Cut | Tea | Tea | 2000 | P0308 |
| Independent Practices: Representation, Location and History in Contemporary Visual Art | Bryan Biggs, Angela Dimitrakaki and Juginder Lamba | 2000 | P0057 | |
| Evidence of Life After Death | Robert Pacitti | 1999 | P0309 | |
| Live Art Projects in New Contexts: An Evaluation of the Support Infrastructure | Chrissie Papaleontiou | 2002 | P0310 | |
| Liminal peope | Malin T Stahl | 2001 | P0311 | |
| A Short History of Performance: Part One | Andrea Tarsia | 2002 | P0312 | |
| Cathedral Lung | Aaron Williamson | 1991 | P0313 | |
| A Holy Throat Symposium | Aaron Williamson | 1993 | P0314 | |
| Towards an Analysis of Momentary Spaces | Eric Lesdema | 2001 | P0315 | |
| Collected works | Richard Dedomenici | P0316 | ||
| Performance Related Pay | Simon Poulter | 2002 | P0317 | |
| The Books 1 | Things Not Worth Keeping | 2002 | P0318 | |
| Marcus Coates | Marcus Coates | 2001 | P0319 | |
| Kapital & Karma: Recent Positions in Indian Art | Kunsthalle Wien, Gerald Matt, Angelika Fitz, Michael Worgotter | 2002 | P0320 | |
| The Books 2 | Things Not Worth Keeping | 2002 | P0321 | |
| International 2002 | Lewis Biggs | 2002 | P0322 | |
| Santiago Sierra Works 2002 - 1990 | Katya Garcia-Anton | 2002 | P0323 | |
| George Chakravarthi Third Sex | George Chakravarthi | 2002 | P0324 | |
| David Cotterrell Selected Works 1995 - 2002 | David Cotterrell | 2002 | P0325 | |
| Documenta11_Platform5:Exhibition Short Guide | Documenta und Museum Fridericianum Veranstaltungs-GmbH | 2002 | P0326 | |
| Desert Rain - A Virtual Reality Game/Installation | Blast Theory | 2002 | P0327 | |
| Break Down | Michael Landy | 2001 | P0328 | |
| TV Swansong | Karen Guthrie and Nina Pope | 2002 | P0329 | |
| Nikki S. Lee Projects | Lesley A Martin | 2001 | P0330 | |
| Jeremy Deller Life is to Blame for Everything Collected Work and Projects 1992-99 | Rebecca Gordon Nesbitt | 2001 | P0331 | |
| Potential: Ongoing Archive | Anna Harding | 2002 | P0332 | |
| 4 For More | SuAndi | 2002 | P0333 | |
| Acts of Achievement Colloquium 2001 | SuAndi | 2002 | P0334 | |
| Art into Theatre: Performance Interviews and Documents | Nick Kaye | 1998 (second printing) | P0335 | |
| Laurie Anderson | RoseLee Goldberg | 2000 | P0336 | |
| Marina Abramovic Public Body: Installations and Objects 1965 - 2001 | Marina Abramovic | 1998 | P0337 | |
| Girl, Watching | Jyll Bradley | 2003 | P0338 | |
| Death’s Dance Floor | Ian Breakwell | 1998 | P0339 | |
| Infiltration | Richard Layzell | 1997 | P0340 | |
| Psychoanalysis and Performance | Patrick Campbell and Adrian Kear | 2001 | P0341 | |
| Mike Hentz: Works 4 | Mike Hentz | 1999 | P0342 | |
| Happenings and Other Acts | Mariellen R Sandford | 1995 | P0343 | |
| The Body in Pain: The Making and Unmaking of the World | Elaine Scarry | 1985 | P0344 | |
| Self Evident: The Artist as the Subject 1969 - 2002 | Mary Horlock, Michela Parkin, Kathryn Rattee and Katharine Stout | 2002 | P0345 | |
| Imaging Her Erotics: Carolee Schneemann: Essays, Interviews, Projects | Carolee Schneemann | 2002 | P0346 | |
| A Pilgrimage in Santiago de Compostela | Zhang Huan | Bieito Perez Outeirino | 2001 | P0347 |
| Off Limits - 40 Artangel Projects | Gerrie van Noord | 2002 | P0348 | |
| Audit | Lucy Kimbell | 2002 | P0349 | |
| Kamil Varga | Kamil Varga | 1997 | P0350 | |
| The Object of Performance: The American Avant-Garde Since 1970 | Henry M Sayre | 1989 | P0351 | |
| Live in Your Head: Concept and Experiment in Britain 1965 - 75 | Clive Phillpot and Andrea Tarsia | 2000 | P0352 | |
| The Books 3 | Things Not Worth Keeping | 2003 | P0353 | |
| Shock & Show | Maria Campitelli | 2002 | P0354 | |
| Message | Oleg Kulik | 2003 | P0355 | |
| William Pope.L: The Friendliest Black Artist in America | Mark H.C. Bessire | 2002 | P0356 | |
| Redefining Identities: Russian Contemporary Art in the Age of Globalisation | 2003 | P0357 | ||
| Bones Accions 1991 - 2001 | Joan Casellas | 2002 | P0358 | |
| Locating Performance: Performance Related Text | Peter Bond | 2003 | P0359 | |
| Radical Street Performance: An International Anthology | Jan Cohen-Cruz | 2003 | P0360 | |
| Live Culture | Adrian Heathfield | 2003 | P0361 | |
| Strip Show: Performances of Gender and Desire | Katherine Liepe-Levinson | 2002 | P0362 | |
| The Intercultural Performance Reader | Patrice Pavis | 1996 | P0363 | |
| The Changing Room: Sex, Drag and Theatre | Laurence Senelick | 2000 | P0364 | |
| Performance Anxieties: Staging Psychoanalysis, Staging Race | Ann Pellegrini | 1997 | P0365 | |
| Black British Culture and Sociey - A Text Reader | Kwesi Owusu | 2000 | P0366 | |
| The Post-Colonial Studies Reader | Bill Ashcroft, Gareth Griffiths and Helen Tiffin | 2002 | P0367 | |
| The Visual Culture Reader | Nicholas Mirzoeff | 2002 | P0368 | |
| Corporealities; Dancing Knowledge, Culture and Power | Susan Leigh Foster | 1996 | P0369 | |
| The Politics of Performance: Radical Theatre as Cultural Intervention | Baz Kershaw | 1992 | P0370 | |
| Performance and Cultural Politics | Elin Diamond | 1996 | P0371 | |
| Architecturally Speaking: Practices of Art, Architecture and the Everyday | Alan Read | 2000 | P0372 | |
| The Feminism and Visual Culture Reader | Amelia Jones | 2003 | P0373 | |
| Filemakers Notes | Gary O’Connor | 2002 | P0374 | |
| No Place I’m Going To | Ruth Jones, Declan Sheehan and aimnin | 2002 | P0375 | |
| Gold X Change: GOLD for every BODY | Foreign Investment | 1997 | P0376 | |
| Foreign Investment: Operational Overview | Foreign Investment | 1999 | P0377 | |
| The Art of Tickling a Trout and Other Sensual Pleasures | Charlie Murphy | 2003 | P0378 | |
| DIY: Professional Development BY Artists FOR Artists | 2002 | P0379 | ||
| Street Arts: A User’s Guide | Anthony Dean | 2002 | P0380 | |
| Rio Trajetorias: Acoes Transculturais | 2001 | P0381 | ||
| Skin | Ursula Burke | 2002 | P0382 | |
| Cartography: The City | Stephen Hackett | 2000 | P0383 | |
| The Blindings | Brian Catling | 1995 | P0384 | |
| Zhang Huan | Yilmar Dziewior | 2002 | P0385 | |
| Mike Kelley and Paul McCarthy: Collaborative Works | Lisa Gabrielle Mark | 2000 | P0386 | |
| Painful but Fabulous: The Lives and Art of Genesis P-Orridge | 2002 | P0387 | ||
| Orlan 1964-2001 | Maria Jose Kerejeta | 2002 | P0388 | |
| Orlan: Millennial Female | Kate Ince | 2000 | P0389 | |
| The Nosepaint - Beaconsfield papertrail 1991 - 2000 | David Crawforth and Naomi Siderfin | 2001 | P0390 | |
| Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust | 2002 | P0391 | ||
| Digital Art | Christiane Paul | 2003 | P0392 | |
| Flesh Winnow: Barbara Campbell | Laura Ginters and Barbara Campbell | 2002 | P0393 | |
| Museum of Angels | Tim Brennan | 2003 | P0394 | |
| Still Life | Franko B | 2003 | P0395 | |
| To Be Continued > Artists’ Interventions into the Public Realm | Deborah Smith and Kate Fowle | 2003 | P0396 | |
| Talking Heads: Listening to Stelarc | Gary Hall and Joanna Zylinska | 2003 | P0397 | |
| The National Review of Live Art 1984 - 2007 | Nikki Millican | 1984 - 2007 | P0398 | |
| Matthew Barney The Cremaster Cycle | Nancy Spector and Neville Wakefield | 2002 | P0399 | |
| Wanderlust: A History of Walking | Rebecca Solnit | 2001 | P0400 | |
| Writings of the Vienna Actionists | Brus, Muehl, Nitsch, Schwarzkogler | Malcolm Green | 1999 | P0401 |
| Extreme Bodies: The Use and Abuse of the Body in Art | Francesca Alfano Miglietti (FAM) | 2003 | P0402 | |
| TRANS> 8 | Sandra Antelo-Suarez | 2000 | P0403 | |
| Experiment: conversations in art and science | Bergit Arends and Davina Thackara | 2003 | P0405 | |
| Mirage: Enigmas of Race, Difference and Desire | Ragnar Farr | 1995 | P0406 | |
| Digital Story Telling, Capturing lives, Creating Community | Joe Lambert | 2002 | P0407 | |
| South of no North | Andre Stitt | 2003 | P0408 | |
| The Bedford Project | Andre Stitt | 2003 | P0409 | |
| Rona Lee Works 2000 - 2003 | Chris Townsend | 2003 | P0410 | |
| n. paradoxa international feminist art journal, volume 5 | Katy Deepwell | 2000 | P0411 | |
| n. paradoxa international feminist art journal, volume 12, Out of Order | Katy Deepwell | 2003 | P0412 | |
| Programming artworks for the hours of darkness Quarterlight Text 1 and 2 | Chris Wainright | P0413 | ||
| The Best of Janette Parris | Janette Parris | Richard Hylton | 2002 | P0414 |
| 4th International Performance Festival Odense 2003: For Eyes and Ears | Else Jespersen | 2003 | P0415 | |
| Promoting Diversity: Culturally Diverse Theatre Companies - A Resource for Programmers | 2003 | P0416 | ||
| A Short History of Performance: Part Two | Andrea Tarsia | 2003 | P0417 | |
| The Collection of Ordure | Stuart Brisley | 2002 | P0418 | |
| Beyond Reason: Ordure | Stuart Brisley | 2003 | P0419 | |
| Art, Lies and Videotape: Exposing Performance | Adrian George | 2003 | P0420 | |
| Beagles and Ramsay 1996 - 2003 | Beagles and Ramsay | 2003 | P0421 | |
| Disability and Contemporary Performance: Bodies on Edge | Petra Kuppers | 2004 | P0422 | |
| Fresh Today: 100 Years of Art and Power | Lindsay Hughes | 2003 | P0423 | |
| We Are Everywhere - The Irresistible Rise of Global Anticapitalism | Notes from Nowhere | 2003 | P0424 | |
| Occasional Sights - A London Guidebook of Missed Opportuniites and Things That Aren’t Always There | Anna Best | Anna Best and Neil Chapman | 2003 | P0425 |
| A.R. : Akademia Ruchu | 2003 | P0426 | ||
| Exposures | Manuel Vason, Lois Keidan and Ron Athey | 2002 | P0427 | |
| Guerilla Performance and Multimedia | Leslie Hill and Helen Paris | 2001 | P0428 | |
| The Books 4 | Things Not Worth Keeping | 2004 | P0429 | |
| El Mexterminator | Guillermo Gomez Pena | 2002 | P0430 | |
| The Cyborg Experiments | Joanna Zylinska | 2002 | P0431 | |
| Performative Installation | Angelika Nollert | 2003 | P0432 | |
| Guatinaui World Tour | Coco Fusco & Guillermo Gomez Pena | 1993 | P0433 | |
| Alastair MacLennan Knot | Alastair MacLennan | 2003 | P0434 | |
| Internet Art | Julian Stallabrass | 2003 | P0435 | |
| Bruce Nauman: Theaters of Experience | Laura Morris | 2003 | P0436 | |
| Eclat | Caroline Bergvall | 1996 | P0437 | |
| Mapping Perception | Giles Lane & Katrina Jungnickel with Mark Lythgoe | 2002 | P0438 | |
| Atomic | The Arts Catalyst | 1998 | P0439 | |
| shock/one second | Philip Warnell | 2003 | P0440 | |
| Temple of Confessions | Guillermo Gomez Pena and Roberto Sifuentes | 1996 | P0441 | |
| Warrior for Gringostroika | Guillermo Gomez Pena | 1993 | P0442 | |
| The New World Border | Guillermo Gomez Pena | 1994 | P0443 | |
| I was buried in Cromer Street | Catherine Packard | 2003 | P0444 | |
| Performance Art | RoseLee Goldberg (unattributed) | 2002 | P0445 | |
| Reasons of Breaking | Yang Qing | P0446 | ||
| Shi Qing: Black Taboos | Qiu Zhijie and Philip Tinari | 2003 | P0447 | |
| Liu Jin Art | Liu Jin | 2001 | P0448 | |
| Qing Qing 1996 - 2000 | Qing Qing | 2001 | P0449 | |
| Existence in Translation | Cang Xin | 2002 | P0450 | |
| Temporary Space: An Experiment by Wang Wei | Wang Wei and Philip Tinari | 2003 | P0451 | |
| Useful Life: Yang Zhenzhong, Xu Zhen, and Yang Fudong | 2000 | P0452 | ||
| Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection | Li Xu | 2004 | P0453 | |
| Public Space and Personal Eyes - A New Vision in China | Shu Yang | 2003 | P0454 | |
| Out the Window - Spaces of Distraction | 2004 | P0455 | ||
| China’s New Photography | Shu Yang | 2002 | P0456 | |
| DNA Visual Exhibition 2003 | Karen Patterson | 2003 | P0457 | |
| The Scene is Most Important - Series of Critiques on Chinese Contemporary Art | 2003 | P0458 | ||
| Post-Sense Sensibility: Alien Bodies and Delusion | 1999 | P0459 | ||
| Post-Sense Sensibility: Spree | P0460 | |||
| Long March - A Walking Visual Display (postcards) | 2002 | P0461 | ||
| Long March - A Walking Visual Display | Lu Jie | 2002 | P0462 | |
| Yishu: Journal of Contemporary Chinese Art, November 2002 | Ken Lum | 2002 | P0463 | |
| Yishu: Journal of Contemporary Chinese Art, September 2003 | Ken Lum | 2003 | P0464 | |
| May Fung: Everything Starts From “HERE” | 2002 | P0465 | ||
| The Twenty Red Years of Ricky Yeung Sau-Churk | Anthony Leung Po-shan | 2002 | P0466 | |
| Para / Site 1996 | 1996 | P0467 | ||
| Para / Site 1996 - 2000 | Anthony Leung Po-shan | 2002 | P0468 | |
| PS no 20 - on perform-ance / ing + art | Leung Po Shan | 2003 | P0469 | |
| Drift City | Kacey Wong | 2003 | P0470 | |
| Kwok “Frog King”: Kwok - Art Life for 30 Years 1967 - 1997 | Kwok Mang Ho | 1999 | P0471 | |
| Ma Liuming | Julia Colman | 2003 | P0472 | |
| Scanning | Bobby Baker | 1995 | P0473 | |
| Deer Park - See You Swoon | Deer Park | 2003 | P0474 | |
| The Political Body - Posters from the People’s Republic of China | Various | Katie Hill | 2004 | P0475 |
| Experiment mit der Luftpumpe | Victorine Muller | 2000 | P0476 | |
| Loving Big Brother | John E McGrath | 2004 | P0477 | |
| Gorilla Theatre | Christopher Carter Sanderson | 2003 | P0478 | |
| Actors and Activitsts | Jerome Nadelhaft | 2002 | P0479 | |
| The Performance Studies Reader | Henry Bial | 2004 | P0480 | |
| Not Even a Game Anymore - The Theatre of Forced Entertainment | Forced Entertainment | Judith Helmer / Florian Malzacher | 2004 | P0481 |
| Justfornow | Monica Ross | P0482 | ||
| DIY 2 Summary Report | Various | 2004 | P0483 | |
| Split Britches: Lesbian Practice/Feminist Performance | Split Britches | Sue-Ellen Case | 1996 | P0484 |
| Witness Appeal - Can You Help | Leo Asemota | 2001 | P0485 | |
| Magnet 1 | Various | Gilare Tawadros | 2001 | P0486 |
| Hotel Pro Forma - The Double staging: Space and Performance | Per Theil, Kirsten Dehlholm, Lars Qvortrup | P0487 | ||
| Sex, Birth, Death | Aine Phillips | 2003 | P0488 | |
| Happenings | Michael Kirby | 1965 | P0489 | |
| Breaking The Rules - The Wooster group | David Savran | P0490 | ||
| Body Probe - Mutating Physical Boundaries | David Wood | 1999 | P0491 | |
| Kontejner | Olga Majcen and Suncica Ostoic | 2003 | P0492 | |
| A Primer of Happenings & Time/Space Art | Al Hansen | 1965 | P0493 | |
| The Originality of the Avant-Garde and Other Modernist Myths | Rosalind Krauss | 1985 | P0494 | |
| VB 08-36. Vanessa Beecroft Performances | 2000 | P0495 | ||
| Greenwhich Village 1963 - Avant-Garde Performance | Sally Banes | 1993 | P0496 | |
| Performance Technologies - A User’s Guide | Various | Anthony Dean | 2003 | P0497 |
| Carnival of Perception - Selected Writings on Art | Guy Brett | 2004 | P0498 | |
| The Daily Hayley | Hayley Newman | 2003 | P0499 | |
| Ideas and Actions | Joseph Beuys | 1988 | P0500 | |
| Cyborgs in Mutation - Osseus Labyrint’s Alien Body Art | Meiling Cheng | 2001 | P0501 | |
| Les Demoiselles d/L.A - Sacred Naked Nature Girls | Meiling Cheng | 1998 | P0502 | |
| Highways, L.A: Multiple Communities in a heterolocus | Meiling Cheng | 2001 | P0503 | |
| Oguri and Renzoku | Meiling Cheng | 2001 | P0504 | |
| Sacred Naked Nature Girls | Meiling Cheng | P0505 | ||
| The Unbearable Lightness of Sight | Meiling Cheng | P0506 | ||
| Elia Arce’s Performance Art: Transculturation, Feminism, Politicized Inividualism | Meiling Cheng | 2000 | P0507 | |
| Taiwan International Performance Art Festival (TIPAF) | Various | 2004 | P0508 | |
| One to One Appraisal | Live Art Development Agency | Salette Gressett | 2004 | P0509 |
| DIY2 Summary Report | Live Art Advisory Network | 2004 | P0510 | |
| 50th Venice Biennale 2003 | Arahmaiani | Jaana Pruss | 2003 | P0511 |
| Performance Art in Xi’an 2001-2002 | Various | 2002 | P0512 | |
| The 11th Nippon International Performance Art Festival | Various | 2004 | P0513 | |
| Newsletter | Museum of Contemporary Art, Denver | 2004 | P0514 | |
| Futurist Performance | Michael Kirby | 1971 | P0515 | |
| Fifth Issue of Ten | 2004 | P0516 | ||
| The Bounds and the Boundless 1993-2003 | 2003 | P0517 | ||
| Disclaimer - A Fellowship Project | Carey Young | 2004 | P0518 | |
| Chinese Performance Artists - Redrawing the Map of Chinese Culture | Carla Kirkwood | 2004 | P0519 | |
| Translated Acts - Performance and Body Art in East Asia | 2001 | P0520 | ||
| Shanghai Week | Hayley Newman | 2004 | P0521 | |
| Mona Hatoum | Christoph Heinrich | 2004 | P0522 | |
| Rrose is a Rrose - Gender Performance in Photography | Jennifer Blessing | 1997 | P0523 | |
| Regarding the Pain of Others | Susan Sontag | P0524 | ||
| Illness as Metaphor and AIDS and its Metaphors | Susan Sontag | 1991 | P0525 | |
| Marina Abramovic Student Body | Marina Abramovic | P0526 | ||
| Schwarzkogler | Rudolph Schwarzkogler | 1994 | P0527 | |
| Yes - Yoko Ono | Yoko Ono | 2000 | P0528 | |
| Out of the Box - The Reinvention of Art, 1965-1975 | Carter Ratcliff | 2000 | P0529 | |
| Land and Environmental Art | J Kastner and B Wallis | 1998 | P0530 | |
| Conceptual Art | Peter Osborne | 2002 | P0531 | |
| From Arkhipov to Zittel | Jonathan Watkins and Deborah Kermode | 2001 | P0532 | |
| The Performance Pack | Joshua Sofaer | 2004 | P0533 | |
| The Efficacy/Effeminacy Braid: Unpicking the Performance Studies Dichotomy | Stephen J. Bottoms | 2003 | P0534 | |
| Laburnum Pilot | Amy Plant + Ella Gibbs | 2004 | P0535 | |
| Seiho Takeuchi Vs Tatsumi Orimoto | Tatsumi Orimoto | 2003 | P0536 | |
| Bob Flanagan The Pain Journal | Bob Flanagan | 2000 | P0537 | |
| RE Search - Bob Flanagan: Supermasochist | Bob Flanagan | Andrea Juno & V. Vale | 2000 | P0538 |
| On record: Advertising, Architecture and the Actions of Gina Pane | Alice Maude-Roxby and Francoise Masson | P0539 | ||
| Difference and Excess in Contemporary Art: The Visibility of Women’s Practice | Various | P0540 | ||
| The International Journal of Art & Design Education 22.2 | Mark Waugh | 2003 | P0541 | |
| Contemporary Theatre Review - British Live Art: Essays & Documentations | Franc Chamberlain | P0542 | ||
| The Final Journals of William Burroughs | James Grauerholz | 2001 | P0543 | |
| The Biography Remix - Marina Abramovic | Micheal Laub | 2004 | P0544 | |
| Ana Mendieta | Ana Mendieta | Gloria Moure | 1996 | P0545 |
| Mein Korper bei aktionen von Nitsch und Schwarzkogler | Heinz Cibulka | P0546 | ||
| Patti Smith complete lyrics, notes and reflections | Patti Smith | 1999 | P0547 | |
| Santiago Sierra | Santiago Sierra | P0548 | ||
| Autoportraits | David Nebreda | 2000 | P0549 | |
| The Art of Destruction - The Films of the Vienna Action Group | Stephen Barber | 2004 | P0550 | |
| Yayoi Kusama | Yayoi Kusama | P0551 | ||
| Enrique Metinides | Kate Bush, Francois Chantala and Jose Kuri | 2003 | P0552 | |
| Live: Art and Performance | Adrian Heathfield | 2004 | P0553 | |
| 4a Biennal d’Art Leandre Cristofol. Lleida | 2004 | P0554 | ||
| Talking Back To Science:Art, Science and the Personal | Bergit Arenda and Verity Slater | 2004 | P0555 | |
| The Travels | Forced Entertainment | 2002 | P0556 | |
| John Wood and Paul Harrison | John Wood and Paul Harrison | 2000 | P0557 | |
| Theatre of the Unheard - Rediscovering Black Theatre | Ronald Fraser-Munroe | 2004 | P0558 | |
| Ten To Do | FrenchMottershead | 2004 | P0559 | |
| An Exeter Mis Guide | 2003 | P0560 | ||
| Anecdotal Cardiff | Jennie Savage | 2003 | P0561 | |
| Performing Difference | Various | 2004 | P0562 | |
| Changing States - Contemporary Art and Ideas in an Era of Globalisation | Various | 2004 | P0563 | |
| Os anos 70 na Colecao Joao Sattamini | Antonio Dias | 2000 | P0564 | |
| O Sonho Do Arqueologo | Artur Barrio | 2002 | P0565 | |
| Ocupacoes/ descobrimentos | Antonio Manuel | 1998 | P0566 | |
| The Great Survay of Paper Cutting | Various | 2004 | P0567 | |
| Gesto - Choreographic Magazine | Various | 2003 | P0568 | |
| Video Brazil | Various | 2001 | P0569 | |
| Mostra Africana de Arte Contemporanea | Various | 2000 | P0570 | |
| Ordering and Vertigo | Various | 2003 | P0571 | |
| Deslocamentos | Various | 2003 | P0572 | |
| Performance - The Project Papers | Various | 1998 | P0573 | |
| Stigmata | Jason E Bowman | P0574 | ||
| Festival Internacional de Arte Electronica | Various | 2001 | P0575 | |
| Metacorpos | Various | 2003 | P0576 | |
| Metro | Various | 2001 | P0577 | |
| The People Series - Documentation Boxsets (2003-08) | FrenchMottershead | 2004 | P0578 | |
| Fuck Off | Various | 2000 | P0579 | |
| A Practical Guide to Developing and Managing Websites | Roger Tomlinson & Vicki Allpress | 2004 | P0580 | |
| From Performing to Commodity - Live Art as Commodity | Amelia Jones | 2004 | A0001 | |
| Carey Young, Incorporated | Carey Young | 2002 | P0581 | |
| Bloody Amateurs | Various | Unknown Public | 2002 | P0582 |
| Put About: A Critical Anthology on Independent Publishing | Various | 2004 | P0583 | |
| Blast to Frieze - British Art in the 20th Century | Various | 2003 | P0584 | |
| Invisable Dances...From Afar: A show That Will Never Be Shown | Bock and Vincenzi | 2003 | P0585 | |
| OK.,The Catalogue | ruangrupa | 2003 | P0586 | |
| Ok., Video post event | ruangrupa | 2004 | P0587 | |
| Alternative Space | Ruang Alternatif | 2003 | P0588 | |
| Moral Pointers | Mella Jaarsma | P0589 | ||
| The Yes Men | Andy Bichlbaum and Mike Bonanno | 2004 | P0592 | |
| The West Indian Front Room | Michael McMillan | P0590 | ||
| Conflict of Interest, Performance as a Spectator Sport | Joshua Sofaer | 2000 | A0002 | |
| Electronic Shadows, The Art of Tina Keane | Tina Keane | 2004 | P0591 | |
| Avant-gardism and the Fluxus Project | Owen Smith | 2002 | A0003 | |
| Silence and Savant-garde: Beuys, Fluxus, Duchamp | Chris Tompson | 2002 | A0004 | |
| My Balls/Your Chin* | Mike Pearson | 1998 | A0005 | |
| I Never Go Anywhere I Can’t Drive Myself | Leslie Hill and Helen Paris | 1998 | A0006 | |
| The Animal Being on Stage | Romeo Castellucci | 2000 | A0007 | |
| On The Skkids: Some Years of Acting Animals | Tim Etchells | 2000 | A0008 | |
| Acknowledging the Imperative of Performance in the Infancy of Theatre | Alan Read | 2000 | A0009 | |
| Private performances: Editing Performance Photography | Catherine Grant | 2002 | A0010 | |
| Disinter/est: Digging Up Our Childhood | Joshua Sofaer & Joanna Sofaer Derevenski | 2002 | A0011 | |
| Archives Pinto mi Raya | Monica Mayer | 2002 | A0012 | |
| Art in America (The dream) a conversation with Tania Bruguera | Johannes Birringer | 1998 | A0013 | |
| Cultural Transmissions, an interview with Xu Bing | Nick Kaye | 1998 | A0014 | |
| Reigning Territorial Plains - Blast Theory’s ‘Desert Rain’ | Rachel Clarke | 2001 | A0015 | |
| Archives - Performance Remains | Rebecca Schneider | 2001 | A0016 | |
| Performance Art Kontext | Gerhard Dirmoser & Boris Nieslony | 2001 | A0017 | |
| Cyberspace as a Performance Art Venue | Philip Auslander | 2001 | A0018 | |
| The Desire for Bodily Subversions | Anna Schober | 2003 | A0019 | |
| Strategies of Avoidance | Gerald Siegmund | 2003 | A0020 | |
| The You & The I | Kira O’Reilly | 2003 | A0021 | |
| Simultaneous Equivalents | Redell Olsen | 2002 | A0022 | |
| Between Journeys: an Interview with Lee Wen | Woon Tien Wei | 2001 | A0023 | |
| Transnationality and Directing | Olusegun Ojewuyi | 2001 | A0024 | |
| Fighting My Own Endemic Technophobia | Guillermo Gomez Pena | 1996 | A0025 | |
| Actions in Virtual Space | Marina Grzinic | 1999 | A0026 | |
| Live and Media Performance - the next Frontier | Richard Loveless & Lizbeth Goodman | 1999 | A0027 | |
| Writing for a Cyborg Who Prepares (Part One) | Nancy Reilly-McVittie | 1999 | A0028 | |
| Letter to an Unknown Thief | Guillermo Gomez Pena | 1998 | A0029 | |
| Stills of the Night | Andrew Quick | 1999 | A0030 | |
| Itinerant Pages: The Page as Performance Space | Ric Allsopp | 2004 | A0031 | |
| The Crystal Ball | Joshua Sofaer | 2004 | A0032 | |
| On Origins: Behind the Rituals | David George | 1998 | A0033 | |
| The Performance of Pain | Ted Polhemus | 1998 | A0034 | |
| Memory is This | Matthew Goulish | 2000 | A0035 | |
| Love’s Geography | Peggy Phelan | 2000 | A0036 | |
| Archive fever | Sarah Gorman | 2000 | A0037 | |
| Resisting Memorialisation: an Interview with Fiona Templeton | Andrew Quick | 2000 | A0038 | |
| A Forced Entertainment Glossary | Matthew Goulish | 2000 | A0039 | |
| Playing to the Senses: Food as a Performance Medium | Barbara Kirshenblatt-Gimblett | 1999 | A0040 | |
| Foodscares! The Pleaseures and Dangers of Culinart Theatre | Emma Govan & Dan Rebellato | 1999 | A0041 | |
| On Cooking the Sunday Dinner: by Bobby Baker | Bobby Baker & Andrew Whittuck | 1999 | A0042 | |
| Risk in Intimacy: An Interview with Bobby Baker | Adrian Heathfield | 1999 | A0043 | |
| Circuitry | Tracey Warr | 2001 | A0044 | |
| Totem | Lone Twin | 2001 | A0045 | |
| Smelling Voices: Cooking in the Theatre | Eleanor Margolies | 2003 | A0046 | |
| On the Scent | Leslie Hill & Helen Paris | 2003 | A0047 | |
| Excerpts from ‘Brownout! Part 2’ | Guillermo Gomez Pena | 2003 | A0048 | |
| Last Laughs | Adrian Heathfield | 2004 | A0049 | |
| Correspondence Cours | Carolee Schneemann | 1980-83 | A0050 | |
| Interview with Cai Yuan and J J Xi | Sally Lai | 2004 | A0051 | |
| Vito Acconci | Vito Acconci | 2002 | P0593 | |
| La Ribot Volume I | La Ribot | 2004 | P0594 | |
| La Ribot Volume II | La Ribot | 2004 | P0595 | |
| Joseph Beuys - Actions, Vitrines, Environments | Joseph Beuys | 2005 | P0596 | |
| An Introduction to Understanding Festivals | Blaz Lukan | 2004 | A0052 | |
| Ritual in Contemporary Performance | Victoria Singh | 2004 | P0597 | |
| Artivism | Aldo Milohnic | 2005 | A0053 | |
| Choreographies of Protest | Susan Leigh Foster | 2003 | A0054 | |
| Affirmation and/as Resistance | Inke Arns | A0055 | ||
| I’m Simply Looking For Something Else | Andreja Kopac | A0056 | ||
| The Terrorist Scenario and the Theatre of Terrorism | Jure Stojan | A0114 | ||
| Networked Environments for Interactive Dance | Johannes Birringer | 2003 | A0057 | |
| Toward a New Performativity and Processuality | Marina Grzinic | 2003 | A0058 | |
| Strategies of Subjectivity in Contemporary Performance Art | Bojana Kunst | 2002 | A0059 | |
| Fascination Games with Jerome Bel’s and Maria Ribot’s Erudite Bodies | Natasa Govedic | 2002 | A0060 | |
| Letters from Linda M. Montano | Linda Montano | 2005 | P0598 | |
| B-Book | Frankfurter Kuche and Vooruit | 2004 | P0599 | |
| Virtual Theatres | Gabriella Giannachi | 2004 | P0600 | |
| Fighting for Human Rights | Paul Gready | 2004 | P0601 | |
| Franko B’s Study Room Guide | Franko B | 2004 | P0602 | |
| Performance Contemporary | Bonnie Marranca | A0061 | ||
| Not Walking But Falling | Martin Patrick | 2005 | A0062 | |
| Vauxhall Pleasure | Anna Best | 2004 | A0063 | |
| Jack Smith | Jack Smith | 2004 | A0064 | |
| Clean Up Your Act | Bert Rebhandl | A0065 | ||
| Life and Times | Will Bradley | 2003 | A0066 | |
| Action Replay - On Live Museum Events | Alex Farquharson | 2003 | A0067 | |
| Social Work - Pawel Althamer | Will Bradley | 2003 | A0068 | |
| Ain’t no such thing as Superman - William Pope.L | James Trainor | A0069 | ||
| Janine Antoni | Peter Eleey | 2003 | A0070 | |
| Academy or Ideological Traffic-Jam? Your Choice | Ritsaart ten Cate | 2000 | A0071 | |
| The Hammer and the Sickle | John Berger | 2000 | A0072 | |
| Pilgrims of Matter | Romeo Castellucci | 2000 | A0073 | |
| Zivadinov’s Biomechanics in Weightlessness | Emil Hrvatin | 2000 | A0074 | |
| Spring and then Winter | Jimmie Durham | 2001 | A0075 | |
| Highway 10 Revisited | Hans - Ulrich Obrist | 2001 | A0076 | |
| Exploring Vacuum | Cemeti Art House | 2003 | P0603 | |
| Horizon | Aideen Barry and Louise Manifold | P0604 | ||
| Self-Portrait as Anti Model | Orlan | 2002 | A0077 | |
| His Master’s Voice | Tadeuz Kantor | 2002 | A0078 | |
| The Road Has Not Reached it’s End When The Destination Explodes | Steven De Belder & Hendrik Tratsaert | 2002 | A0079 | |
| Sensory Deception | Susan Greenfield & Marina Abramovic | 2002 | A0080 | |
| The Broken World | Tim Etchells & Hugo Glendinning | 2002 | A0081 | |
| Bridge The Gap? | Akiko Miyake & Hans Ulrich Obrist | 2002 | A0082 | |
| The Lone Ranger, Paul McCarthy | Paul McCarthy | 2002 | A0083 | |
| Utopian Aesthetics | Tunga, Luiz Camillo Osorio, Jens Hoffmann | 2003 | A0084 | |
| Ten Commandments of Zoophrenia | Oleg Kulik | 2003 | A0085 | |
| Cross Contamination | Pocha Nostra | 2004 | A0086 | |
| Ventriloqua | Aura Satz | 2004 | A0087 | |
| Surviving Text | Cathy Turner | 2004 | A0088 | |
| From Generation to Generation | Michael McMillan | 2004 | A0089 | |
| Reclaiming the Right to Performance | Rustom Bharucha | A0090 | ||
| Struggling to Perform | Sarah Jane Bailes | 2005 | A0091 | |
| Now & Then | Ali Zaidi - motiroti | 2005 | A0092 | |
| Some Things You Can Do With Blackness... | William Pope. L | 2005 | P0605 | |
| Chlorine Addiction | Tan Kai Syng | P0606 | ||
| The War of Desire and Technology at the Close of the Mechanical Age | Allucquere Rosanne Stone | 1995 | P0607 | |
| Amino Essays: Twenty Short Performance Papers | Fiona Wright | 2004 | P0608 | |
| The One Minute Silence From The Funeral of Diana, Princess of Wales | Jonty Semper | 1997 | P0609 | |
| What’s the Welsh for Performance? 30 years of Action Art in Wales | Heike Roms | 2004 | A0093 | |
| Pageant | Lorrice Douglas | 2002 | P0610 | |
| Seven Short Walks | Stuart Mugridge | 2002 | P0611 | |
| Perches | Hans Waanders | 2001 | P0612 | |
| Bruno | Jordan Baseman | P0613 | ||
| Roadshow - Grizedale Arts Projects | Adam Sutherland and Jenny Brownrigg | 2003 | P0614 | |
| Syzygy / Polaria | London Fieldworks | Bruce Gilchrist and Jo Joelson | 2001 | P0615 |
| From Studio to Situation | Claire Doherty | 2004 | P0616 | |
| A User’s Guide - The Situationist International | Simon Ford | 2005 | P0617 | |
| Geometries of Trust: Some Thoughts on Manuel Vason | Dominic Johnson | A0094 | ||
| Little Earth | London Fieldworks | Bruce Gilchrist and Jo Joelson | 2005 | P0618 |
| World War | S&P Stanikas | 2003 | P0619 | |
| Art for Whose Sake | Creative Partnerships | 2005 | P0620 | |
| Live Art Exchange - Poland - Cumbria 2004 | Various | 2004 | P0621 | |
| Fluxus Experience | Hannah Higgins | 2002 | P0622 | |
| Left Shift, Radical Art in 1970’s Britain | John A. Walker | 2002 | P0623 | |
| Hardcore from the Heart | Annie Sprinkle | 2001 | P0624 | |
| Perform | Jens Hoffmann and Joan Jonas | 2005 | P0625 | |
| Joseph Beuys and the Celtic World | Sean Rainbird | 2005 | P0626 | |
| Archaeology | Mark Dion | Alex Coles and Mark Dion | 1999 | P0627 |
| Actions, Vitrines, Environments | Joseph Beuys | 2004 | P0628 | |
| Fluxus Codex | John Hendricks | 1988 | P0629 | |
| CAT | Ansuman Biswas | 1998 | P0630 | |
| The Death of Character - Perspectives on Theatre after Modernism | Elinor Fuchs | 1996 | P0631 | |
| Acting (Re) Considered - A Theoretical and Practical Guide | Phillip B. Zarilli | 1995 | P0632 | |
| Never a Dull Moment - Teaching and the Art of Performance | Jyl Lynn Felman | 2001 | P0633 | |
| The Invisible Force Field Experiments | Hollington and Kyprianou | 2005 | P0634 | |
| Memory Privacy Spectatorship (on Emil Hrvatin’s performances) | Emil Hrvatin | maja zerovnik | 2003 | P0635 |
| Blast Theory - New Media, Art and a Creative Culture | Blast Theory | 2004 | P0636 | |
| Art Meets Media: Adventures in Perception | Various | 2005 | P0637 | |
| Le Notti di Roma | Hayley Newman | 2005 | P0638 | |
| The Interventionists | Various | Nato Thompson / Gregory Sholette | 2004 | P0639 |
| Looking Good | Giovanna Maria Casetta | 2005 | P0640 | |
| Drawing From Perplexity | Bruce Gilchrist | 2005 | P0641 | |
| En Finir | Sophie Calle and Fabio Balducci | 2005 | P0642 | |
| Do Not Interrupt Your Activities | Various | 2005 | P0643 | |
| Can We Come Back? | Various | 2004 | P0644 | |
| Do It | Hans Ulrich Obrist | 2004 | P0645 | |
| The Making of a Memory | Gob Squad | 2005 | P0646 | |
| Reclamation | Andre Stitt | 2005 | P0647 | |
| Good Circulation | Jorg Heiser | 2005 | A0095 | |
| Sleeper | Mark Wallinger | 2005 | A0096 | |
| Sublime Discomfort | Mariellen R Sandford | A0097 | ||
| The Fiery Furnace | C. Carr | A0098 | ||
| Franklin Furnace and Martha Wilson | Toni Sant | A0099 | ||
| A Different World | Jacki Apple | A0100 | ||
| Being There | Alan moore and Debra Wacks | A0101 | ||
| Spasm II - The Couture of Contemporaneity | Various | 2004 | P0689 | |
| Casting He Yunchang’s Performance Work | He Yunchang | 2004 | P0648 | |
| Inside the Art of Zhu Fadong | Zhu Fadong | 2004 | P0649 | |
| Ar Chang’s Persistence | He Yunchang | 2004 | P0650 | |
| Untitled | Various | P0651 | ||
| Madness Appropriation, Sheng Qi’s Body and Other Things | Sheng Qi | 2004 | P0652 | |
| Ju(ri)stification of Performance on Artistic Immunity, Autonomy and Servitude | Aldo Milohnic | 2005 | A0102 | |
| Virtual Biopolitical Parliament | Bojana Kunst | 2005 | A0103 | |
| Rearticulation of the History of Performance Art | Marina Grzinic | 2005 | A0104 | |
| Wonderyears | Various | 2003 | P0653 | |
| The Promise, The Land | Various | 2003 | P0654 | |
| Cuerpos Sobre Blanco | Various | 2003 | P0655 | |
| Toot-Pak 1 | Various | 1999 | P0656 | |
| Situaciones: Un Proyecto Multidisciplinar en Cuenca (1999-2002) | Various | 2003 | P0657 | |
| Second Hand Reality, Pre - Reality | Various | 2003 | P0658 | |
| Second Hand Reality, Post - Reality | Various | 2003 | P0659 | |
| Dream 02 | Various | 2002 | P0660 | |
| Adrien Sina’s Study Room Guide | Adrien Sina | 2005 | P0661 | |
| A Selection of Past, Present and Future Performances | Aideen Barry | 2005 | P0662 | |
| The Creative User Report | Various | 2005 | P0663 | |
| Grace Ndiritu | Grace Ndiritu | 2005 | P0664 | |
| Shades of Black - Assembling Black Arts in 1980s Britain | Various | David A. Bailey, Ian Baucom & Sonia Boyce | 2005 | P0665 |
| Isaac Julien | Isaac Julien | Kobena Mercer and Chris Darke | 2001 | P0666 |
| Surface Tension - Problematics of Site | Ken Ehrlich and Brandon LaBelle | 2005 | P0667 | |
| Intelligence Failure | Richard Dedomenici | 2005 | P0668 | |
| Tester | Hayley Newman | 2005 | P0669 | |
| The Sacred - Performance Photos from Zhang Huan | Regis Debray | 2005 | A0105 | |
| Live Art - in conversation with Roselee Goldberg | Luk Van den Dries & Hendrik Tratsaert | 2005 | A0106 | |
| The Stain and Deficiency of Tragedy | Thomas Crombez | 2005 | A0107 | |
| Colours Exercise | Marina Abramovic | 2005 | A0108 | |
| Congress | Various | 2004 | P0670 | |
| After Criticism: New Responses to Art and Performance | Gavin Butt | 2005 | P0671 | |
| The Institution | Andre Stitt | 2005 | P0672 | |
| Playwrights? They’re so Last Year | Lyn Gardner | 2005 | A0109 | |
| Definings: Performance Writing | John Hall | 1994 | A0110 | |
| Looks | Leigh Bowery | Fergus Greer | 2002 | P0673 |
| Ethno-Techno | Guillermo Gomez-Pena | 2005 | P0674 | |
| Out of Order, Out of Sight | Adrian Piper | 1996 | P0675 | |
| El Imperdurable Mente Presente Cesar Martinez | Cesar Martinez | 2003 | P0676 | |
| Site and Subject | Dorothy Max Prior | 2005 | A0112 | |
| Mind the Gap | Simon Kirby | 2005 | A0113 | |
| Fair Isle to the Tyne July 20 to July 28 2005 | Chris Burden | 2005 | A0115 | |
| The Art of Necessity | Estelle Ricoux | 2005 | A0116 | |
| Do It Again | Marina Abramovic | 2005 | A0117 | |
| ‘52’ Pizza Box | Caroline Jupp | 1999 | P0677 | |
| 02/05 | Tiago Guedes | 2005 | P0678 | |
| Internal Injuries I | Various | 2005 | P0679 | |
| 798 Biennale 1 | Various | Shu Yang | 2005 | P0680 |
| Language/Fable | Various | 2005 | P0681 | |
| Staging the UK | Jen Harvie | 2005 | P0682 | |
| China Live | Daniel Brine and Shu Yang | 2005 | P0683 | |
| Art in a Cold Climate | Keith Gallasch | 2005 | P0684 | |
| Mad For Real | Cai Yuan & JJ Xi | 2005 | P0685 | |
| Museum Highlights | Andrea Fraser | Alexander Alberro | 2005 | P0686 |
| The Turning World | Rose De Wend Fenton and Lucy Neal | 2005 | P0687 | |
| Bitches, Bimbos and Ballbreakers | The Guerrilla Girls | 2003 | P0688 | |
| Birmingham - Europe - The World | Stan’s Cafe | 2004 | P0690 | |
| Microperformances | FrenchMottershead | 2005 | P0689 | |
| Of All The People In All The World | Stan’s Cafe | 2005 | P0692 | |
| DIY 3: 2005 Summary Report | Various | 2005 | P0693 | |
| The Transparent Body | Jose Van Dijck | 2005 | P0694 | |
| Paintings, Objects, Performances | Myriam Bat-Yosef | 2005 | P0695 | |
| On Demand | Kim Dhiillon | 2005 | A0118 | |
| Chinese Performance Artists | Carla Kirkwood | 2004 | A0119 | |
| Sheikh ‘n’ Vac | Yara El-Sherbini | 2005 | P0696 | |
| Colored People | Adrian Piper | 1991 | P0697 | |
| DiY Survival | Various | 2005 | P0698 | |
| Mirage: Enigmas of Race, Difference and Desire | Various | David A Bailey, Kobena Mercer, Catherine Ugwu | 1995 | P0699 |
| Stuart brisley 1949 - 1981: Volume Premier :Texte | Sandrine Meats | 2005 | P0700 | |
| Stuart Brisley 1949 - 1981: Volume Deuxieme: Annexes | Sandrine Meats | 2005 | P0701 | |
| Stelarc The Monograph | Stelarc | Marquard Smith | 2005 | P0702 |
| A Journal of Performance and Art, No.81 | 2005 | P0703 | ||
| Seven Walks, London 2004-5 | Francis Alys | 2005 | P0704 | |
| Ken Lum | Ken Lum | 2002 | P0705 | |
| The Seven Sacraments of Nicolas Poussin | Neil Bartlett, Robin Whitmore | 1998 | P0706 | |
| Carnivalesque | Timothy Hyman, Roger Malbert | 2000 | P0707 | |
| Uh-Oh Pandaman | Zhao Bandi | 2003 | P0708 | |
| I Am The Y2K Bug | Cai Guo-Qiang | 2000 | P0709 | |
| Monograph: Tim Brennan | Janet Hand | John Gange | 2002 | P0710 |
| From Tomorrow On | Will Bradley | 2005 | P0711 | |
| Double Life: Identity and Transformation in Contemporary Arts | Various | 2001 | P0712 | |
| Life is Good in Manchester | Simon Grennan | 2000 | P0713 | |
| Starting at Zero: Black Mountain College 1933-57 | Various | 2005 | P0714 | |
| Out of Order, Out of Site Vol I | Adrian Piper | 1996 | P0715 | |
| Interrogation Machine: Laibach and NSK | Alexei Monroe | Slavoj Zizek | 2005 | P0716 |
| History History | Gustav Metzger | 2005 | P0717 | |
| Onedotzero9 | Various | 2005 | P0718 | |
| Volumes (of Vulnerability) | Various | 2000 | P0719 | |
| Reflections on Clapping | Oreet Ashery | 2005 | A0120 | |
| Close Proximity | Various | 2005 | A0122 | |
| Paradise Row | Shezad Dawood | 2005 | P0720 | |
| Curating New Media | Sarah Cook, Beryl Graham, Sarah Martin | 2001 | P0721 | |
| Artists at Work | 2000 | P0722 | ||
| The Producers: Contemporary Curators in Conversation (2) | Susan Hiller, Sarah Martin | 2000 | P0723 | |
| The Producers: Contemporary Curators in Conversation (4) | Susan Hiller, Sarah Martin | 2001 | P0724 | |
| The Producers: Contemporary Curators in Conversation (5) | Susan Hiller, Sarah Martin | 2002 | P0725 | |
| Variety | Various | 2005 | P0726 | |
| Theatre, Body and Pleasure | Simon Shepherd | 2006 | P0727 | |
| Electoral Guerilla Theatre - Radical ridicule and social movements | L M Bogad | 2005 | P0728 | |
| Her Noise | Lina Dzuverovic & Anne Hilde Neset, Rob Young (text editor) | 2005 | P0729 | |
| Take a Bowery: The art and (larger than) Life of Leigh Bowery | 19/12/03-7/3/04 | P0730 | ||
| Neoism, Plagiarism & Praxis | Stewart Home | 1995 | P0731 | |
| Carnal Art, Orlan’s Refacing | 2005 | P0732 | ||
| The Assault on Culture - Utopian Currents from Lettrisme to Class War | Stewart Home | 1991 | P0733 | |
| Fasting on Spam | Stewart Home | 4/01/02 | P0734 | |
| Sex, Birth & Death | Aine Phillips | 2003 | P0735 | |
| Lines of Communication | Caroline Wright | 2005 | P0736 | |
| Richard Dedomenici is Still an Artist | Richard Dedomenici | 2/2006 | P0737 | |
| Media & Performance - Along the Border | Johannes Birringer | 1998 | P0738 | |
| One Place After Another - Site-specific Art and Locational Identity | Miwon Kwon | 2004 | P0739 | |
| Freak Babylon | Jack Hunter | 2005 | P0740 | |
| Avant-Garde Performance | Gunter Berghaus | 2005 | P0741 | |
| Sheikh ‘n’ Vac | Yara El-Sherbini | 2005 | P0742 | |
| Almost Everything in Life Almost Didn’t Happen | Heinrich Luber | 2001 | P0743 | |
| On Everest | Lone Twin | 5/2/06-8/2/06 | P0744 | |
| The Art Strike Papers/ Neo-ist Manifestos | Stewart Home | 1991 | P0745 | |
| AC Dickson’s guide to eBay PowerSelling | Andrew Dickson | Susan Beal | 2004 | P0746 |
| Anarchist Integralism: Aesthetics, Politics and the Apres-Garde | Luther Blisset | 1997 | P0747 | |
| Repetitions | Stewart Home | June 1999 | P0748 | |
| Anamorphosis - Stewart Home, Searchlight and the plot to destroy civilisation | Larry O’Hara & Friends | 2000 | P0749 | |
| Out-Takes | Stewart Home & “Friends” | 1998 | P0750 | |
| The Intelligent Person’s Guide to Changing a Light Bulb | Stewart Home | P0751 | ||
| The Correct Way to Boil Water | Stewart Home | 2005 | P0752 | |
| The Easy Way to Falsify your Credit Rating | Stewart Home | 2005 | P0753 | |
| Green Apocalypse | Luther Blissett and Stewart Home | P0754 | ||
| Lone Twin’s Study Room Guide | Lone Twin | 2006 | P0755 | |
| In the Shadow of Heroes | Various | Muratbek Djoumaliev | 2005 | P0756 |
| Taking on the Mantle | Tanya Ury | 1999 | P0757 | |
| Performance and Performativity in German Cultural Studies | Carolin Duttlinger, Lucia Ruprecht, Andrew Webber (eds) | 2003 | P0758 | |
| Performance Art Kontext | Gerhard Dirmoser and Boris Nieslony | P0759 | ||
| Stay | Cherry Smyth (with essay by Ali Smith) | July 2005 | P0760 | |
| Little Earth | Bruce Gilchrist and Jo Joelson | 2005 | P0761 | |
| Low Tide: Writings on Artists’ Collaborations | Jeni Walwin | 1997 | P0762 | |
| Syzygy \ Polaria | Bruce Gilchrist and Jo Joelson | 2001 | P0763 | |
| Autobiography | Barbara Steiner and Jun Yang | 2004 | P0764 | |
| Place | Tacita Dean and Jeremy Miller | 2005 | P0766 | |
| Magic Moments: collaborations between artists and young people | Anna Harding | 2005 | P0765 | |
| Sponge Pudding Compilation | 2005 -2006 | P0767 | ||
| Everything is Live | Louise Gray | 2004 | A0121 | |
| Out of Actions | Robert Ayers | A0123 | ||
| Sleeper | Tracey Warr | 1996 | A0124 | |
| Magnificent Obsessions: The Art and Artifacts of the World According to Jack Smith | C Carr, Jack Smith | 2nd December 1997 | A0125 | |
| All Over the Lot (The Black Lot, Too) | Holland Cotter, Jack Smith | 1997 | A0126 | |
| Soundworks - for those who have ears | Julie Forrester and Danny McCarthy | P0768 | ||
| Autobituary - Shadow Deeds | Anne Bean | 2006 | P0769 | |
| Reza Abdoh | Daniel Mufson | 1999 | P0770 | |
| Selected Works 1984-2005 | Wang Pen | 2002 | P0771 | |
| On Route - The Art of Carnival | Pax Nindi | 2003 | P0772 | |
| Drama in the Desert - Sights and Sounds of the Burning Man | M Mara-Ann, Travis Ortiz, Elinor Mills Abreu, Chris Taylor, Daniel Terdiman | 2002 | P0773 | |
| Linder | Brian Dillon | 2006 | A0127 | |
| Necessary Journeys | Melanie Keen and Eileen Day | 2005 | P0774 | |
| Points of Non-Interest - an archeology of the familiar and the forgotten | Walk Walk Walk with Clive Brandon | 2006 | P0775 | |
| Bodies of Work | Kathy Acker | 1997 | P0776 | |
| Performance and Place | Leslie Hill and Helen Paris | 2006 | P0777 | |
| After Art School | Mark Wilsher | 2006 | P0778 | |
| Clandestine Interventions | Meiling Cheng | 2004 | A0128 | |
| Making Space, Marking Time - Station House Opera’s Mare’s Nest | Richard Malcolm | 2005 | A0129 | |
| The Books 6 and 7 | Things Not Worth Keeping | 2006 | P0779 | |
| The Routledge Companion to Theatre and Performance | Paul Allain and Jen Harvie | 2006 | P0780 | |
| Ask Dr Mueller - The Writings of Cookie Mueller | Amy Scholder | 1997 | P0781 | |
| Theatre Audiences - A theory of production and reception | Susan Bennett | 1997 | P0782 | |
| Anarchic Dance | Lizzy Aggiss and Billy Cowie | 2006 | P0783 | |
| In Other Los Angeleses - Multicentric Performance Art | Meiling Cheng | 2002 | P0784 | |
| Violent Capital - Zhu Yu on File | Meiling Cheng | 2005 | A0130 | |
| Pods, Tubes, Plants, Motor Oil and Other Survival Machines - A syncourse with Claudia Bucher | Meiling Cheng | 2006 | A0131 | |
| Five Shops | FrenchMottershead | 2005 | P0785 | |
| FrenchMottershead - Artists in Residence, NRLA 2006 - Documentary Portfolio | FrenchMottershead | 2006 | P0786 | |
| George and Martha | Karen Finley | 2006 | P0787 | |
| Performative! Performance Arts in Switzerland | Various | 2005 | P0788 | |
| Victoria Melody | Victoria Melody | 2005 | P0789 | |
| UnderSkin | Ismael Ivo | 2006 | P0790 | |
| Some Performances | Milan Kohout | 2006 | P0804 | |
| Trace: Installation Artspace | Andre Stitt | 2006 | P0792 | |
| Design Takes on Risk | Paolo Antonelli | 2005 | P0791 | |
| Study Room Guide - In the Footnotes of Library Angels: A Bi(bli)ography of Insurrectionary Imagination | John Jordan | 2006 | P0793 | |
| Of Contradiction - Trace: Welsh Artists Residency Beijing, Chine 2005 | Various | 2005 | P0794 | |
| Shock Value - A Tasteful Book about Bad Taste | John Waters | 2005 | P0795 | |
| Rosemary Butcher: Choreography, Collisions and Collaborations | Rosemary Butcher and Susan Melrose | 2005 | P0796 | |
| Performative Realism | Rune Gade and Anne Jerslev | 2005 | P0797 | |
| Disidentifications - Queers of Color and the Performance of Politics | Jose Esteban Munoz | 1999 | P0798 | |
| Art - A Sex Book | John Waters and Bruce Hainley | 2003 | P0799 | |
| Installation Art | Claire Bishop | 2005 | P0800 | |
| Amputee Sex: 18 X-Rated Stories by Stewart Home | Stewart Home | 20062006 | P0801 | |
| Bubonic Plagiarism: Stewart Home on Art, Politics and Appropriation | Stewart Home | 2006 | P0802 | |
| The Intelligent Persons Guide to Changing A Light Bulb | Stewart Home | 2006 | P0803 | |
| Akademia Ruchu | Various | 2003 | P0816 | |
| Contemporary Theatres in Europe | Joe Kelleher and Nicholas Ridout | 2006 | P0805 | |
| Tim Miller - 1001 Beds | Glen Johnson | 2006 | P0806 | |
| Die Familie Schneider | Gregor Schneider | 2004 | P0807 | |
| In The Wake of A Deadad | Andrew Kotting | 2006 | P0808 | |
| The Great Make-over: | Mandy Romero | P0809 | ||
| Media Mutandis: a NODE.London Reader | Marina Vishmidt | 2006 | P0810 | |
| Handle on Nowhere | Deej Fabyc | 2006 | P0811 | |
| TTS: Australia - Every Piece of Paranoia Helps | PVI Collective, various | 2005 | P0812 | |
| If you can’t find it, give us a ring | Doina Petrescu | 2006 | P0813 | |
| Collective Space | Paul Chatterton | 2006 | P0814 | |
| Holy Body: Erotic Ethics in Ron Athey and Juliana Snapper’s Judas Cradle | Amelia Jones | 2006 | A0132 | |
| The New Barbarians: A Photo-Performance Portfolio | Guillero Gomez Pena with Ramon Treves, James McCaffrey and Ric Malone | 2006 | A0133 | |
| Extreme Performance and Installation from China | Meiling Cheng | 2006 | A0134 | |
| Fragile Strength | Anne-Louise Rentell | 2006 | A0135 | |
| The Q-Word | Louise Gray | 2006 | A0136 | |
| Internal Injuries II | Various | 2006 | P0815 | |
| Toot-Pak 1 | Various | 1999 | P0656 | |
| Echo/City - An Urban Register | Jeremy Till | 2006 | P0817 | |
| Encounters | Ruth Ben-Tovin and Trish O’Shea | 2006 | P0818 | |
| Songs and Routines | Paul Rooney | 2003 | P0819 | |
| Stuart Brisley - Work 1958-2006 | Stuart Brisley | 2006 | P0820 | |
| Lovett/Codagnone | Lovett/Cadagnone | P0821 | ||
| Janine Antoni | Janine Antoni | 2000 | P0822 | |
| Moor | Janine Antoni | 2003 | P0823 | |
| The Girl Made of Butter | Janine Antoni | 2000 | P0824 | |
| Interviews Volume 1 | Hans Ulrich Obrist | 2003 | P0825 | |
| Installation Art in the New Millenium | Nicholas De Oliviera, Nicola Oxley & Michael Petry | 2006 | P0826 | |
| Between Tongues - Translation and/of/in Perfromance in Asia | Jennifer Linsay | 2006 | P0827 | |
| Performance in America | David Roman | 2005 | P0828 | |
| Networked Narrative Environments as Imaginary Spaces of Being | Andrea Zapp | 2004 | P0829 | |
| Artists Try Not to Talk About Art | Bridgit Crone | 2006 | P0830 | |
| Performing Rights Collection - London - PSi12 Catalogue | 2006 | P0831 | ||
| We Love You - on audiences | Thomas Frank and Mark Waugh | 2005 | P0832 | |
| Artists Links 2002 - 2006 | 2006 | P0833 | ||
| Invisible Dances...From Afar: A Show That Will Never Be Shown | Bock and Vincenzi | 2004 | P0834 | |
| Balkan Epic | Marina Abramovic | 2006 | P0835 | |
| Indexing Death in Seven Xingwei and Zhuangzhi Pieces | Meiling Cheng | 2006 | A0137 | |
| A Manifesto for a New Walking Cultures | Wrights and Sites | 2006 | A0138 | |
| Sex, Performance and the 80’s / L.A. London Catalogue | Martha Wilson | 1982 | P0836 | |
| A Performance Cosmology - Testimony for the Future, Evidence of the Past | Judie Christie, Richard Gough, Daniel Watt | 2006 | P0837 | |
| L’aurora dopo il tramonto | Andrea Cusumano | 2006 | P0838 | |
| Only The Moon to Play With | Qasim Riza Shaheen | 2004 | P0839 | |
| Navigating the Unknown: The Creative Process in Contemporary Performing Arts | Christopher Bannerman, Joshua Sofaer and Jane Watt | 2006 | P0840 | |
| Slip of the Tongue | Janine Antoni | 1995 | P0841 | |
| Sensitive Skin | Rachel Zerihan | 2006 | A0139 | |
| Dialogues on Blindness - IV Bock and Vincenzi | Jereon Peeters | 2006 | A0140 | |
| Dr Roberts Magic Bus | Cassie Werber | 2006 | A0141 | |
| Dr Roberts Magic Bus | Kate Random | 2006 | A0142 | |
| FrenchMottershead | Mark Wilsher | 2006 | A0143 | |
| Corporeal Melange: Aesthetics and Ethics of Biomaterials in Stelarc and Nina Selars’s Blender | Julie Clarke | 2006 | A0144 | |
| Ron Athey | John O’ Brien | 2006 | A0145 | |
| Clock Ticking | Sarah Spanton | Cherry Smyth | 2006 | P0842 |
| Live Art in England 2006: The Role and Contribution of the Producer | Philippa Barr | 2006 | P0843 | |
| Life, Once More: Forms of Reenactment in Contemporary Art | Sven Lutticken | 2005 | P0844 | |
| Nordschen: Creating New Space | Terkel Skarup | 2006 | P0845 | |
| Akademia Ruchu | Friends of Akademia Ruchu Association | 2006 | P0846 | |
| Blinded By Love | Franko B | 2006 | P0847 | |
| Risk | Kathy High | Ximena Cuevas. Jesse Lerner, Robertp Lopez, Ricardo Nicolayevsky | 2003 | P0848 |
| Blasphemy - Art That Offends | S Brent Plate | 2006 | P0849 | |
| Between Past and Future - New photography and Video from China | Wu Hung & Christopher Phillips | 2004 | P0850 | |
| Did Someone Say Participate? | Markus Miessen and Shumon Basar | 2006 | P0851 | |
| Tramjatra - Imagining Melbourne and Kolkata by Tramways | Mick Douglas | 2005 | P0852 | |
| Protections - This is not an Exhibition | Adam Budak, Christine Peters | 2006 | P0853 | |
| Body and The East - From 1960s to the Present | Zdenka Badovinac - Curator | Mika Briski | 1998 | P0854 |
| Another Fool in the Balkans - in the footsteps or Rebecca West | Tony White | 2006 | P0855 | |
| Wiener Aktionismus | Sammlung Hummel | 2005 | P0856 | |
| Four Magical Days in May | Nicky Webb | 2006 | P0857 | |
| The Situationalist International (1957-1972) | Stefan Zweifel, Juri Steiner and Heinz Stahlhut | 2006 | P0858 | |
| Manual of Domestic Incidents | Hilary Kneale | 2006 | P0859 | |
| The Nature of the Beast | Richard Hylton | 2007 | P0860 | |
| Digital Performance | Steve Dixon | 2007 | P0862 | |
| David Wojnarowicz | Giancarlo Ambrosino | 2006 | P0863 | |
| This Will Not Happen Without You | Richard Grayson | 2007 | P0864 | |
| Works of Tatsumi Orimoto | Tatsumi Orimoto | Akira Tatehata and Johannes Lother Scroder | 2007 | P0865 |
| Performance Raison | Tatsumi Orimoto | 2006 | P0866 | |
| WACK! Art and the Feminist Revolution | Lisa Gabrielle Mark | 2007 | P0867 | |
| Works 1976-2006 | Linder | Lionel Bovier | 2006 | P0868 |
| Catherine Sullivan and Co. - Film and Theater Works 2002 - 2004 | Catherine Sullivan | 2006 | P0869 | |
| Avant-Garde Performance - Live Events and Electronic Technologies | Gunter Berghaus | 2005 | P0870 | |
| Documentation, Disappearance an the Representation of Live Performance | Matthew Reason | 2006 | P0871 | |
| Phantom Fremdes Wien | Lisl Ponger | 2004 | P0872 | |
| Remapping Mozart | Izdavaci | 2006 | P0873 | |
| Ready or Not, Here I Come | Janine Antoni | 2006 | P0874 | |
| Deconstruction Reconstruction | Protoplay | 2006 | P0875 | |
| Tucuman Chicano Vox | Gabriela Salgado | 2006 | P0876 | |
| Under scan | Rafael Lozano-Hemmer | 2006 | P0877 | |
| Khusra - Stains and Stencils | Qasim Riza Shaheen | 2007 | P0878 | |
| Who are you - Where are you really from | Various | 2006 | P0879 | |
| La Caja Blanca | Yara El-Sherbini | 2006 | P0880 | |
| Reckless Sleepers | Reckless Sleeps | 2007 | P0881 | |
| Grusse Aus Wien | Ines Doujak | 2006 | P0882 | |
| Touch Me Festival OutinOpen | 2005 | P0883 | ||
| Logorrhoea | The Basement Group | 2007 | P0884 | |
| Joan Trial | Lena Simic | 2006 | P0885 | |
| Situation Leeds | Various | 2005 | P0886 | |
| The Adventures of Lionel | James Pyman | 2007 | P0887 | |
| Day of the Figurines | Blast Theory | 2007 | P0888 | |
| Reckless Sleepers | Reckless Sleepers | 2007 | P0889 | |
| W11 Tram | Mick Douglas and Durriya Kizi | 2006 | P0890 | |
| This Will Not Happen Without You | Paul Usherwood | 2007 | A0146 | |
| Yishu: Journal of Contemporary Chinese Art | Ken Lum | 2007 | P0891 | |
| Animalworks in China | Meiling Cheng | 2007 | A0147 | |
| Yesterday, Today, Tomorrow | Andrew Wilson | 2007 | A0148 | |
| Paranoia - review | Andrew Hunt | 2007 | A0149 | |
| Forkbeard Fantasy - Stars of Stage and Screen | Edward Taylor | 2007 | A0150 | |
| The Other is You | Zoe Bouras | 2007 | A0151 | |
| Liverpool Live at the Liverpool Biennial October 2006 | Rachel Lois Clapham | 2007 | A0152 | |
| Dead Funny | Sally O’Reilly | 2007 | A0153 | |
| FrenchMottershead | Mark Wilsher | 2007 | A0154 | |
| Performance Under Scrutiny | Cristina Natalicchio | 2007 | A0155 | |
| William Pope L | Sabine Folie | 2007 | A0156 | |
| Performance Generation | Andrea Lissoni | 2007 | A0157 | |
| Unnatural Histories | Dan Smith | A0158 | ||
| To See a Body Think | Martin Herbert | 2007 | A0159 | |
| Rakini Devi: Diasporic Subject and Agent Provocateur | Helena Grehan | 2006 | A0160 | |
| Performance Issue | Contemporary 21 | 2006 | P0861 | |
| Arts ABC | John Tusa | 2007 | A0161 | |
| snow, spraypaint, hair, sperm and baloney | William Pope. L | 2007 | P0892 | |
| Chris Burden | Chris Burden | 2007 | P0893 | |
| Design and Landscape for People | Clare Cumbridge and Lucy Musgrave | 2007 | P0894 | |
| 1994-2006 Art Works | Zhu Ming | 2007 | P0895 | |
| In Comes I - Performance, Memory and Landscape | Mike Pearson | 2006 | P0896 | |
| Body and Eros | Elisa Guzzo Vaccarino | 2007 | P0897 | |
| The End of the 60s | Edward Scheer and Peter Eckersall | 2007 | P0898 | |
| The Cat Show - Cardiff Art in Time 2007 | Andre Stitt | 2007 | P0899 | |
| Beyond Reason: Ordure | Stuart Brisley | 2003 | P0900 | |
| Folk Archive: Contemporary Popular Art in the UK | Jeremy Deller and Alan Kane | 2005 | P0901 | |
| Objects of Beauty | Joy Gregory | 2004 | P0902 | |
| Interviews | Gerald Matt | 2007 | P0903 | |
| What the Body Cost | Jane Blocker | 2004 | P0904 | |
| The Ghosts of Songs - The Film Art of the Black Audio Film Collective | Kodwo Eshun and Anjalika Sagar | 2007 | P0905 | |
| BBC In the East End 1958 - 1973 | Chris Dorley-Brown | 2007 | P0906 | |
| Beached: A Commonplace Book | Niki Pollard and Rosemary Lee | 2006 | P0907 | |
| ANTI - Contemporary Art Festival 2002-2006 | Mirka Niska | 2007 | P0908 | |
| A.C.A.D.E.M.Y | Various | 2006 | P0909 | |
| A German Grandchilds’ Funeral | Silke Mansholt | 2007 | P0910 | |
| Francis Alys | Francis Alys | Cuauhtemoc Medina, Russell Ferguson and Jean Fisher | 2007 | P0911 |
| Wake Up and Hide | Gary Stevens | 2007 | P0912 | |
| Refuse Refuse | Bonnie Fortune and Brett Bloom | 2007 | P0913 | |
| Art of the Invisibles | Non Grata | 2005 | P0914 | |
| Encounters | Manuel Vason | Dominic Johnson | 2007 | P0915 |
| Performa - New Visual Art Performance | Roselee Goldberg | 2007 | P0916 | |
| Dream - Re-imagining progressive politics in an age of fantasy | Stephen Duncombe | 2007 | P0917 | |
| Five Years | Angela Bartram | 2007 | P0918 | |
| OMSK book | OMSK | 2007 | P0919 | |
| Gwrthrychol | Richard Huw-Morgan | 2007 | P0920 | |
| Laughing Cure | Mary Brennan | 2007 | A0162 | |
| The Law of Two Feet | Lyn Gardner | 2007 | A0163 | |
| Emergency Entrance | Beccy Smith | 2007 | A0172 | |
| Time and Time Again | Cassie Werber | 2007 | A0165 | |
| Polyphony | Sonia Boyce | 2007 | A0166 | |
| Shamanism and anthropomorphism; public art and ‘getting back to nature’ | Jonathan Griffin | 2007 | A0167 | |
| The Post Echo | FrenchMottershead | 2007 | P0922 | |
| Burning Ice | Vicky Paterson | 2007 | P0921 | |
| Vatnasafn - Library of Water | Roni Horn | 2007 | P0923 | |
| DIY Culture - Party and Protest in Nineties Britain | George McKay | 1998 | P0924 | |
| Don’t Call It Performance | Various | 2001 | P0925 | |
| Picture House - Film, Art and Design at Belsay | Judith King | 2007 | P0926 | |
| In Presentable 03-07 | Juan Dominguez | 2007 | P0928 | |
| Picture House - Film, Art and Design at Belsay | various | 2007 | P0927 | |
| Eretica - the transcendent and profane in contemporary art | Demitrio Paparoni | 2007 | P0930 | |
| Multi-Media - video, installation, performance | Nick Kaye | 2007 | P0931 | |
| The Producers - Alchemists of the Impossible | Kate Tyndall | 2007 | P0932 | |
| Invitation to an Alternative Future | Clare Coop[er and Roanne Dods | 2007 | P0933 | |
| Towards a Healthy Ecology of Arts and Culture | Mission Models Money | 2007 | P0934 | |
| Festival de Performance de Cali Colombia | Various | 2006 | P0935 | |
| The Archive | Charles Merewether | 2006 | P0936 | |
| Participation | Claire Bishop | 2006 | P0937 | |
| Journey to the Lower World | Marcus Coates | Alec Finlay | 2005 | P0938 |
| The Arts Council of England - Its Work and Policies | Paula Brown | 2006 | P0939 | |
| Unwritten | Sam Brown and Caroline Jupp | 2006 | P0929 | |
| Writing in the Place of Performance | Martin Hargreaves | 2007 | A0168 | |
| Diseased Dames in Dancing Shoes | Martin Hargreaves | 2007 | A0169 | |
| Performances for the Camera | Chris Nash | 2007 | A0170 | |
| Noble and Silver | Sally O’Reilly | 2007 | A0171 | |
| Photos, sculpture, installations 1994-2000 | Elizabeth Stephens | 2000 | P0940 | |
| The Love Art Laborarory | Elizabeth Stephens and Annie Sprinkle | 2005 | P0941 | |
| Face On - Disability Arts in Ireland and Beyond | Kaite O Reilly | 2007 | P0942 | |
| The Comic Book Project | Mel Brimfield | 2007 | P0943 | |
| This Way Up - A flat-pack guide to marketing the arts | Caroline Griffin | 2007 | P0944 | |
| Humus 3 - Kaaitheater | Kaaitheater | 2007 | P0945 | |
| Selected Walks 1979 - 1996 | Richard Long | 1999 | P0946 | |
| Land Art A Cultural Ecology Handbook | Max Andrews | 2006 | P0947 | |
| Take Care of yourself | Sophie Calle | 2007 | P0948 | |
| Collectivism After Modernism - The Art of Social Imagination after 1945 | Blake Stimson and Gregory Sholette | 2007 | P0949 | |
| Kurt Johannessen | Kurt Johannessen | 2007 | P0950 | |
| The Wooster Group Work Book | Andrew Quick | 2007 | P0951 | |
| Anti-Contemporary Art Festival 2002-2006 | Mirka Niskala | 2007 | P0952 | |
| 18 Happenings in 6 Parts | Allan Kaprow | Barry Rosen and Michaela Unterdorfer | 2006 | P0953 |
| The Theatre | Various | 2007 | P0954 | |
| After the Act (Re)Presentation of Performance Art | Barbara Clausen | 2005 | P0956 | |
| Dream Team XL | XL Gallery | 2005 | P0957 | |
| Exploding Galaxies - The Art of David Medalla | Guy Brett | 1995 | P0958 | |
| Live - Photographs From Work Made Live | Nigel Rolfe | P0959 | ||
| Worth the Trip | Low Profile | 2007 | P0960 | |
| Three Rivers Crossword - A cryptic word-map of the North-East | Alec Finlay | 2005 | P0961 | |
| Cupola Bobber | Cupola Bobber | 2007 | P0962 | |
| Performances Contemporaines (Contemporary Performances) | Art Press 2 | 2007-2008 | P0963 | |
| Out of Site | August 2007 | P0964 | ||
| Trial: A Study of the Devising Process in Reckless Sleeprs’ ‘Schrodinger’s Box’ | Andrew Brown, Mole Wetherell and Reckless Sleepers | 2007 | P0955 | |
| Staging the Screen | Greg Giesekam | 2007 | P0965 | |
| Devising Performance - a critical history | Deirdre Heddon and Jane Mulling | 2006 | P0966 | |
| Autobiography and Performance | Deirdre Heddon | 2008 | P0967 | |
| Life is More Important Than Art | Gilane Tawadros | 2007 | P0968 | |
| Awayday to Paradise and other texts | Ian Breakwell | 2007 | P0969 | |
| Art and Revolution - Transversal Activism in the Long Twentieth Century | Gerald Raunig | 2007 | P0970 | |
| So Communication... translating each other’s words | Clare Charnley and Katrin Kivimaa | 2007 | P0971 | |
| Extravagant Bodies Catalogue | Eds. Ivana Bago, Ivana Ivkovic, Olga Majcen Linn, Tomislav Medak and Suncica Ostoic | 2007 | P0972 | |
| Town Crying | Lone Twin | 2007 | P0973 | |
| Joseph Beuys - The Reader | Claudia Mesch and Viola Michely | 2007 | P0975 | |
| Performance Art in China | Thomas J Berghuis | 2006 | P0976 | |
| The Republic of Daydreams | Lee Wen | 2007 | P0977 | |
| Future of Imagination 4 - International Performance Art Festival | Various | Lee Wen | 2007 | P0978 |
| Priceless | motiroti | 2005 | P0979 | |
| Changing Narratives: Performative Acts of Reclaiming the Body Through Elective Corporeal Trauma | Adrienne Katz | 2007 | P0980 | |
| Throwing the Body into the Fight | Mary Connolly | 2007 | P0981 | |
| Diversity | Karen Raney | 2007 | A0173 | |
| Political Art Almanac 2007 | Various | 2007 | P0983 | |
| Vital 2007 Press File | Various | 2007 | P0984 | |
| Theatre, Intimacy and Engagement | Alan Read | 2008 | P0985 | |
| Performance Practice and Process - Contemporary [Women] Practitioners | Elaine Aston and Geraldine Harris | 2008 | P0986 | |
| City of Women 2007 Catalogue and Humourworks | Mirjam Milharcic Hladnik | 2007 | P0987 | |
| Kiosk 01 - a magazine of art, design and architecture | Marquard Smith | 2007 | P0982 | |
| Image Worship, Parody and Image Destruction in Serbia in the 1990’s | Anna Schober | 2004 | A0173 | |
| Helio Oiticica’s Parangoles: Body-Events, Participation in the Anti-Doxa of the Avant-Garde and struggling Free From It. | Anna Schober | A0174 | ||
| The World as a Stage | Michael Corris | 2008 | A0175 | |
| The Performance of Disability | Petra Kuppers | 2007 | A0176 | |
| Name in Lights - Press Pack | Joshua Sofaer | 2007 | P0988 | |
| Lore and Other Convergences | Janine Antoni | 2007 | P0989 | |
| Still Here | Ram Dass | 2000 | P0990 | |
| Herzog on Herzog | Werner Herzog | Paul Cronin | 2002 | P0991 |
| Elemental Passions | Luce Irigaray | 1982 | P0992 | |
| Lifting Belly | Gertrude Stein | 1989 | P0993 | |
| when things fall apart | Pema Chodron | 1997 | P0994 | |
| To Reach The Clouds | Philippe Petit | 2002 | P0995 | |
| Alternative Economics Alternative Societies | Oliver Ressler | 2007 | P0996 | |
| That Person’s Workbook | Matt Mullican | 2007 | P0997 | |
| motiroti catalogue | motiroti | 2008 | P0998 | |
| European Corrections Corporation | Martin Krenn, Oliver Ressler | 2004 | P0999 | |
| Rich Tea Conversations | Linda Ludwin, Simon Piasecki | 2007 | P1000 | |
| Eco Art | Dean Kenning | 2008 | A0177 | |
| Art Failure | Lisa Le Feuvre | 2008 | A0178 | |
| History will repeat itself | Richard Grayson | 2008 | A0179 | |
| Cultural Diversity | Rajni Shah | 2007 | A0180 | |
| The archive and the repertoire | Diana Taylor | 2003 | P1001 | |
| Seven Easy Pieces | Marina Abramovic | 2007 | P1002 | |
| Chydig bach yn too much | Bedwyr Williams | 2006 | P1003 | |
| sans titre 2005 -2007, papier, crayon, photocopieuse | Marie Cool Fabio Balducci | 2007 | P1004 | |
| Development of the Infrastructure and Support of Live Art in Scotland | Scottish Arts Council | 2007 | P1005 | |
| Issues in Curating Contemporary Art and Performance | various | Judith Rugg & Michele Sedgwick | 2007 | P1006 |
| NONGRATA Art of The Invisibles | P1007 | |||
| Survival | Orion Maxted & Al Paldrok | 2007 | P1008 | |
| Slow Life | Gary Stevens | 2008 | A0181 | |
| Review | Gary Stevens | 2003 | A0182 | |
| Working Blind: Gary Stevens in conversation with Paul Bonaventura | Gary Stevens | 2003 | A0183 | |
| Hand-Made Machines | Paul Granjon | 2007 | P1009 | |
| Arts 00+7 | Gwendoline Robin | 2007 | P1010 | |
| the user manual | SwanQuake | Scott deLahunta | 2007 | P1011 |
| A brick in the handbag | Amanda Coogan | 2004 | P1012 | |
| The Artists’s Joke | Jennifer Higgie | 2007 | P1013 | |
| Art and Social Change | Will Bradley & Charles Esche | 2007 | P1014 | |
| Una noche para una obra (One Night for a Piece of Art) | 2007 | P1015 | ||
| A Mis-Guide to Anywhere | Wrights & Sites | 2006 | P1016 | |
| The Everyday | Stephen Johnstone | 2008 | P1017 | |
| House Projects | Gavin Murphy | 2007 | P1018 | |
| DIY 4: 2007 | May to Aug 2007 | P1019 | ||
| The Theatre of Societas Raffaello Sanzio | Claudio Castellucci, Romeo Castellucci, Chara Guidi, Joe Kelleher, Nicholas Ridout | 2007 | P1020 | |
| A Theater Without Theater | 2007 | P1021 | ||
| sk-interfaces:Exploring Borders - Creating Membranes in Art, Technology and Society | Jens Hauser | 2008 | P1022 | |
| Perform Every Day | Joshua Sofaer | 2008 | P1023 | |
| MIP | Marco Paulo Rolla & Marcos Hill | 2005 | P1024 | |
| ‘in between’ what> to be continued>>>>> | 2005 | P1050 | ||
| Ball | Brian Lobel | 2008 | A0184 | |
| Border hysteria and the war against difference | Guillermo Gomez-Pena | 2007 | A0185 | |
| A conversation between Gabriela Salgado and Guillermo Gomez-Pena | Gabriela Salgado and Guillermo Gomez-Pena | 2006 | A0186 | |
| Documenting live? - Looking for liveness in the archive of the Live Art Development Agency in London | Thomas Altheimer | 2006 | A0187 | |
| The worship of detail, the detail of worship: Goat Island’s work in progress | Michael Pinchbeck | 2008 | A0188 | |
| Bobby Baker: Redeeming Features of Daily Life | Bobby Baker | Michelle Barrett / Bobby Baker | 2007 | P1051 |
| New Territories - Scotland’s International Festival of Live Arts | Various | 2008 | P1052 | |
| Bani Abidi | Virginia Wiles | 2008 | A0189 | |
| Stuart Brisley: Crossing | Colin Perry | 2008 | A0190 | |
| Blowing bubbles | Alexandra Baybutt | 2008 | A0191 | |
| All our glorious tummies | Bearlesque | 2008 | A0192 | |
| Act Art 5: Till death us do art | Rachel Lois Clapham | 2008 | A0193 | |
| Lois Weaver - solo performance artist & co-founder of Split Britches | 2008 | A0194 | ||
| History in the making | Robert Ayers, Rachel Lois Clapham, Mary Paterson | 2008 | A0195 | |
| Being There | Punchdrunk | 2008 | A0196 | |
| Supporting Excellence in the Arts: From Measurement to Judgement | Sir Brian McMaster | January 2008 | A0197 | |
| If you want theatre... | David Hoyle | A0198 | ||
| Sonia Boyce | David Ryan | 2007 | A0199 | |
| This Will Not Happen Without You | Paul Usherwood | 2007 | A0200 | |
| Generation Video | Adele Tan | 2004 | A0201 | |
| On Performance and Performativity | Catherine Elwes | 2004 | A0202 | |
| The Art of Trailing | Gavin Butt and Jon Cairns | 1999 | A0203 | |
| Shamanism and anthropomorphism; public art and ‘getting back to nature’ | Jonathan Griffin | 2007 | A0204 | |
| Performing Rights | Adrien Sina | 2005 | A0205 | |
| A Decade of Dioramas | Guillermo Gomez-Pena | 1999 | A0206 | |
| The New Stage of Chinese Theatre | Cheung Fai | 1996 | A0207 | |
| Theatre of Operations | Orlan | 1995 | A0208 | |
| An Interview with Ron Athey | Ron Athey | 1994 | A0209 | |
| Lives of Resistance | Theatre de Complicite | 1995 | A0210 | |
| Orlando | Robert Wilson | 1995 | A0211 | |
| Tight Right White: A poetic work of mourning | Reza Abdoh | 1994 | A0212 | |
| Freedom through work in the Deathland of Europe | 1993 | A0213 | ||
| Pomo Afro Homos | Pomo Afro Homos | 1993 | A0214 | |
| noise and nudity: kyoto’s dumb type | dumb type | 2001 | A0215 | |
| Rich Maxwell: Dramatizing the Mundane | Richard Maxwell | 2001 | A0216 | |
| The shame of theatre | Societas Raffaello Sanzio | 2002 | A0217 | |
| Tearjerkers and Mindgames | Emil Hrvatin | 2003 | A0218 | |
| Cream Pages | Taina Koswycz, Richard Layzell | 2008 | P1025 | |
| ZAP Twenty-five years of innovation | Max Crisfield | 2007 | P1026 | |
| Reading Room | Maria Chevska & Simon Morley | 2005 | P1027 | |
| What’s welsh for performance? Vol. 1 | Heike Roms | 2008 | P1028 | |
| The Happy Hypocrite - Linguistic Hardcore | Maria Fusco | 2008 | P1029 | |
| The Live Art Almanac | Daniel Brine and Emmy Minton | 2008 | P1030 | |
| Handbook - Systema Metropolis | Mark Dion | 2007 | P1048 | |
| Edgy Cities | Steve Higginson, Tony Wailey | 2006 | P1049 | |
| Highfest International Performing Arts Festival 2006 | Various | 2006 | P1195 | |
| A Human Rights Itinerary - Universal Declaration of Human Rights 50th Anniversary | Various | 2008 | P1031 | |
| its not hard* - explorations of live art | Anthony Schrag | 2008 | P1032 | |
| Democracy Unrealized - Documenta11_Platform 1 | Okwui Enwezor, Carlos Basualdo, Ute Meta Bauer, Susanne Ghez, Sarat Maharaj, Mark Nash and Octavio Zaya | 2002 | P1033 | |
| Experiments with Truth - Documenta11_Platform 2 | Okwui Enwezor, Carlos Basualdo, Ute Meta Bauer, Susanne Ghez, Sarat Maharaj, Mark Nash and Octavio Zaya | 2002 | P1034 | |
| Yishu - Journal of Contemporary Chinese Art | Keith Wallace | May 2008 | P1035 | |
| Kurdistan - In the Shadow of History | Susan Meiselas | 1997 | P1036 | |
| Performance Art in Taiwan 1978-2004 | Yao Jui-Chung | 2005 | P1037 | |
| Tehching Room | Tzu-chieh JIAN | 2006 | P1038 | |
| The Exhausted Body | Lin Lei-jeng | 2005 | P1039 | |
| The Song of Body - Chen Yung-Hsien | Chen Yung-Hsien | 2006 | P1040 | |
| The 8th Taipei Arts Festival - Oriental Avant-Garde | Various | 2006 | P1041 | |
| Taipei Artist Village | Kim Vernon, Gloria Schwartz, Jamie Hayward, Rob Catlin, Bebecca Lambert | 2006 | P1042 | |
| Live Art Reader - Taiwan | Various | 2008 | P1043 | |
| Guiling St. Avant-Garde Theatre | Various | 2003 | P1044 | |
| Taipei International Performance Art Festival 2003 | Various | 2003 | P1045 | |
| Klasse Atelier Atelier Klasse | Various | 2005 | P1046 | |
| The Girl with X-Ray Eyesj | Phillip Warnell | 2008 | P1047 | |
| The Theatre of Protest and Paradox-Development in the Avant-Garde Drama | Gerge E. Wellwarth | 1964 | P1053 | |
| Theatreschrift - City / Art / Cultural Identity | Various | 1995 | P1054 | |
| Open Space - Art In The Public Realm 1995 - 2005 | Jemima Motagu | 2008 | P1055 | |
| Feature : Reconstruction | Shezad Dawood | 2008 | P1056 | |
| Performance Histories | Bonnie Marranca | 2008 | P1057 | |
| Feelings Are Facts, A Life | Yvonne Rainer | 2006 | P1058 | |
| Vision On - Film, Television and the Arts in Britain | John Wyver | 2007 | P1059 | |
| Disability, Culture and Identity | Sheila Riddell and Nick Watson | 2003 | P0974 | |
| MKVH (Milton Keynes Vertical Horizontal) - The Screenplay | Hayley Newman | 2007 | P1060 | |
| Focus on Farmers - Art and Hill Farming | Various | Aune Head Arts with Beadford Arts | 2007 | P1061 |
| A Secret Service - Art, Compulsion, Concealment | Various | Richard Grayson and Clare Carolin | 2006 | P1062 |
| Getting Under the Skin - Body and Media Theory | Bernadette Wegenstein | 2006 | P1063 | |
| Crossings | Stuart Brisley | 2008 | P1064 | |
| Performing Dark Arts - A Cultural History of Conjuring | Michael Mangan | 2007 | P1066 | |
| Closer - Performance, Technologies, Phenomenology | Susan Kozel | 2007 | P1067 | |
| Mudman - The Odyssey of Kim Jones | Sandra Q. Firmin and Julie Joyce | P1068 | ||
| South of Heaven | Gardar Eide Einarsson | 2007 | P1069 | |
| Book of Belonging | Philip Glass | 2006 | P1070 | |
| The Artists Directory - A Handbook to the Contemporary British Art World | Heather Waddell and Richard Layzell | 1982 | P1071 | |
| Auflösung | Various | 2006 | P1072 | |
| Radical Mayhem 1968-2006 - Welfare State International and its Followers | Welfare State International - WSI | 2008 | P1073 | |
| Clothes for Living and for Dying | Margareta Kern | 2008 | P1074 | |
| Dress Messages - A Word on Wear | Silvia Ziranek | 2004 | P1075 | |
| Made in Paradise | Yan Duyvendak and Nicole Borgeat | P1076 | ||
| Road Kill | Shin-Hue Tu | 2007 | P1077 | |
| A Voyage to the Island - A Solo Operetta | Shin-Hue Tu | 2003 | P1078 | |
| Breakfast for One | Shin-Hue Tu | 2002 | P1079 | |
| Art Performance - On the Table | Seiji Shimoda | 1990 | P1080 | |
| Documenting Live | Various | David A Bailey, Lois Keidan and Rajni Shah | 2008 | P1081 |
| Cairon 11 - Body and Cinematography | Various | José A. Sánchez and Isabel de Naverán | 2008 | P1082 |
| Very Food | Silvia Ziranek | 1987 | P1083 | |
| France Libertés, Pourquoi? | Foundation France Libertés | P1084 | ||
| Local Colour - June | Becky Shaw | 2008 | P1085 | |
| Not Our Business? | 1995 | P1086 | ||
| CASAZine #4 - Drawing the Line | Milena Placentile and Monica Vykoukal | 2006 | P1087 | |
| Depicting Action | Various | 2006 | P1088 | |
| Jamie McMurry | Jamie McMurry | P1089 | ||
| 365 Performances | Jamie McMurry | 2007 | P1090 | |
| Cheng Shih-Chun | Cheng Shih-Chun | P1091 | ||
| DLR Art: Introducing the Docklands Light Railway Public Arts Strategy | P1092 | |||
| Ici Villa Moi | Silvia Ziranek | 1989 | P1093 | |
| Cruel/Loving Bodies 2 | Various | 2006 | P1094 | |
| Wouldn’t It Be Nice - Wishful Thinking in Art and Design | Various | Katya García-Antón, Emily King and Christian Brändle | 2007 | P1095 |
| Past Imperfect | Marc Camille Chaimowicz | 1983 | P1096 | |
| Atlantic 306 | Àngels Margarit | 1992 | P1097 | |
| Existence | Jirí Janda | 1999 | P1098 | |
| Toss up! - A Documentation of 1/2Q’s Experimental Kun Opera | Kun Opera | 2008 | P1099 | |
| Robert Pacitti’s Study Room Guide - the More You Ignore Me the Closer I Get | Robert Pacitti | 2008 | P1100 | |
| Hung-Chih Peng’s works from 1999-2008 - There is No Other God Beside God | Hung-Chih Peng | 2008 | P1101 | |
| Zhubun Elops with the Ghost - 5th Annual Taishin Arts Awards | Gang-a-tsui Theatre | 2006 | P1102 | |
| arttextiles3 - the third major survey of British artists working with textiles | Various | 2004 | P1065 | |
| Pain in Soul - Performance Art and Video Works by He Cheng yao | He Cheng yao | 2007 | P1103 | |
| Cleanskins - POPP.021 | Stevie Deas | 2007 | P1104 | |
| Be(com)ing Dutch | Various | 2008 | P1105 | |
| Esitys #3 - Entinen Katscja | 2008 | P1106 | ||
| CCTOP | Various | P1107 | ||
| The Art of Participation - 1950 to Now | Various | Rudolf Frieling, Boris Groys, Robert Atkins and Lev Manovich | 2008 | P1108 |
| La Noche | Comediants | 1987 | P1109 | |
| Meeting the Challenge - Leadership Development in the Cultural and Creative Industries | Graham Devlin, Hilary Carty and Nicola Turner | 2008 | P1110 | |
| Introducing Falling to My Practice Happened Accidentally. I Fell Over. This Initiated the Interest | Holly Bodmer | 2008 | A0219 | |
| Live Art Falmouth | Sarah Matthews | 2008 | A0220 | |
| Time and Time Again | Heike Roms | 1996 | A0221 | |
| A Decade of Forced Entertainment | Forced Entertainment | 1996 | A0222 | |
| Intimate Encounter | Rupert Smith | 2008 | A0223 | |
| This Life | Amelia Jones | 2008 | A0224 | |
| Dissolving Borders | Dorothy Max Prior | 2008 | A0225 | |
| Dinner with America | Tim Jeeves | 2008 | A0226 | |
| This is Not Sublime | Nicola Conibere | 2008 | A0227 | |
| Performance Saga - Interview 04 - Carolee Scheemann | Carolee Scheemann | Andrea Saemann and Katrin Grögel | 2008 | P1111 |
| Performance Saga - Interview 05 - Ulrike Rosenbach | Ulrike Rosenbach | Andrea Saemann and Katrin Grögel | 2008 | P1112 |
| We Need to Talk About Live Art | Various | 2008 | P1113 | |
| Adele Tan’s Study Room Guide - A Small Map Piece of Performance Art in China | Adele Tan | June 2008 | P1114 | |
| Marco Pustianaz’s Study Room Guide - In Search of a Documentology. Walking (Half) the Study Room | Marco Pustianaz | September 2008 | P1115 | |
| a-n: Community Engagement | Catherine Wilson | 2008 | A0228 | |
| Bobby Baker - Master Chef of Performance Art | Adele Edling Shank | 1992 | A0229 | |
| Attackers Pillage Moscow Art Gallery and Beat activist Owner | Sophia Kishkovsky | 2006 | A0230 | |
| On Festivals - Edinburgh Festival | Ritsaert ten Cate | August 23, 1997 | A0231 | |
| Festival | Dragan Klaic | A0232 | ||
| Documenting Live | Frances Lord | 2008 | A0233 | |
| The Happy Hypocrite - Hunting and Gathering | Maria Fusco | 2008 | P1116 | |
| Bloomberg New Contemporaries | Various | Bev Bytheway and Eileen Daly | 2008 | P1118 |
| Local Colour - July | Becky Shaw | 2008 | P1117 | |
| Past Projects - Hong Kong Performance Art Research Project | Asia Art Archive | 2006 | A0234 | |
| 100 Years 100 Artists 100 Works of Art | Various | 2008 | P1119 | |
| Taking the Leap - A Guide and Presentation for Emerging Dance Artists in Montreal | Lys Stevens | 2007 | P1120 | |
| Laborartorio - from Micro to Macro | Fernando Arias | 2008 | P1121 | |
| Concept 21 - China’s First Performance Artists Group | Concept 21 | 2007 | P1122 | |
| Painting Rebellion | Various | 2008 | P1123 | |
| Boulder | John Frankland | 2008 | P1124 | |
| Now Jump - Station 2 | Various | 2008 | P1125 | |
| Liverpool Biennial - Engaging Art, People and Place. | Various | 2008 | P1126 | |
| The New Barbarians Collection Fall 2007: Designer Primitives on the Runaway Runway | Guillermo Gómez-Peña, Rachel Rogers, Roberto Sifuentes | 2008 | A0235 | |
| Why Are You Wearing That? | Thom Shaw, Scottee | 2008 | A0236 | |
| Live Art on Camera - Performance and Photography | Various | Alice Maude - Roxby | 2007 | P1127 |
| Chelsea Girls | Mary Paterson | 2008 | A0237 | |
| We Need to Talk About Live Art | Tim Atack, Rachel Lois Clapham, Mary Paterson and Theron Schmidt | 2008 | A0238 | |
| Happenstance | Philippa Thomas | 2008 | A0239 | |
| Hoyle’s Humility | Gavin Butt | 2008 | A0240 | |
| Surviving Words | Theron Shmidt | 2008 | A0241 | |
| An Infinite Line: Brighton | David Harradine | 2008 | P1128 | |
| Full Circle | Eduardo Padilha and Michael Schwab | Kiki Mazzucchelli and Jonathan Miles | 2007 | P1129 |
| Drama Queens | Elmgreen and Dragset | 2008 | P1130 | |
| That Night Follows Day | Tim Etchells | 2007 | P1131 | |
| Sacred 2008 | Various | 2008 | P1132 | |
| Virtual / Physical Bodies | Various | 2008 | P1133 | |
| Posizione e Deposizione - Position and Deposition | Franko B / Zhang Huan | 2008 | P1134 | |
| Frieze Projects - Artists’ Commissions and Talks 2003 - 2005 | Various | Polly Staple, Melissa Gronlund | 2006 | P1135 |
| The UK Cultural Sector - Profile and Policy Issues | Sara Selwood | 2001 | P1136 | |
| Economising Culture - On ‘The (Digital) Culture Industry’ | Geoff Cox, Joasia Krysa and Anya Lewin | 2004 | P1137 | |
| Inward Gazes - Documents about Chinese Performance Art | Various | 2006 | P1138 | |
| Art Works 2005-2007 | Huang Meng-Chin | 2007 | P1154 | |
| DIY 5: 2008 - Professional Development BY Artists and FOR Artists Summary Report | Various | Live Art Development Agency | 2008 | P1139 |
| Macao New Wave - Exhibition of Contemporary Art | Various | 2006 | P1140 | |
| Vital - International Live Artists of Chinese Descent | Various | Sarah Champion | 2007 | P1141 |
| Postdramatic Theatre | Hans-Thies Lehmann | 2006 | P1142 | |
| I Believe | Various | 2007 | P1143 | |
| Nihil Inhumanum a Me Alienum Puto - Nothing Inhuman is Alien to Me | Oleg Kulik | 2007 | P1144 | |
| Performance Space Moments | Heindrun Löhr | 2007 | P1145 | |
| Global Art Forum _ 2 - Transcripts | 2007 | P1146 | ||
| In the Place of Passing | Mark Ward | 2007 | P1147 | |
| Dingo - A Treatment Towards a New Communionism | André Stitt | 2007 | P1148 | |
| Plateaux 2008 - new Positions in International Performing Arts | Various | 2008 | P1149 | |
| Dance - Club - Performance - Exhibition - Theatre - Reading - Concert | Various | 2006 | P1150 | |
| Mike Parr - Performances 1971-2008 | Mike Parr | 2008 | P1151 | |
| Spectacular | Forced Entertainment | 2008 | P1152 | |
| Hui-Chan Kuo | Hui-Chan Kuo | 2007 | P1153 | |
| The Broken World | Tim Robey | 2008 | A0242 | |
| Disconcerting Possibilities - Focus on Live Art | Susan Jones | 2008 | A0243 | |
| Liverpool Biennial - Independents 08 and New Contemporaries | Pryle Behrman | 2008 | A0244 | |
| Liverpool Biennial Made Up - Public Realm | David Briers | 2008 | A0245 | |
| Perverse Martyrologies - An Interview with Ron Athey | Dominic Johnson | 2008 | A0246 | |
| Joan Jonas - I Want to Live in the Country (And Other Romances) | Susan Morgan | 2006 | P1155 | |
| Bas Jan Ader - In Search of the Miraculous | Jan Verwoert | 2006 | P1156 | |
| Yvonne Rainer - The Mind is a Muscle | Catherine Wood | 2007 | P1157 | |
| Joseph Beuys - Coyote | Caroline Tisdall | 2008 | P1158 | |
| Human Futures - Art in an Age of Uncertainty | Andy Miah | 2008 | P1159 | |
| Performance / Video / Collaboration | Aaron Williamson | 2008 | P1160 | |
| The World as a Stage | Jessica Morgan and Catherine Wood | 2007 | P1161 | |
| Now Jump - Station 0, 1, 2, 3 | Various | 2008 | P1162 | |
| Strange Museums - A Journey through Poland | Fiona McGregor | 2008 | P1163 | |
| Post - The Journal for Arts Culture and Research | Various | Spring 2008 | P1164 | |
| Arkive City | Various | 2008 | P1165 | |
| Art Activism 1992-98 | Yoshiko Shimada | 1998 | P1166 | |
| Akademia Ruchu - City. The Field of Action | Akademia Ruchu | 2006 | P1167 | |
| 101 Excuses – How Art Legitimises Itself | Manuel Saiz | 2009 | P1168 | |
| Programme Notes: Case studies for locating experimental theatre | Various | Lois Keidan and Daniel Brine | 2007 | P1169 |
| Performance in Profile 05 | John Daniel, Cathy Gomez | 2005 | P1170 | |
| Performance in Profile 06 | John Daniel, Catherine Gardner | 2006 | P1171 | |
| Paris Calling 09 - A Franco-British Season of Performing Arts | Various | 2009 | P1172 | |
| X-Event | Annie Vigier and Franck Apertet | 2007 | P1173 | |
| The Eccentric City - Issue No.1b - The Hopefully Hot Season 2008 | Harry Palmer | 2008 | P1174 | |
| Land of Human Rights | <rotor> | 2007-9 | P1175 | |
| Uprising - Evidence | Nicole Garneau | 2008 | P1176 | |
| Art in Mind - An artist's journey exploring the edges of perception | Luke Jerram | P1177 | ||
| Art&Co | 2009 | P1178 | ||
| Expedition - European Platform for Artistic Exchanges | 2008 | P1179 | ||
| Little Black Book Volume 2 - Manchester International Festival | 2008 | P1180 | ||
| Saison Video 2009 #33 | 2009 | P1181 | ||
| The Onda Report | 2009 | P1182 | ||
| Explore Handbook - Improving Access to the Galleries for Disabled and Deaf People | 2009 | P1183 | ||
| engage 23: The International Journal of Visual Art and Gallery Education - Disability and Access | Spring 2009 | P1184 | ||
| Szene Salzburg - International Performing Arts | Jeremy Xido, Claudia Heu | P1185 | ||
| Archetypes of the Feminine | Ioanna Ralli | 2008 | P1186 | |
| Sea Pastels | Lizzie Calligas | 2008 | P1187 | |
| BuBu de la Madeleine - Art Works 1993-2005 | BuBu de la Madeleine | 2006 | P1188 | |
| Radiator 2009 - Exploits in the Wireless City | 2009 | P1189 | ||
| Andree Weschler - Sexuality and Religion: Once Upon a Time in a Time | Andree Weschler | 2004 | P1190 | |
| The Art of Love (war) | Áine Phillips | P1191 | ||
| Freud on Holiday Volume II - A Disturbance of Memory | Sharon Kivland | 2007 | P1192 | |
| Out of Now - The Lifeworks of Tehching Hsieh | Adrian Heathfield and Tehching Hsieh | 2008 | P1193 | |
| A Brief History of Curating | Hans Ulrich Obrist | 2009 | P1194 | |
| The Secure, Private Domain of my Home (1996-2001) - Zero to Five | Lia Nalbantidou | 2002 | P1196 | |
| Performance, Film, Video 1969-2004 | Leda Papaconstantinou | 2005 | P1197 | |
| Embedded Art - Art in the Name of Security | Olaf Arndt, , Moritz von Rappard, Janneke Schönenbach, Cecilia Wee | 2009 | P1198 | |
| Text Book: Notes Around the Margins. | Industry of the Ordinary | 2005 | P1199 | |
| Factory Project | 2008 | P1200 | ||
| Taxi - 008: Steven Cohen | Steven Cohen | 2003 | P1201 | |
| Umelec 1-2008 | 2008 | P1202 | ||
| Umelec 4-2007 | 2007 | P1203 | ||
| Los Artistas Unidos Jamás Sarán Vencidos | Martin Zet | 2001 | P1204 | |
| Marco Paulo Rolla | Marco Paulo Rolla | 2003; 2006 | P1205 | |
| The Nature of the Beast - Guernica | Goshka Macuga | 2009 | P1206 | |
| Still Life in Baghdad | Mohamed Abdulla | 2005 | P1207 | |
| The Twilight Readings | Simon Armitage | 2008 | P1208 | |
| Walking to Work | Simon Whitehead | 2006 | P1209 | |
| We Are the Landscape of All We Have Seen | Isamu Noguchi | 2008 | P1210 | |
| La Lettre D’Information de l’Onda | 2009 | P1211 | ||
| How Altermodern Are You? | Cedar Lewisohn | 2009 | P1212 | |
| James Turrell Deer Shelter - An Art Fund Commission | James Turrell | 2006 | P1213 | |
| In the Name of | Leda Papaconstantinou | 2007 | P1214 | |
| Cargo Sofia-X, Call Cutta | Stefan Kaegi & Rimini Protokoll | 2007-2008 | P1215 | |
| Memories Are Made Of This... performance notes | BADco. | 2006 | P1216 | |
| Brut | Various | 2009 | P1217 | |
| From the Favela to Our Manor - Translating AfroReggae | Richard Ings Paul Heritage | 2007 | P1218 | |
| SPILL Tarot Pack | Various | 2009 | P1219 | |
| Leftovers (Take away) | Mem Morrison | 2007 | P1220 | |
| Redefining Identities: Russian Contemporary Art in the Age of Globalisation | 2003 | P0357 | ||
| Dwelling Place - 2008 Taiwan International Video Art Exhibition | 2009 | P1222 | ||
| The Happy Hypocrite - Volatile Dispersal | Maria Fusco | 2009 | P1221 | |
| Theatre Noise - An International Conference | 2009 | P1223 | ||
| Tupada Revolt | 2008 | P1224 | ||
| NIPAF ‘07 | 2007 | P1226 | ||
| NIPAF ‘08 | 2008 | P1227 | ||
| NIPAF ‘06 | 2006 | P1225 | ||
| Eight Areas | 2007 | P1228 | ||
| Report on ‘Research on Interdisciplinary Arts in Hong Kong’ | 2006 | P1229 | ||
| Performance Saga - Interview 06 - Joan Jonas | Joan Jonas | Andrea Saemann and Katrin Grögel | 2008 | P1230 |
| Performance Saga - Interview 07 - Martha Rosler | Martha Rosler | Andrea Saemann and Katrin Grögel | 2008 | P1070 |
| Performance Saga - Interview 08 - Alison Knowles | Alison Knowles | Andrea Saemann and Katrin Grögel | 2008 | P1232 |
| Bestilalia (I Never Imagined Life Without You | Samantha Sweeting | 2008 | P1233 | |
| Thought for Food | Peacock | 2009 | P1234 | |
| Linked - A Landmark in Sound, an Invisible Artwork, a Walk | Graeme Miller | 2003 | P1235 | |
| Babylon Europe - Boundless Languages International Conference Proceedings | Various | P1236 | ||
| Theatre & Audience | Helen Freshwater | Jen Harvie and Dan Rebellato | June 2009 | P1237 |
| Theatre & Ethics | Nicholas Ridout | Jen Harvie and Dan Rebellato | June 2009 | P1238 |
| Theatre & the City | Jen Harvie | Jen Harvie and Dan Rebellato | June 2009 | P1239 |
| Theatre & Human Rights | Paul Rae | Jen Harvie and Dan Rebellato | June 2009 | P1240 |
| Theatre & Globalisation | Dan Rebellato | Jen Harvie and Dan Rebellato | June 2009 | P1242 |
| Theatre & Education | Helen Nicholson | Jen Harvie and Dan Rebellato | June 2009 | P1243 |
| Corpus Jan Fabre, observations of a creative process | Luk Van Den Dries | P1244 | ||
| No Beauty For Me Where Human Life is Rare - On Jan Lauwer’s Theatre Work with Need Company | Christel Stalpaert, Frederik Le Roy, Sigrid Bousset | 2007 | P1245 | |
| New Work Network’s ‘ No Budget Guide for Artists to Disability Access ‘ | Ju Gosling | P1246 | ||
| Monografijaperformans - Monographyperformance | Vladom Martek, Marijan Špoljar, Misko Šuvakovic | 2003 | P1251 | |
| Conversation with the warrior or woman has disappeared , 1999./2000. | Vlasta Delimar | P1252 | ||
| Guilt / Retelling a story life 2004. | Vlasta Delimar | P1253 | ||
| At your Service | Various | Cylena Simonds | June 2009 | P1247 |
| Cairon 13 Journal of Dance Research: Practice and Research | Victoria Peres Royo and Jose Antonio Sanchez | 2008 | P1248 | |
| Tunnel 228 | Various | May 2008 | P1249 | |
| Bart Wells Institute | Luke Gottelier, Francis Upritchard, Sam Basu, Harry Pye and åbäke | P1250 | ||
| Theatre & Politics | Joe Kelleher | Jen Harvie and Dan Rebellato | June 2009 | P1241 |
| Five Easy Pieces | Switch performance company | December 08 | P1254 | |
| Why is the work of Roan Athey and Hermann Nitsch useful to society? | Robin Spalding | April 2009 | P1255 | |
| Perforperto | Various | Sarah McAvera and Alexander Del Re | December 2007 | P1256 |
| The Frantic Assembly book of devising theatre | Scott Graham and Steven Hoggett | 2009 | P1257 | |
| Disability | Colin Barnes and Geof Mercer | 2003 | P1258 | |
| I am 50 | Vlasta Delimar | 2006 | P1259 | |
| Dancing with Men | Oreet Ashery | 2009 | P1260 | |
| I feel love | George Chakravarthi | April 2009 | P1261 | |
| Structuralism and Semiotics | Terence Hawkes | 1997 | P1262 | |
| Globalisation and its Discontents | Joseph E. Stiglitz | 2002 | P1263 | |
| Critical Theory and practice: A Coursebook | Keith Green and Jill Lebihan | 1996 | P1264 | |
| Naked thoughts that roam about - Reflections on Theatre 1958-2001 | John McGrath | Nadine Holdsworth | 2002 | P1265 |
| Theatre Theories - From Plato to Virtual Reality | Anthony Frost | 2000 | P1266 | |
| Cold War Theatre | John Elsom | 1992 | P1267 | |
| The Living Theatre - Art, Exile and Outrage | John Tytell | 1997 | P1268 | |
| The Cultural Studies Reader | Simon During | 2000 | P1269 | |
| The paris Jigsaw - Internationalism and the city’s stages | David Bradby and Maria M. Delgado | 2002 | P1270 | |
| Analysing Performance - A critical reader | Patrick Cambell | 1996 | P1271 | |
| Postmodernism, The Key Figures | Hans Bertens and Joseph Natoli | 2002 | P1272 | |
| Celebrating Disability Art | 2003 | P1281 | ||
| Labour Practices | Mary Paterson | July 2009 | P1273 | |
| People Signs and Resistance - On the front line | Various | P1274 | ||
| Expressions: From Darwin to Contemporary Arts | Various | Bergit Arends | P1282 | |
| Stage Fright, Animals, and Other theatrical problems | Nicholas Ridout | P1275 | ||
| Performativity and Performance | Andrew Parker / Eve Kosofsky Sedgwick | 1995 | P1276 | |
| Deleuze and Performance | Various | Laura Cull | 2009 | P1277 |
| Cultural Resistance Reader | Various | Stephen Duncombe | 2002 | P1278 |
| English Anxieties | Tim Brennan | 2009 | P1279 | |
| Ambient Information Systems | Manu Luksch / Mukul Patel | 2009 | P1280 | |
| Intervention and Audience | Stephen Willats | 1985 | P1283 | |
| Fragrant - on flowers and flower arrangers | Jyll Bradley | Jyll Bradley | 2003 | P1284 |
| Travel Guide | Matei Bejenaru | 2007 | P1285 | |
| Situatii- Situations | Matei Bejenaru | 2007 | P1286 | |
| Oblique Strategies - One Hundred Worthwhile Dilemmas | Brian Eno / Peter Schmidt | P1287 | ||
| Olafur Eliasson The Weather Project | Olafur Eliasson | Susan May | 2003 | P1288 |
| Grapefruit: A Book of Instructions and Drawings | Yoko Ono | 2000 | P1289 | |
| FrenchMottershead’s Study Room Guide - Making It Your Own? – Social Engagement and Participation | FrenchMottershead | August 2009 | P1290 | |
| The Novel of Nonel and Vovel | Oreet Ashery / Larissa Sansour | 2009 | P1291 | |
| Marcia Farquhar’s 12 Shooters | Marcia Farquhar | J. Maizlish | 2009 | P1292 |
| La Pocha Nostra: Creating Alternative Artistic Networks | Lorena Rivero de Beer | A0247 | ||
| The Art of Love (war) | Aine Phillips | P1293 | ||
| sisters such devoted sisters | Russell Barr | P1294 | ||
| Not for Sale panel discussion | PERFORMA | 19 April 2004 | P1317 | |
| Forced Entertainment - Theatre of Friction | Jo Caird | 1 January | A0249 | |
| Book review: Out of Now: The Lifeworks of Tehching Hsieh | Theron Schmidt | 2 March 2009 | A0248 | |
| Moja Zemlja Staglinec | Moja Zemlja Staglinec | 02/07/05 - 16/06/2007 | P1295 | |
| Displacement & Difference | Fran Lloyd | 2001 | P1296 | |
| Loneliness in the Boundaries | Melati Suryodarmo | 2006 | P1297 | |
| Playing the Building | David Byrne | 2009 | P1298 | |
| Bones Accions | Joan Casellas | 1991 - 2001 | P1299 | |
| Chasing Rainbow | Anya Gallaccio | 1999 | P1300 | |
| Manual II - a selection of works 1986 - 1996 | Gregory Green | 1996 | P1301 | |
| Book | Ameia Jones and Mark Leahy | 2007 | P1302 | |
| Beuys is Here | Various | Celia Davies and Jane Won | 2009 | P1303 |
| PSI 15 Zagreb - Misperformance | Various | 2009 | P1304 | |
| Conversations with Marcus Young | Nick Stillman | 26/09/2005 | A0250 | |
| The Art of Hitch-hiking: Daniel Gosling’s performance | Peter Merriman | 2001 | A0251 | |
| Held | Graeme Miller | P1305 | ||
| When an Interpreter Could Not be Found | Visible Collective | P1306 | ||
| (more than) Filthy Lies | Alexis O’Hara | 2001 | P1307 | |
| sleep/wake | The Playground NZ Ltd | P1308 | ||
| Hydrophonics | Caroline A. Locke | P1309 | ||
| Media & Performance along the border | Johannes Birringer | 1998 | P1310 | |
| The Connected Body? | Ric Allsopp & Scott de Lahunta | 1994 | P1311 | |
| Anymous magazine 2000-2006 | Anymous | P1312 | ||
| Review of Performance/Video/Collaboration by Aaron Williamson | Dr Emily Pringle | A0252 | ||
| Collaborators | Kate Burnett (compiled by) | 2007 | P1313 | |
| Rooted in the Earth | Joshua Sofaer | 2009 | P1314 | |
| More China Than You | Lee Wen | A0253 | ||
| Reflections on Performance Art in Asia | Thomas Berghuis | 2009 | A0254 | |
| KHOJLIVE08: The Khoj Performance Art Festival | Rohini Devasher | 2009 | A0255 | |
| Book of the Disappeared | Carnesky Productions | 2008 | P1315 | |
| On the Move in Hong Kong | Mok Chiuyu | 2009 | A0256 | |
| Iconographic Mystery: A conversation with Carolee Schenemann | Dagmar Reichert | 2009 | A0257 | |
| Mapping the Body: Body Dialectics by Women Artists from Asia | Bina Sarker Ellias | 2009 | A0258 | |
| The Dramatic Art of Robert Le Page: Fragments of Identity | Josette Feral | 2009 | A0259 | |
| Robert Le Page in Toronto: Staging the Other | Jane Koustas | 2009 | A0260 | |
| Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone | Dominic Johnson | 2009 | A0261 | |
| Surveillance Spectacles: The Big Art Group’s Flicker and the Screened Body in Performance | Jason Farman | 2009 | A0262 | |
| Hysteria and Trance: Performative Synergies | Natalia Theodoridou | 2009 | A0263 | |
| Self/Image: technology, representation, and the contemporary subject - review | Jennie Klein | 2009 | A0264 | |
| Digital Practises: Aesthetic and Neuroesthetic Approaches to Performance and Technology - Review | Matthew Causey | 2009 | A0265 | |
| The Theatre of Societas Rafaello Sanzio by Claudia Castelluci, Romeo Castelluci, Chiara Guidi and Nicholas Rideout - review & The Wooster Group Work Book by Andrew Quick - review | Ric Knowles | 2009 | A0266 | |
| Imag/ing theatre in Wajdi Mouawad’s Seuls | Virginia Preston | A0267 | ||
| Issues in Contemporary Culture and Aesthetics | Sue Golding and Johnny de Philo | April 2000 | P1316 | |
| The Performative Matrix: Alladeen and Disorientalism | Jon McKenzie | June 2008 | A0268 | |
| the Ceramic Age - Things Hidden Since the Foundation of Performance Studies | Alan Read | June 2008 | A0269 | |
| Wanted | Kinkaleri | Dec 2008 | A0270 | |
| How to Act, How to Spectate (Laughing Matter) | Joe Kelleher | Dec 2008 | A0271 | |
| Body Events and Implicated Gazes | Jim Drobnick | Dec 2008 | A0272 | |
| Dinner With America - Essays, Films, Images and Conversations | Rajni Shah | 2008 | P1318 | |
| Technologies of Intuition | Various | Jennifer Fisher | 2006 | P1319 |
| Francesca Steele: Pulse (Review) | Rachel Lois Clapham | April 2007 | A0273 | |
| Rachel Zerihan’s Study Room Guide | Rachel Zerihan | 2009 | P1320 | |
| Night Time | Ana Laura Lopez de la Torre | 2009 | P1321 | |
| Paul McCarthy | Paul McCarthy | Ralph Rugoff, Kristine Stiles, Giacinto Di Pietrantonio | P1322 | |
| Roman Signer | Roman Signer | Gerhard Mack, Paula van den Bosch, F Sauter, Roman Signer | P1323 | |
| Marina Abramovic | Marina Abramovic | Kristine Stiles, Klaus Biesenbach, Chrissie Iles | P1324 | |
| Zhang Huan | Zhang Huan | RoseLee Goldberg, Yilmaz Dziewior, Robert Storr | P1325 | |
| Small Acts of Repair: Performance, Ecology and Goat Island | Various | Stephen Bottoms, Matthew Goulish | 2007 | P1326 |
| Art and Text | Aimee Selby | 2009 | P1328 | |
| Cildo Meireles | Cildo Meireles | Guy Brett | 2009 | P1327 |
| Performance Art by Baktruppen - first part | Baktruppen | Arntzen, Knut Ove and Eeg-Tverbakk, Camilla | 2009 | p1329 |
| How to be an Artist | Atavar, Michael | 2009 | P1330 | |
| Marina Abramovic | Richards, Mary | 2010 | P1331 | |
| The Front Room - Migrant Aesthetics in the Home | McMillan, Michael | 2009 | P1332 | |
| Building a Nation (exhibition catalogue) | Durham, Jimmie | 2006 | P1333 | |
| Failing That (Exhibition Catalogue) | Rooney, Paul | 2008 | P1334 | |
| The Last Silent Movie | Hiller, Susan | 2008 | P1335 | |
| The Body in Contemporary Art | O’Reilly, Sally | 2009 | P1336 | |
| Flashes from the Archives of Oblivion (Exhibition Catalogue) | Various | P1337 | ||
| Art as Life | Kaprow, Allan | 2008 | P1341 | |
| A Rough Guide to Access to Work | Taylor, Michelle | 2008 | P1338 | |
| Contemporary Performance Practice in Wales | Various | 2007 | P1339 | |
| Theatre Festival Spielart Munich | Various | 2009 | P1340 | |
| Procession: An Exhibition | Jeremy Deller | 2009 | P1342 | |
| Notes on a Return | Various | 2009 | P1343 | |
| Do It Yourself; A Handbook for Changing our World | Various | The Trapese Collective | 2007 | P1344 |
| Five Rooms; A Collaborative Writing Project | various | 2009 | P1345 | |
| Vantastic and Lobster | Russell Barr | 2009 | P1346 | |
| A Whore Diary | Hustler Akira | 2000 | P1347 | |
| The 16th Nippon International Performance Art Festival (catalogue) | Various | 2009 | P1348 | |
| memorandum | Teiji Furuhashi | Dumb Type | 2000 | P1349 |
| Escape from Oneself (exhibition catalogue) | Yoshiko Shimada | 2002 | P1350 | |
| Bobby Baker: Redeeming Feature of Daily Life edited by Michele Barrett and Bobby Baker (review) | Jennie Klein | 2009 | A0275 | |
| Small Acts of Repair: Performance, Ecology and Goat Island by Stephen Bottoms and Matthew Ghoulish (review) | Joe Kelleher | 2009 | A0274 | |
| The Cambridge Companion to Performance Studies edited by Tracy C Davis (review) | Alan Read | 2009 | A0276 | |
| Governance Now: The Hidden Challenge of Leadership | Various | 2009 | P1351 | |
| Yang Zhichao Works | Yang Zhichao | 2008 | P1352 | |
| The Wings of Live Art | He Yunchang | 2009 | P1353 | |
| Pain in Soul: Performance Art and Video Works | He Chengayo | 2007 | P1374 | |
| Vis a Vis Artlab | Various | 2008 | P1355 | |
| Archive of Chinese Avant-Garde Art of the 1980s | Wen Pulin | P1356 | ||
| Support Chinese Art Now | Wen Pulin | 2008 | P1357 | |
| Datong Dazhang | Datong Dazhang | 2008 | P1358 | |
| There is no Story to Tell | Various | 2009 | P1359 | |
| Action in China: Performance Art from the 1980s to 1990s | Wen Pulin | 2009 | P1360 | |
| Xi’an Quijan International Contemporary Art Festival: sculpture/installation/object | Various | 2009 | P1361 | |
| Xi’an Quijan International Contemporary Art Festival: Painting | Various | 2009 | P1362 | |
| Xi’an Quijan International Contemporary Art Festival: Performance and Live Art | Various | 2009 | P1363 | |
| Xi’an Quijan International Contemporary Art Festival: video/photography/digital art/documentary film | Various | 2009 | P1364 | |
| Platform Seoul: I have nothing to say and I am saying it (exhibition catalogue) | Various | 2008 | P1365 | |
| The Permanent Process of Reinvention | Various | June 2009 | A0277 | |
| Out of Now: The Lifeworks of Tehching Hseih (book review) | David Williams | June 2009 | A0278 | |
| Matrixial Traces in Performance: the anchor series | Branislava Kuburovic | March 2009 | A0280 | |
| Cairon 12: Journal of Dance Studies: Body and Architecture | Various | Fernando Quessada, Amparo Ecija | 2009 | P1366 |
| The 10th Anniversary of Open Performance Art Festival (exhibition catalogue) | Various | 2009 | P1367 | |
| Untitled | Kuroda Osamu | 2009 | P1354 | |
| How to Use a Woman’s Body (exhibition catalogue) | Various | 2000 | P1368 | |
| BuBu de le Madeleine Art Works 1993-2005 | BuBu de le Madeleine | 2005 | P1369 | |
| Festival/Tokyo | Various | 2009 | P1370 | |
| Forced Entertainment Research Pack | Forced Entertainment | 2009 | P1371 | |
| Void Spaces | Hugo Glendinning, Tim Etchells, Forced Entertainment | 2000 | P1372 | |
| Goat Island SchoolBook 2 | Goat Island | Karen Christopher | 2000 | P1373 |
| Staying: Dream, Bin, Soft Stud and Other Stories | Oreet Ashery | Artangel | 2010 | P1390 |
| The System: Citizenship, Education, Finance, Identity, Social Security, Work, Utilities | Heath Bunting | P1375 | ||
| Magic Show | Various | Jonathan Allen and Sally O’Reilly | 2009 | P1376 |
| Sophie Calle: The Reader | Sophie Calle | 2009 | P1377 | |
| Between the Vanguard and the Peripheral: Artists’ and Curators’Residencies | Various | Paula Orrell | 2009 | P1378 |
| Interfaces of Performance | Maria Chatzichristodoulou, Janis Jefferies and Rachel Zerihan | 2009 | P1379 | |
| Rite | Various | New Work Network | 2009 | P1380 |
| On Your Body: contemporary Japanese photography | 2008 | P1381 | ||
| One World One Dream: Aircraft Carrier Project | Mad For Real | 2009 | P1382 | |
| Mother’s 200-2005: Traces of the Future | Ishiuchi Miyako | 2005 | P1383 | |
| Miwa Yanagi (trans. Jeffrey Hunter) | Miwa Yanagi | 2009 | P1384 | |
| Still Motion: Liquid Crystal Painting | 2008 | P1385 | ||
| Life Actually: The works of contemporary Japanese Women | 2005 | P1386 | ||
| Voyage: Views of the World by Japanese Photographers | Various | P1387 | ||
| Artsadmin 30 | Various | 2009 | P1388 | |
| Theatre & the Body | Colette Conroy | 2010 | P1389 | |
| Difference on Display: Diversity in Art, Science and Society | 2009 | P1391 | ||
| The Art of Movana Chen | Movana Chen | 2008-2009 | P1392 | |
| The Dust Archive: A History of Leeds Met Studio Theatre | Alexander Kelly and Annie Lloyd | P1393 | ||
| Street Training Manual | Lottie Child | 2007 | P1394 | |
| An End to Isolation | Davida Hewlett | 2009 | P1395 | |
| London Palm | Tony White | P1396 | ||
| News Haiku | Barbara Campbell | 2009 | P1397 | |
| Yorkshire Sculpture Park: Landscape for Art | Lynne Green | 2008 | P1398 | |
| The Anarchy of Silence: John Cage and Experimental Art | Various | Ana Jimenez Jorquera | 2009 | P1399 |
| Eva and Franco Mattes | 2009 | P1400 | ||
| Well Rounded Individual | Richard DeDomenici | 2009 | P1401 | |
| Simple Acts Journal | P1402 | |||
| Pais Para Quien | Fernando Arias | 2009 | P1403 | |
| A Dilemma: An Enquiry into Steve Hater’s Arabic Tattoo | St. Pierre & Miquelon | 2008 | P1404 | |
| Everywhere and All at Once: An Anthology of Writings on Performa 07 | Various | RoseLee Goldberg | 2009 | P1405 |
| Manchester 2050 | Various | 2009 | P1406 | |
| Manchester International Festival | 2009 | P1407 | ||
| A Brief History of Curating New Media Art: Conversations with Curators | Various | Sarah Cook, Beryl Graham, Verina Gfader, Axel Lapp | 2010 | P1408 |
| A Brief History of Working with New Media Art: Conversations with Artists | Various | Sarah Cook, Beryl Graham, Verina Gfader, Axel Lapp | 2010 | P1409 |
| Wings Are Giving Out | Sean Burn | 2009 | P1410 | |
| The Anatomy of Desire | Charlie Murphy | 2010 | P1411 | |
| Bad Reputation: Performances, Essays, Interviews | Penny Arcade | 2009 | P1412 | |
| Essaying Essays: Alternative Forms of Exposition | Burges Johnson | 1932 | P1413 | |
| Traces of Dance: Drawings and Notations of Choreographers | Paul Virilio, Louppe, Laurence | P1414 | ||
| Words Wading, Performance Writing Origins, special issue | Ric Allsop | A0281 | ||
| How to Do Things With Words: textual typologies and doctoral writing | Claire MacDonald | 2009 | A0282 | |
| In Time: A Collection of Live Art Case Studies | 2010 | P1415 | ||
| Essaying Essays | Various | A0283 | ||
| Performing Writing | Della Pollock | Peggy Phelan and Jill Lane | 1998 | A0284 |
| Coming to Writing | Helene Cixous | Deborah Jenson | 1992 | A0285 |
| Deliberation | Roland Barthes | 1984 | A0286 | |
| Getting Personal: Autobiography as Cultural Criticism | Nancy K Miller | 1991 | A0287 | |
| Signature Event Context | Jacques Derrida | 1985 | A0288 | |
| Missing Persons: Personal Pronouns in Performance Writing | John Hall | 1998 | A0289 | |
| Performance Writing | John Hall | 2006 | A0290 | |
| Reading (Illegible) Pages | 2004 | A0291 | ||
| How to Do Things with Words: The William James Lectures delivered in Harvard University in 1955 | J.L. Austin | 1976 | P1416 | |
| Inside Performance | Rachel Lois Clapham | 2009 | A0292 | |
| Inside Performance | Rachel Lois Clapham | 2009 | A0293 | |
| Performance Texts | Lisa Wesley | 1999 | P1432 | |
| Marina Abramovic + The Future of Performance Art | Marina Abramovic | Paula Orrell | 2010 | P1418 |
| Intellect - Books and Journals Catalogue 2010 | 2010 | P1419 | ||
| Cripple Poetics: A Love Story | Petra Kuppers & Neil Marcus | 2008 | P1420 | |
| Ulrike and Eamon Compliant | Blast Theory | 2009 | P1421 | |
| The Tyranny of the Transparent | Various | Frances Barrow | 2008 | P1422 |
| The Anatomy of Desire | Charlie Murphy | 2010 | P1423 | |
| Two-way Communication - The Art of Movana Chen | Movana Chen | April 2008 | P1424 | |
| Polish Art of the 70s | Lukasz Ronduda | 2009 | P1425 | |
| People, Places, Process: The Shops Project | Frenchmottershead | 2010 | P1426 | |
| After Criticism - New Responses to Art and Performance | Gavin Butt | 2008 | P1427 | |
| Intensity of Affect - Performance, Actions, Installations. | Zoran Todorovic | Mach 2009 | P1428 | |
| DeDomeNRLArchive | Richard DeDomenici | 2010 | P1429 | |
| Point - You Are Here | 2010 | P1430 | ||
| Seiji Shimoda - Performance Art 2008 | Seiji Shimoda | 2008 | P1431 | |
| 10 Performances | Various | 26 November 2009 | P1417 | |
| (W)reading Performance Writing : A Study Room Guide (2010) by Rachel Lois Clapham | Rachel Lois Clapham | 2010 | P1433 | |
| The Many Headed Monster: The audience of contemporary performance | Joshua Sofaer | 2009 | P1436 | |
| Failing to do without: writing as classical choreographic documentation | Rita Marcolo | 2009 | A0294 | |
| Three Essays + Exchange | Aparna Sharma, Shimizu Shinjin, Shu Yang, Shirotama Hitsujiya | 2010 | P1434 | |
| A Line Made by Walking | Richard Long | Dieter Roelstraete | 2010 | P1435 |
| Art School (Propositions for the 21st Century) | Various | Steven Henry Madoff | 2009 | P1437 |
| Entangled - Technology and the Transformation of Performance | Chris Salter | 2010 | P1438 | |
| Tim Rollins and K.O.S. - A History | Tim Rollins | Ian Berry | 2009 | P1439 |
| Young People's Resource Pack on Live Art | Yara El-Sherbini; Blast Theory; Richard DeDomenici; Curious; Oreet Ashery | 2009-2010 | P1440 | |
| MUST | Peggy Shaw and Clod Ensemble | 2008 | P1441 | |
| The Walk to Dover | Lali Chetwynd | 2005 | P1442 | |
| Looking for Maya | JD Fleishman | 2003 | P1443 | |
| 9 Night in Eldorado | Donald G Rodney | 1997 | P1444 | |
| Sample Bag - Co. Lab | Scott Daniels | P1445 | ||
| Bull’s-Eye - The mother, The Daughter & The Holy Ghost | Bull’s-Eye | 2005 | P1446 | |
| I Like to Feel that I Am in possession of My City | Various | Amy Feneck | 2008 | P1447 |
| Collapsing the Gap | Simon Poulter | 2009 | P1448 | |
| Let a Thousand Dictionaries Bloom | Sean Burn | 2010 | P1449 | |
| Dirty Dolls and Others | Tatsumi Orimoto | 2008-9 | P1450 | |
| Hotel Pro Forma | Hotel Pro Forma | P1451 | ||
| From/To 9.11 and Others | Philia Project | P1452 | ||
| Staying - Dream, Bin, Soft Stud and Other Stories (workshop notes) | Oreet Ashery | 2009-2010 | P1453 | |
| Platform & Codrenesc | Efi Ben-David | 2007-2008 | P1454 | |
| Movana’s Metamorphosis & Artistic Spirit | Movana Chen | 2008-2009 | P1455 | |
| The International Pool | Clare Thornton | 2008 | P1456 | |
| Engage - The International Journal of Visual Art and Gallery Education - Digital Doorways | Karen Raney | 2009 | P1457 | |
| Shaken Not Stirred | Tony Heaton | 1994 | P1482 | |
| Pleasure and Pain | Marcus Verhagen and Omar Fast | October 2009 | A0295 | |
| Dan Graham - Whitney Museum of American Art | Dan Graham | October 2009 | A0296 | |
| Generosity is the New Political | Olga Smith | November 2009 | A0297 | |
| This Is Wunderbar | Wunderbar | November 2009 | A0298 | |
| Editorial | David Bradby, Maris Delgado, Aoife Monks and Caridad Svich | 2009 | A0299 | |
| Robert Lepage Inc - Theatre for Festival Audiences | Aleksandar Dundjerovic and Ilva Navarro Bateman | 2009 | A0300 | |
| Recycling Site: A Performance Documentation of Raumlabor’s Duismulsen U(topie) 18 | Gabriella Giannachi | 2009 | A0301 | |
| Dramaturgy on Shifting Ground | Hans-Thies Lehmann and Patrick Primavesu | 2009 | A0302 | |
| 100 | Oliver Friljic | 2009 | A0303 | |
| A Walk Through Walking: Performances by the OHO Group (1965-70) | Samo Gosaric | 2009 | A0304 | |
| Shifting Attention: 21st Century Poetics | Ric Allsopp | 2009 | A0305 | |
| Enif Angiolini Robert | Barbara Ballardin and Adrien Sina | 2010 | P1459 | |
| Making Contemporary Theatre: International Rehearsal Processes | Jen Harvie and Andy Lavender | 2010 | P1460 | |
| PANI: Performance Art Northern Ireland | Various | 2010 | P1461 | |
| Diary Drawings: Mental illness and me | Bobby Baker | P1462 | ||
| The NWN International Pool Directory | New Work Network | July 2008-January 209 | P1463 | |
| When Marina Abramovic Dies | James Westcott | 2010 | P1465 | |
| Ansuman Biswas: An inspiring artist bares more than his soul | Ansuman Biswas | 2010 | A0306 | |
| Ai Weiwei and Uli Sigg: A heart to heart with two art stars | Ai Weiwei and Uli Sigg | 2010 | A0307 | |
| NRLA 30th Anniversary Boxed Set, NRLA 1979 – 2010: A Personal History | Various | Dee Heddon Jennie Klein and Nikki Milican | 2010 | P1466 |
| Red Humour International | Wu Shanzhuan | 2005 | P1467 | |
| License to Spill | Various | 2010 | A0308 | |
| 80cm Away From You: Voorstellingen/Performances 2000-2009 | Dries Verhoeven | 2009 | P1468 | |
| Lost and Found: Queering the Archive | Various | Mathias Danbolt, Jane Rowley and Louise Wolthers | P1469 | |
| C Words: carbon, climate, capital, culture. How did you get here and where are we going? | David Trigg | 2009/2010 | A0309 | |
| Matrixial Traces in Performance: the anchor series | Branisslava Kuburovic and Eve Dent | 2009 | A0310 | |
| Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone | Dominic Johnson | 2009 | A0311 | |
| Ian Breakwell / Quad Derby | David Briers | April 2010 | A0312 | |
| Encountering Art | Dave Beech | May 2010 | A0313 | |
| Mirza & Butler | Maxa Zoller | May 2010 | A0314 | |
| Jyll Bradley: Naming Spaces | Gill Hedley | May 2010 | A0315 | |
| Gadfly, trimtab and quipnunc: Richard DeDomenici in his own words | Alexander Roberts | 2010 | A0316 | |
| Momento Mori | Dorothy Max Prior | 2010 | A0317 | |
| Micro Magic | Eve Wedderburn | 2010 | A0318 | |
| Kontakthof - A Conversation | Alexander Roberts and Dorothy Max Prior | 2010 | A0319 | |
| The Politics of Fear | Daniel Miller | 2010 | A0320 | |
| Art and Activism | Gavin Grindon | 2010 | A0321 | |
| The Transformation of symbol in performances of Marina Abramovic | Yu-Chien Wu | 2009 | A0322 | |
| Exterritory Project | 2010 | A0323 | ||
| Comedy, Tragedy, and “Universal Structures”: Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso | Margherita Laera | 2009 | A0324 | |
| The Power of Theatrical Madness: Jan Fabre’s Orgy of Tolerance | Philppa Wehle | 2009 | A0325 | |
| Speech Acts | Sharon Hayes | 2010 | A0326 | |
| How it appears | Carol Yinghua Lu | 2010 | A0327 | |
| Stuart Sherman | Steven Stern | 2010 | A0328 | |
| Sacred: A Season of Contemporary Performance (catalogue) | 2009 | P1470 | ||
| Gross Indecency: True Stories from the Gay Clubs of the Sixties | Robin Whitmore | 2010 | P1471 | |
| Art in Slack Spaces | Annette Moloney | 2010 | P1472 | |
| Theatre & Sexuality | Jill Dolan | 2010 | P1473 | |
| Theatre & Interculturalism | Ric Knowles | 2010 | P1474 | |
| Sometimes Doing Something Poetic Can Become Political and Sometimes Doing Something Political Can Become Poetic | Francis Alys | 2007 | P1475 | |
| A Story of Deception | Francis Alys | 2010 | P1476 | |
| How to Become a Member of Team GB | Heath Bunting | 2010 | P1477 | |
| Close Encounters: Issues Arising in One-to-One Performance | Michael David Jones | 2010 | P1478 | |
| Object Retrieval - You Are The Routemaster | Various | 2010 | P1479 | |
| The Untold Story of the British Space Programme | Spaceship UK | 2010 | P1480 | |
| artartart: The Live Art Issue | Various | 2009 | P1481 | |
| Performance Theatre and the Poetics of Failure | Sara Jane Bailes | 2011 | P1483 | |
| Contesting Performance: Global Sites of Research | various | Jon McKenzie, Heike Roms, C J W L Wee | 2010 | P1484 |
| Tate Summer Party Blues / Say What? Tate BP Special | Editorial | September 2010 | A0329 | |
| Name Readymade | Janez Jansa, Janez Jansa, Janez Janša, various. | 2008 | P1485 | |
| Podpis Signature | Janez Jansa, Janez Jansa, Janez Janša. | 2010 | P1487 | |
| RE:akt! Reconstruction, Re-enactment, Re-reporting. | various | Antonio Caronia, Janez Jansa, Domenico Quaranta | 2009 | P1486 |
| The Swimming Diaries | Susan Thomson | 2008 | P1488 | |
| New Phenomena in Polish Art after 2000 | various | Grzegorz Borkowski, Adam Mazur, Monika Branicka | 2007 | P1490 |
| Fifteen years of Mousonturm | Heiner Goebbels | 2006 | A0330 | |
| The Renaming Machine: The Book | various | Suzana Milevska, Ivana Bago, Antonia Majaca | 2010 | P1491 |
| Art Beyond Representation: The Performative Power of the Image | Barbara Bolt | 2010 | P1492 | |
| Writing Live | Ben Payne, Ruth Ben-Tovim, | John Deeney | 1998 | P1493 |
| Tatton Park Biennial 2010: Framing Identity | various | Danielle Arnaud, Jordan Kaplan | 2010 | P1494 |
| SPILL Festival of Performance: On Agency | various | Robert Pacitti, Sheila Ghelani | 2010 | P1495 |
| Dead Season Live Art | various | 13.02.2010 | P1496 | |
| La Realidad Contaminada: visiones criticas sobre el presente / Contaminated Reality: critical views on the present | various | P1497 | ||
| Images Multimedia de un Mundo Complejo: visiones desde ambos lados del atlantico | various | Jesus Rubio Lapaz | P1498 | |
| Papeles de Cultura Contemporanea: Identidad e Institucionalizacion en la Cultura Artistica Contempoanea | various | 2009 | P1499 | |
| Droga. | Ania Bas, John Alexander Borley, Laura Trevail, | 2010 | P1500 | |
| Cold Water Fun | Tim Etchells | 2010 | P1501 | |
| Contemporary Art Iraq | various | 16.04.2010 | P1502 | |
| How We Became Metadata | various | Marquard Smith | 08.02.2010 | P1503 |
| Gross Indecency: true stories from the gay clubs of the sixties | Robin Whitmore | 2010 | P1504 | |
| TATE Film: Vivienne Dick | 10.11.2010 | P1505 | ||
| There’s a Strange Wind Blowing | Serena Korda | 2010 | P1506 | |
| Orduithe: Live@8 | various | 2010 | P1507 | |
| Das Arts Paper | Buro Vonkstof, Petra Boers | 2010 | P1508 | |
| Travelling Into Your Bookshelf | Movana Chen | 2010 | P1509 | |
| The Fall of Faust: Considerations on Contemporary Art and Art Action | Andrea Pagnes | P1510 | ||
| Point - Live Live | various | 2010 | P1511 | |
| Body Containers come to life in Seoul | Movana Chen, Euan Park | 2010 | P1512 | |
| TransLab Dialog | various | 05.11.2009 | P1513 | |
| Conversations After Dark | Townley and Bradby, James Wilkes | P1514 | ||
| Contaminate the City | FrenchMottershead | 03.2010 | P1515 | |
| The Last Performance [dot org]: an impossible collaboration | Robert Wilsmore | Ross Prior, Michell Kossak, Hayley Singlehurst | 2009 | A0331 |
| Ghostwriting for Performance: Third Angel’s The Lad Lit Project | Alexander Kelly | Ross Prior, Michell Kossak, Hayley Singlehurst | 2009 | A0332 |
| I Still Love | Franko B | 11.2010 | P1516 | |
| File Note #54: Mel Brimfield | Mel Brimfield | 2010 | P1517 | |
| This is Performance Art: Performed Sculpture and Dance (Part1) | Mel Brimfield | 2010 | P1518 | |
| Arnold Circus Centenary | Friends of Arnold Circus | 2010 | P1519 | |
| [IN] visible | various | invisible arts | 06.2005 | P1520 |
| Life [in Progress] | Janez Jansa, Janez Janša, | 2009 | P1521 | |
| Achieving Great Art for Everyone: a strategic framework for the arts | Arts Council England | 2010 | P1522 | |
| The ‘do-it-yourself’ artwork: Participation from Fluxus to new media | various | Anna Dezeuze | 2010 | P1523 |
| Extravagant Bodies: Extravagant Minds | Kontejner | Ivana Bago, Tihana Bertek, Ivana Jelaca, Olga Majcen Linn, Petar Milat, Suncica Ostoic | 2010 | P1524 |
| Performance Artist: This is my work 2003-2010 | Jess Dobkin | 2010 | P1525 | |
| Artivisme: art, action politique et resistance culturelle | various | 2010 | P1526 | |
| African Performance Review | various | Osita Okagbue | 2008 | P1527 |
| Performance in Profile: UK Dance, Drama, Live Art, Outdoor work | various | John Daniel | 2010 | P1528 |
| A Study Room Guide: Disability and New Artistic Models | Aaron Williamson | 07.2010 | P1529 | |
| Art into Action: The Rise of Performance Art in Asia | Thomas J. Berghuis | 03.10.2010 | A0333 | |
| Tales of Identity: The Generation of Images 7 | various | Roberto Pinto | 2002 | P1530 |
| TAPS: Improvisations with Paul Burwell | Paul Burwell | Anne Bean, Robin Klassnik, Richard Wilson | 17-19.08.2010 | P1531 |
| Terrorist Assemblages: Homonationalism in queer times | Jasbir K Puar | 2007 | P1532 | |
| Sex, Drag, and Male Roles: Investigating Gender as Performance | Diane Torr and Stephen Bottoms | 2010 | P1533 | |
| Theatre and Ireland | Lionel Pilkington | Jen Harvie and Dan Rebellato | 2010 | P1534 |
| Theatre and Nation | Nadine Holdsworth | Jen Harvie and Dan Rebellato | 2010 | P1535 |
| Theatre and Feeling | Erin Hurley | Jen Harvie and Dan Rebellato | 2010 | P1536 |
| Performance Video Intervention | pvi collective | 2010 | P1537 | |
| The Social Impact of The Arts: An Intellectual History | Eleonora Belfiore and Oliver Bennett | 2010 | P1538 | |
| The Horizon of Sound: Soliciting the Earwitness | Deirdre Heddon | September 2010 | A0334 | |
| A Northern Soul: The evolution of an artist and musician | Linder Sterling | November - December 2010 | A0337 | |
| Listening-as-Touch: Paying attention to Rosemary Lee’s Common Dance | Martin Welton | September 2010 | A0335 | |
| To See versus To Believe: A conversation on listening | Chiara Guidi & Silvia Bottiroli | September 2010 | A0336 | |
| Machines, magic and music; perception, the body and beyond | Aura Satz (by Melissa Gronlund) | November - December 2010 | A0338 | |
| Professing Performance: Theatre in the Academy from Philology to Performativity | Shannon Jackson | Tracy C. Davis | 2004 | P1539 |
| Traces of History: Jonathan Burrows’ Rethinking of the Choreographic Past | Daniela Perazzo Domm | August 2010 | A0339 | |
| Unsettling Representation: Monuments, Theatre, and Relational Space | Theron Schmidt | August 2010 | A0340 | |
| The Skin of the Theatre: An Interview with Julia Bardsley | Dominic Johnson, Julia Bardsley, | August 2010 | A0341 | |
| Blast Theory’s Rider Spoke, its Documentation and the Making of its Replay Archive | Blast Theory, Various | August 2010 | A0342 | |
| National Review of Live Art: The 30th Edition | Deirdre Heddon | August 2010 | A0343 | |
| Artists and Curators Talking | Sonya Dyer | 10.2010 | A0344 | |
| Beyond Public Art | Mark Wilsher | November 2009 | A0345 | |
| Walks of life | Francis Alys, Coline Milliard | A0346 | ||
| Vote Art | Mike Watson | A0347 | ||
| Tatsumi Orimoto - Selected Materials | Tatsumi Orimoto | P1540 | ||
| London Culture and 2010 | Mayor of London | P1541 | ||
| The Body as Archive: Will to Re-Enact and the Afterlives of Dances | Andre Lepecki | 2010 | A0348 | |
| Utopia on the Horizon: Selected works from 2003-2010 | Sukai Chan | 2010 | P1542 | |
| Excess | various | 2010 | P1543 | |
| Like Love | Sonia Boyce | 2010 | P1544 | |
| No Room to Move: Radical Art and the Regenerate City | various | Josephine Berry Slater, Anthony Iles | P1545 | |
| Diver: A Retrospective | Paul Thek | Elisabeth Sussman, Lynn Zelevansky | 2010 | P1546 |
| DIY 7: 2010 | Various | 2010 | P1547 | |
| Are we here yet? | Damaged Goods, Meg Stuart | Jeroen Peeters | 2010 | P1548 |
| In The Break: The Aesthetics of the Black Radical Tradition | Fred Moten | 2003 | P1549 | |
| The Scar of Visibility: Medical Performances and Contemporary Art | Petra Kuppers | 2007 | P1550 | |
| Self/Image: Technology, Representation and the Contemporary Subject | Amelia Jones | 2006 | P1551 | |
| Caroline Bergvall | Caroline Bergvall | 2010 | P1552 | |
| Federico Solmi | Federico Solmi | 2010 | P1553 | |
| (ex)communicate | Various | 2010 | P1554 | |
| Generosity Offensive Initiative 2006-2008 | Various | 2008 | P1555 | |
| ANTI Festival 2010 | Emma Cocker | 2010 | A0349 | |
| Walking Women: Interviews with artists on the move | Deirdre (Dee) Heddon & Cathy Turner | 2010 | A0350 | |
| Interfaces: Women/Autobiography/image/Performance | Various | Sidonie Smith & Julia Watson | 2002 | P1557 |
| Gob Squad Reader & Do It Yourself DVD | Gob Squad | Johanna Freiburg | 2010 | P1558 |
| Proposals For Town Hall Hotel & Appartments | Peter Liversidge | 2010 | P1559 | |
| Edge of Europe: Project in the areas of performance ad writing | Various | Maija Hirvanen | 2010 | P1560 |
| Performance Art | Henry Lydiate | 2010 | A0351 | |
| ANTI Festival | Emma Cocker | 2010 | A0352 | |
| Various works | Lucy Suggate | 2010 | P1561 | |
| Crisis | Andrew Schoultz | 2010 | P1562 | |
| NJP Reader: Contributions to an Artistic Anthropology | Nam Juin Paik | 2010 | P1563 | |
| Jan Fabre and tg STAN: Two models of Postdramatic Theatre in the Avant-Garde Tradition | Luk van den Dries and Thomas Crombez | Peter M. Boenisch and Lourdes Orozco | 2010 | A0353 |
| Walking Women: Interview with artists on the move | Deirde (Dee) Heddon & Cathy Turner | Stephen Daniels, Mike Pearson, Heike Roms | 2010 | A0354 |
| Me, You and Everywhere We Go: plan b | Sophia New & Daniel Belasco Rogers, plan b | Stephen Daniels, Mike Pearson, Heike Roms | 2010 | A0355 |
| Underworld, Underground, Underhistory: Towards a counterhistory of waste and wasteland | David Williams | Stephen Daniels, Mike Pearson, Heike Roms | 2010 | A0356 |
| Links, Platforms, Networks | Contemporary Asian Art Forum | Angela Seng, Tricia Tang, Susan Acret, | 2004 | P1564 |
| Action Script: Round-table Seminars | Various | 2010 | P1565 | |
| London Culture and 2012: A guide to getting involved in the capital’s cultural celebrations | Mayor of London | 2010 | P1566 | |
| Great art for everyone 2008-2011 | Arts Council England | 2010 | P1567 | |
| Cultural Metropolis: The Mayor’s Cultural Strategy - 2012 and Beyond | Mayor of London | 2010 | P1568 | |
| London, Cultural Capital: Realising the potential of a world-class city | Mayor of London | 2003 | P1569 | |
| London, Cultural Capital: Realising the potential of a world-class city | Mayor of London | 2003 | P1570 | |
| A Creative Future | Arts Council England | 1993 | P1571 | |
| Whose Heritage? The Impact of Cultural Diversity on Britain’s Living Heritage | Arts Council England | 2000 | P1572 | |
| Art In A Cold Climate: Rethinking the Australia Council | Keith Gallasch | 2005 | P1573 | |
| Marketing for Touring: The Golden Guide | Heather Maitland | P1574 | ||
| Performing the Body in Irish Theatre | Bernadette Sweeney | 2008 | P1575 | |
| Crossroads: Performance Studies and Irish Culture | Various | Sara Brady and Fintan Walsh | 2009 | P1576 |
| Queer Notions: New Plays and Performances from Ireland | Various | Fintan Walsh | P1577 | |
| almost everything in life almost didn’t happen | Heinrich Luber | P1578 | ||
| About Performance Still/Moving: Photography and Performance | Various | Gay McAuley | 2008 | P1579 |
| The Politics of Space: Difference as Discourse in the work of Juliet Robson | Jordan Mackenzie | 2010 | A0357 | |
| Kontejner: Curatorial Perspectives on the Body, Science and Technology | Kontejner / Various | Ivana Bago, Olga Majcen Linn, Suncica Ostoic | 2010 | P1580 |
| Notes on a Return | Sophia Yadong Hao, Matthew Hearn | 2010 | P1581 | |
| “Bedwyr, I Think I Missed Your Performance” | Bedwyr Williams | 2010 | P1582 | |
| Brace Up (Booklet) | The Wooster Group | P1583 | ||
| Unnatural Disasters: Recent Writings from the Golden State | Various | Nicole Panter | 1996 | P1584 |
| Social Works: Performing Art, Supporting Publics | Shannon Jackson | 2011 | P1585 | |
| Pioneers of the Downtown Scene New York 1970s | Laurie Anderson, Trisha Brown, Gordon Matta-Clark | 2011 | P1586 | |
| Les Sentiers de L’Utopie | Isabelle Fremeaux and John Jordan | 2010 | P1587 | |
| The Mirror of Life and Death | Laurence J. Bendit | 2006 | P1588 | |
| On Rage | Various | P1589 | ||
| The Emancipated Spectator | Jacques Ranciere | P1590 | ||
| Pina Bausch | Royd Climenhaga | 2009 | P1591 | |
| Site-Specific Performance | Mike Pearson | 2010 | P1592 | |
| That’s Revolting: Queer Strategies for Resisting Assimilation | Mattilda Bernstein Sycamore | 2008 | P1593 | |
| Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art | Richard Meyer | 2002 | P1594 | |
| File Note #15 Robin Deacon | Robin Deacon | June-July 2006 | P1595 | |
| File #11 Valie Export | Valie Export | Sept - Nov 2004 | P1596 | |
| File Note #31 Noemi Lakmaier | Noemi Lakmaier | Mar - May 2008 | P1597 | |
| File Note #54 Mel Brimfield | Mel Brimfield | Apr - Jun 2010 | P1598 | |
| Universal Declaration of Human Rights | Aung San Suu Kyi | 2011 | P1599 | |
| Changing the Performance: A Companion Guide to Business and Civic Engagement | Julia Rowntree | 2006 | P1600 | |
| The Downtown Book: The New York Art Scene 1974-1984 | Various Artists | Marvin J. Taylor | 2006 | P1601 |
| Let’s Twist Again: Performance in Vienna from 1960 until today | Various Artists | Carola Derting, Stefanie Seibold | 2006 | P1602 |
| In Other Words, In Other’s Words And Other Words | Vlatka Horvat | 2011 | P1603 | |
| Performing Memory | Julia Klaring and Virginie Bobin | 2010 | P1604 | |
| Nezaket Ekici | Nezaket Ekici | 2004 | P1605 | |
| Text and Performance Quarterly: Disability Studies Special Issue | Bruce Henderson and Noam Ostrander | 2008 | P1606 | |
| Agotar la Danza: Performance y politica del movimiento | Andre Lepecki | 2006 | P1607 | |
| Arquitectures de la Mirada | Ana Buitrago | 2009 | P1608 | |
| Urban Interior: Informal explorations, interventions and occupations | Rochus Urban Hinkel | 2011 | P1609 | |
| RSA: Arts Funding, Austerity and the Big Society | John Knell and Matthew Taylor | 2011 | P1610 | |
| AA And Away | Carlos Noronha Feio | 2009 | P1611 | |
| Walking, Writing and Performance | Deirdre Heddon, Carl Lavery and Phil Smith | Roberta Mock | P1612 | |
| The Artist is Present | Marina Abramovic | 2010 | P1613 | |
| To Whom it May Concern | Helena Hamilton | 2010 | P1614 | |
| Visceral: The Living Art Experiment | Various Artists | 2011 | P1615 | |
| Sta(i)r Falling | Branislava, Kira O’Reilly | 2011 | A0358 | |
| A Proposal for ‘the worst public artwork’ contest - part 1 | Guillermo Gomez-Pena | Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | 2011 | A0359 |
| Working Publics | Shannon Jackson | Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | 2011 | A0360 |
| ‘Identity Correction’ The Yes Men and acts of discursive ‘leverage’ | Louis Owen, Yes Men | Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | 2011 | A0361 |
| On ‘Publics’ A feminist constellation of key words | Jill Dolan | Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | 2011 | A0362 |
| Inbetween Time Festival of Live Art and Intrigue | Mary Paterson, Teresa Margolles, Ivana Muller, Silvia Rimat, Jordan McKenzie | Gillian Nicol | 2011 | A0363 |
| Artsadmin Commission for Town Hall Hotel and Apartments | Manick Govinda, Calre Qualmann, Walkwalkwalk | Gillian Nicol | 2011 | A0364 |
| Kathy Battista on feminist performance art in 1970’s London | Kathy Battista | Patricia Bickers | 2011 | A0365 |
| Correspondence Course: An Epistolary History of Carolee Schneeman and Her Circle (book review) | Kathy Battista | Patricia Bickers | 2011 | A0366 |
| Framing Metropolis: Performing Theater of Affect at the Burning Man Project, 2010 | Heather Lee Ramey, Burning Man | Jim Carmody, John Rouse, Adele Edling Shank, Theodore Shank | 2010 | A0367 |
| A Post-Patriotic Performance | James Merrigan, Helena Walshe, Sinead McCann, Alex Conway | 2010 | A0368 | |
| Geographies of Requiredness: Notes on the Dramaturg in Collaborative Devising | David Williams | Cathy Turner, Synne Behrndt | 2010 | A0369 |
| Distance Dramaturgy | Deirdre Heddon, Alexander Kelly | Cathy Turner, Synne Behrndt | 2010 | A0370 |
| Artist Fees and Payments: Good Practice in Paying Artists | The Artist Information Company | Susan Jones | 2006 | P1616 |
| A Guide to Audience Development | Heater Maitland | The Arts Council of England | 2000 | P1617 |
| Working on the Cutting Edge: Sliding Down the Razor Blade of Live Art | Linda Ludwin | 1995 | P1618 | |
| Void Spaces: Hugo Glendinning, Tim Etchells and Forced Entertainment | Hugo Glendinning, Tim Etchells and Forced Entertainment | 2000 | P0200 | |
| Good Luck Everybody. Lone Twin Journeys Performances Conversations | Lone Twin | David Williams, Carl Lavery | 2011 | P1619 |
| Engage, The International Journal of Visual Art and Gallery Education. Exchange: Artists, Young People and Galleries | Spring 2011 | P1620 | ||
| Hardcover: Image Perspectives | Rut Blees Luxemberg, Vanessa Boni | 2011 | P1621 | |
| Estate - The Ian Hinchcliffe Retrospective | Ian Hinchcliffe | 1998 | P1622 | |
| Manual for Marginal Places | 2011 | P1623 | ||
| Playing with Post-Secular Performance | Franc Chamberlain | 2009 | A0371 | |
| Photographs from Manuel Vason’s Encounters | Manuel Vason, Alice Maude-Roxby | 2007 | A0372 | |
| Geometries of Trust: Some Thoughts on Manuel Vason and Photographic Conditions of Performance | Dominic Johnson, Manuel Vason | 2005 | A0373 | |
| Combination | Paul Hurley, Fiona Goggin, Samuel Hasler, Michelle Horacek | Samuel Hasler | P1624 | |
| Amorph!03 Summit of Micronations: Protocols | Oliver Kochta-Kalleinen | 2005 | P1625 | |
| Yemen Latitudes: An Exploration of the Everydayness in Arabia Felix | Rita Leppiniemi | 2010 | P1628 | |
| Amorph!03 Summit of Micronations: Documents | Oliver Kochta, Tellervo Kalleinen | 2003 | P1626 | |
| Amorph!08, Register08 | 2008 | P1627 | ||
| Julie Tolentino, Performance Art World | Julie Tolentino | 2010 | A0374 | |
| A Live Art Discussion Paper - A Framework for Consolidation and Growth | Bronac Ferran | June 1997 | A0375 | |
| Book Review: ‘The Live Art Almanac’ and ‘Programme Notes: Case Studies for Locating Experimental Theatre’ | Beth Hoffmann | 2009 | A0376 | |
| Labour Practices: Ethics of Service and Ideas of Labour in Performance | Mary Paterson | 2009 | A0377 | |
| TRACE: The International Exhibition for the Liverpool Biennial of Contemporary Art | Sept-Nov 1999 | P1629 | ||
| TRACEY: Liverpool Biennial 1999 | Sept-Nov 1999 | P1630 | ||
| TRACE: The Liverpool Biennial of Contemporary Art | Anthony Bond (curator) | 1999 | P1631 | |
| Liverpool Biennial 2002 | Neal Brown | 2002 | P1632 | |
| Baying for Blood | Franko B | 1997-98 | A0378 | |
| Ron Athey interview by Jurij V. Krpan | Ron Athey | 1997 | A0379 | |
| Tailing ‘TRACE/Y’ The Liverpool Biennial of Contemporary Art | susan pui san lok | 1999-2000 | A0380 | |
| Art as Commodity, Art as Economic Power | Rene Gimpel | 2000 | A0381 | |
| The Art of Memory | Annie E. Coombes | 2000 | A0382 | |
| Whose Underground? Asian Cool and the Poverty of Hybridity | Ali Nobil Ahmad | 2001 | A0383 | |
| Make Love: A Performance by Karen Finley | Karen Finley | 2003 | A0384 | |
| The New Global Culture: Somewhere Between Corporate Multiculturalism and the Mainstream Bizarre (a border perspective) | Guillermo Gomez-Pena | 2001 | A0385 | |
| Saint Orlan: Ritual as Violent Spectacle and Cultural Criticism | Orlan, Alyda Faber | 2002 | A0386 | |
| Rethinking Dramaturgy: Errancy and Transformation | Manuel Bellisco, Maria Jose Cifuentes, Amparo Ecija | 2011 | P1633 | |
| 2005 Project | 2005 | P1634 | ||
| ESITYS (Issue 3, 2010) | Pilvi Porkola, Johanna MacDonald | 2010 | P1635 | |
| Hybrid Narratives | Levent Calikoglu | 2007 | P1636 | |
| PNEK: Production Network for Electronic Art, Norway | 2011 | P1638 | ||
| The Old Vibration/2 Le Deux | SORO Performance Unit | 2005-2010 | P1637 | |
| Span2 | Andre Stitt, Roddy Hunter (curators) | 2001 | A0387 | |
| Livelier Than Ever: Live Culture at Tate Modern | Lois Keidan | 2001 | A0388 | |
| Arbeit Macht Frei In Toitland Europa (Freedom through work in the Deathland of Europe), Theatre Centre, Akko, Israel | Dan Urian | 2001 | A0389 | |
| Succede a Londra | Franko B | 2001 | A0390 | |
| Marina Abramovic interviewed by Andrea Cioschi | Marina Abramovic, Andrea Cioschi | 2001 | A0391 | |
| A Special Relationship | Helen Paris, Leslie Hill, Curious | 2004 | A0392 | |
| Firestarter | Robert Pacitti, Andrew Haydon | 2009 | A0393 | |
| From Reel to Real | Emi Slater | 2000 | A0394 | |
| Art For Sale | La Ribot, Ray Newe | 1999 | A0395 | |
| Theatre of Memory | Mishca Twitchin | 1999 | A0396 | |
| Home Work | David Harradine | 1999 | A0397 | |
| Art at the Edge | David Harradine | 1999 | A0398 | |
| The Carrier Frequency | Ray Newe | 1999 | A0399 | |
| A day with Edward Gordon Craig | Mischa Twitchin | 2002/3 | A0400 | |
| Magic Moments | Dorothy Max Prior | 2003 | A0401 | |
| Tearjerkers and Mindgames, About Emil Hrvatin’s Theatre Work | Emil Hrvatin, Luk Van den Dries | 2003 | A0402 | |
| What Does London Smell Like? | Louise Gray, Curious, Third Angel, Kira O’Reilly | 2004 | A0403 | |
| Theatre Without Boundaries | Lyn Gardner, Quarantine | 2004 | A0404 | |
| Fragmented Stories | Ray Newe, Tim Etchells, Forced Entertainment | 1999 | A0405 | |
| A Little Requiem for Kantor | Rebecca Brown | 1999 | A0406 | |
| Jerzy Grotowski, 1933-1999 | Paul Allain, Jerzy Grotowski | 1999 | A0407 | |
| Shunt Take the Space | Elyssa Livergant | 2004 | A0408 | |
| Another Fine Mess | Dorothy Max Prior | 2004 | A0409 | |
| Eat, Drink, LIFT: reflections on the festival | Nicholas Ridout | 2003 | A0410 | |
| Going to Extremes | Dorothy Max Prior | 2003/4 | A0411 | |
| ‘Cos I’m a Woman, W-O-M-A-N | Miriam King | 2004 | A0412 | |
| Manuel Vason: Passion Art | Franko B, Manuel Vason | 2004 | A0413 | |
| Grounded in Europe: Tanztheater and its Legacy | Philip Beaven | 2002 | A0414 | |
| After Grotowski | Paul Allain, Jerzy Grotowski | 2002 | A0415 | |
| My Heart is Pounding | Goat Island, Mel Dolan | 2002 | A0416 | |
| Welcome to Cabaret | Anne-Louise Rentell | 2001/2 | A0417 | |
| Underneath the Arches with Shunt | David Bere | 2001/2 | A0418 | |
| tim.etchells (email questionnaire) | Tim Etchells | 2001/2 | A0419 | |
| Second Thoughts | The People Show, Samantha Ellis | 2001/2 | A0420 | |
| The Third Way: Film, Video and Third Angel | Christopher Hall | 2001/2 | A0421 | |
| New Primitives in a Post-Butoh World | Ajaykumar | 2001 | A0422 | |
| Tassel Hassle | Laura Lloyd | 2007 | A0423 | |
| National Review of Live Art/Time and Time Again | Robert Ayers, Cassie Werber | 2007 | A0424 | |
| Primary Actions | Jude Kerr | 2000 | A0425 | |
| Nightbird Lullabies | Anne-Louise Rentell | 2002 | A0426 | |
| Interview with Shannon Jackson | Christina Linden, Shannon Jackson | 2011 | A0427 | |
| I Still Love,The Nunnery Gallery leaflet | Franko B | 2011 | P1645 | |
| Scottee | Scottee, Ben Walters | 2010 | A0428 | |
| Learning Performance By Doing/Archiving Performance | Linda Cassens Stoian | 2002 | A0429 | |
| ...exercises in nothing less than oxygen nothing shorter than breath | Richard Hancock & Traci Kelly | 2010 | A0430 | |
| Small Acts of Great Import | Jennie Klein | 2009 | A0431 | |
| Unconditional Acceptance | Eleanor Hadley Kershaw | 2009 | A0432 | |
| Fierce: Live art. Collision. Hyperlocal. Supernow | Various | 2011 | P1639 | |
| Reform | PVI Collective | 2006 | P1640 | |
| [true crime] | PVI Collective | 2001 | P1641 | |
| There is No Word for It | Laura Bridgeman & Serge Nicholson | 2011 | P1642 | |
| Orlan: A Hybrid Body of Artworks | Orlan | Simon Donger, Simon Sheppherd, Orlan | 2010 | P1643 |
| Franklin Furnace and the Spirit of the Avant-Garde: A History of the Future | Toni Sant | 2011 | P1644 | |
| 11 Rooms Group Show | Various | 2011 | P1646 | |
| The Life and Death of Marina Abramovic | Marina Abramovic, Robert Wilson | 2011 | P1647 | |
| Cultural Metropolis: The Mayor’s Cultural Strategy, 2012 and Beyond | 2011 | P1648 | ||
| d/rift | Sean Burn | 2010/11 | P1649 | |
| ‘Build It’ The Beginnings of Forest Fringe | Deborah Pearson | 2008 | P1650 | |
| Mel Brimfield: This is Performance Art Part One - Performed Sculpture and Dance | Mel Brimfield | 2008 | P1651 | |
| Head to Head: Artists Inspiring Artists, Artists’ Resource | 2006 | P1652 | ||
| Manifesto on Dance | Mehmet Sander | A0433 | ||
| love’s body: art in the age of AIDS | 2010 | P1653 | ||
| Touched | Lewis Biggs, Paul Domela | 2011 | P1654 | |
| VALIE EXPORT - Time and Countertime | VALIE EXPORT | Agnes Husslein-Arco, Angelika Nollert, Stella Rollig | 2010 | P1655 |
| See Yourself Sensing - Redefining Human Perception | Madeline Schwartzman | 2010 | P1656 | |
| A Requiem: Art on Top of the Battlefied | Morimura Yasumara | 2010 | P1657 | |
| The Possibilities of Collecting Live Art | Lois Keidan | 2008 | A0434 | |
| Lee, Kun-Yong, Performance, Installation, Drawing | Lee Kun-Yong | 2002 | P1658 | |
| Eating the Audience: Gob Squad’s Kitchen (You’ve Never Had It So Good) | Gob Squad, Helen Shaw | 2010 | A0435 | |
| Rights and Wrongs: Why the Smithsonian Institute has failed the basic tenets of a nation | Robert Storr | 2011 | A0436 | |
| Be Here Now | Adam E Mendelsohn | 2006 | A0437 | |
| FrenchMottershead | FrenchMottershead, Mark Wilsher | 2006-07 | A0438 | |
| Art, Lies and Performance | Anna Dezeuze | 2004 | A0439 | |
| Paul McCarthy | Paul McCarthy, Barbara Pollack | 2001 | A0440 | |
| Writing Art | Aaron Williamson | 1999 | A0441 | |
| O Solo Homo: The New Queer Performance | Holly Hughes, David Roman | 1998 | P1659 | |
| Santiago Sierra: 7 Works | Santiago Sierra | P1660 | ||
| Brutal Silences: A Live Art Development Agency Study Room Guide on Live Art in Ireland | Ann Maria Healy, Helena Walsh | 2011 | P1661 | |
| Mechanical Operations in Cambourne | Helen Stratford, Lawrence Brady | 2009 | P1662 | |
| Liberate Tate: Collected Works 2010 | Liberate Tate | 2009 | P1663 | |
| 3 Labels: Issue 1 | Sophia Yadong Hao | 2010 | P1664 | |
| 3 Labels: Issue 2 | Sophia Yadong Hao | 2010 | P1665 | |
| TimeFrame | 2011 | P1666 | ||
| The Code of Practice for the Visual Arts for Artists/for Organisations | a-n The Artists Information Company | P1668 | ||
| I am typing this text for you | Mikko Kuorinki | May 2011 | P1669 | |
| Mesto Zensk, City of Women: International Festival of Contemporary Arts | 2001-2006 | P1670 | ||
| Two Degrees: Art and Activism, Climate and Cuts | Arts Admin | 2011 | P1671 | |
| SymbioticA Ten Year Anniversary | SymbioticA | 2000-2010 | P1672 | |
| Reinventing Britain | Naseem Khan | P1673 | ||
| Live Art Archive Research: A Report to the Arts Council of England | December 1994 | P1674 | ||
| Capital Matters: How to build financial resilience in the UK’s arts and cultural sector | Margaret Bolton, Clare Cooper | December 1994 | P1675 | |
| text+work | Charlie Murphy | Violet McClean, Laura Fennell | 2010 | P1676 |
| The Moon: Women Watch Themselves Being Looked At | Oriana Fox, Charlotte Troy | 2009 | P1677 | |
| Tiong Bahru | Zaihan Kariyani | 2011 | P1678 | |
| Signpost: The New Graduates’ Guide to Being an Artist | a-n The Artists Information Company | 2011 | P1679 | |
| Artists’ Fees & Payments: Establishing a Charge Rate for Working Artists | a-n The Artists Information Company, Richard Murphy | 2004 | P1680 | |
| Artist’s Toolkits on www.a-n.co.uk | a-n The Artists Information Company | 2004 | P1681 | |
| New Moves Chinese Arts Conference/ A New Vocabulary for Chinese Arts? | 2004 | P1683 | ||
| Compass: Directions for art and design graduates | a-n The Artists Information Company | Paul Stone | 2004 | P1682 |
| Dirty Literature | Electra | 2011 | P1694 | |
| A Bulletin: Issue 6 | A Foundation | 2010 | P1684 | |
| Over the Threshold | FrenchMottershead | 2011 | P1685 | |
| New Territories 10: International Festival of Live Art, Scotland | 2010 | P1686 | ||
| BELLYFLOP: The Pop Issue | Louise Mochia | 2011 | P1687 | |
| A User’s Guide to Demanding the Impossible | The Laboratory of Insurrectionary Imagination | 2010 | P1688 | |
| Ampersand Magazine: Autumn 2010 | Alice Gage | 2010 | P1689 | |
| Sex Objects: Art and the Dialectics of Desire | Jennifer Doyle | 2006 | P1690 | |
| Awfully Wonderful: Science Fiction in Contemporary Art | Performance Space | Bec Dean, Lizzie Muller | 2011 | P1691 |
| Strangers with Angelic Faces | 2006 | P1692 | ||
| Micro evénements (Micro Events) | Tsuneko Taniuchi | 2006 | P1693 | |
| Low Profile Disaster Box | Low Profile | 2011 | P1695 | |
| The Live Art Almanac Vol. 2 | Live Art Development Agency | 2010 | P1696 | |
| Bellyflop Magazine: The Money Issue | Louise Mochia | 2011 | P1697 | |
| I Breathe Better Doing Something I Don’t Know How To Do | Forest Fringe | 2011 | P1698 | |
| Artangel | Artangel | James Lingwood, Michael Morris (co-directors) | 2006 | P1699 |
| ‘The only trustworthy book...’ Arts and public value | Sir Christopher Frayling | 2005 | P1700 | |
| The Smith Institute Arts Lecture: Arts in the core script - writing ourselves in | Peter Hewitt | 2006 | P1701 | |
| Values and Vision: The Contribution of Culture | P1702 | |||
| Cultural Grounding, Live Art and Cultural Diversity: Action Research Project | Michael McMillan | October 1990 | P1703 | |
| ‘The Landscape of Fact’, Towards a policy for Cultural Diversity for the English Funding System: African, Caribbean, Asian and Chinese Arts - Consultative Green Paper | The Arts Council of England | February 1997 | P1704 | |
| Time and Relative Dimensions in Curating | Pil and Galia Kollectiv | P1705 | ||
| Yellow Re-Performed in Dublin Theatre Festival | Amanda Coogan | 2010 | P1706 | |
| Turning Point | Arts Council England | 2006 | P1707 | |
| The People Are Demanding | Rabih Mroué | 2011 | P1708 | |
| 1992 Birmingham, UK City of Music | The Arts Council of Great Britain | 1992 | P1709 | |
| 1994 Manchester, UK City of Drama | The Arts Council of Great Britain | 1994 | P1711 | |
| 1993 East Midlands, UK Region of Dance | The Arts Council of Great Britain | 1993 | P1710 | |
| 1996 North of England, UK Region of Visual Arts | The Arts Council of Great Britain | 1996 | P1712 | |
| 1997 East of England, UK Region of Opera & Musical Theatre | The Arts Council of Great Britain | 1997 | P1713 | |
| 1998 Yorkshire, UK Region of Photography and the Electronic Image | The Arts Council of Great Britain | 1998 | P1714 | |
| 1999 Glasgow, UK City of Architecture and Design | The Arts Council of Great Britain | 1999 | P1715 | |
| Access All Areas - Dysarticulate 2: International Flag Fields (1 of 2) | Jon Adams | 2011 | P1716 | |
| Access All Areas - Dysarticulate 2: International Flag Fields (2 of 2) | Jon Adams | 2011 | P1717 | |
| Commissioning Art Works | 1996 | P1718 | ||
| Art for Whose Sake | Steve Moffitt | P1719 | ||
| Beyond Boundaries: the arts after the events of 2001 | Peter Hewitt | 2002 | P1723 | |
| An Arts Council for the Future | Gerry Robinson | 14 Oct 1998 | P1720 | |
| The Creativity Imperative: Investing in the arts in the 21st century | Gerry Robinson | 27 June 2000 | P1721 | |
| Statement on culture | Tessa Jowell | May 2004 | P1722 | |
| Irishness and Art Criticism | Mary Stinson Cosgrove | 1990 | A0442 | |
| The Circa Interview: Alanna O’Kelly: Intimate Spaces | Alanna O’Kelly, Medb Ruane | 1996 | A0443 | |
| Projected Rituals, an investigation of the Works of Roberta Graham: An Interview with Andre Stitt | Roberta Graham, Andre Stitt | 1986 | A0444 | |
| Matters of Life and Death: Protestant and Catholic Ways of Seeing Death in Northern Ireland | Belinda Loftus | 1986 | A0445 | |
| Art & Society: Reframing Women | Hilary Robinson | 1995 | A0446 | |
| Art Discourse: Time Based Art | Martin McCabe, Michael Wilson | 1994 | A0447 | |
| Review: Live Performance, Crescent Centre Jan-Feb 1982 | Micky Donnelly | 1982 | A0448 | |
| Review: Performances, Irish Exhibition of Living Art Project Arts Centre, Dublin 20-21 July 1984 | Joan Fowler | 1984 | A0449 | |
| Dorothy Cross and the Art of Dispossession | Robin Lydenberg, Dorothy Cross | 2005 | A0450 | |
| Performance | Nigel Rolfe, Alistair MacLennon, David Brett | 1990 | A0451 | |
| Without You There Isn’t Anything: Patrick Ireland in an Interview with Gemma Tipton | Patrick Ireland, Gemma Tipton | 2006 | A0452 | |
| Patrick Ireland and the One Way Line of Emigration | Patrick Ireland, Joan Fowler | 1985 | A0453 | |
| The Current State of Performance Art in Northern Ireland | Peter Richards | 2005 | A0454 | |
| Performance Art: Spectacle of the Body | Mark Dawes | 1995 | A0455 | |
| Performance Art Now | Gunther Berkus | 1985 | A0456 | |
| London: world city for the 21st century | 2004 | P1724 | ||
| Creative Capital: The Art of Learning a Living | 2004 | P1725 | ||
| Korea Performance Art 1967-2005 | P1726 | |||
| Korea Performance Art 40 Years 40 Artists | P1727 | |||
| International Experimental Arts Project: Experimental Arts in Europe | 2007 | P1728 | ||
| The World Performance Art Video Archive | 2007 | P1729 | ||
| Korea Experimental Arts Festival | P1730 | |||
| Korea Experimental Arts Festival 2005 | 2005 | P1731 | ||
| The Artist is Present | Marina Abramovic, Iwona Blazwick | 2011 | A0457 | |
| Mel Brimfield: This is Performance Art | Mel Brimfield, David Briers | 2011 | A0458 | |
| Performance Art and the Law | Henry Lydiate, Daniel Mcclean | 2011 | A0459 | |
| Backpages: In Memoriam, David Bradby | David Bradby | Caridad Svich | 2011 | A0460 |
| Create News 1, September 2006: Andrew Cross | Willie White, Andrew Cross | 2006 | P1732 | |
| Create News 2, March 2007: Audience | Brian Maguire | 2007 | P1733 | |
| Create News 3, September 2007: Interculturalism | Maurna Crozier, Dragan Klaic | 2007 | P1734 | |
| Create News 3, September 2007: Interculturalism | 2007 | P1734 | ||
| Move. Choreographing You: Art and Dance Since the 1960s | Susan Leigh Foster, Andre Lepecki, Peggy Phelan | Stephanie Rosenthal | 2010 | P1735 |
| Move. Choreographing You: Art and Dance Since the 1960s | Susan Leigh Foster, Andre Lepecki, Peggy Phelan | Stephanie Rosenthal | 2010 | P1735 |
| Theatre of the Ridiculous (revised & expanded edition) | Jack Smith, Ronald Tavel, Charles Ludlam, Kenneth Bernard | Bonnie Marranca, Gautam Dasgupta | 1998 | P1736 |
| In the Flesh: The Cultural Politics of Body Modification | Victoria Pitts | 2001 | P1737 | |
| Of the Presence of the Body: Essays on Dance and Performance Theory | Andre Lepecki | 2004 | P1738 | |
| Solo Voices: Monologues 1987-2004 | Neil Bartlett | 2005 | P1739 | |
| Everything You Always Wanted to Know About Curating (but were afraid to ask) | Hans Ulrich Obrist | Tino Sehgal, Yona Friedman | 2011 | P1740 |
| Free Exchange | Pierre Bourdieu, Hans Haacke | 1995 | P1741 | |
| Anarcadia | Ruth Maclennan | Nina Ernst, Steven Bode | 2011 | P1742 |
| Devising Theatre: A Practical and Theoretical Handbook | Alison Oddey | 1994 | P1743 | |
| Arts Admin Portfolio 2011/2012 | Arts Admin | 2011 | P1744 | |
| Theatre of the Oppressed | Augusto Boal | Trans. Charles A. & Maria-Odilia Leal McBride, and Emily Fryer | 1979 (2008) | P1745 |
| Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration. An Anthology of Play Texts 1966-2010 | Anna Furse | 2011 | P1746 | |
| Green Backlash: Global Subversion of the Environment Movement | Andrew Rowell | 1996 | P1747 | |
| Q2Q Queer Too Queer: A Project About Queer Cultures | Fabio Bozzato, Elena Piaggi | P1748 | ||
| Reg Bradley | William Titley | 2011 | P1749 | |
| Contemporary Theatre Review: Music As Performance | Todd J. Coulter, Elizabeth Patterson | 2011 | P1750 | |
| Camp: Queer Aesthetics and the Performing Subject, A Reader | Fabio Cleto | 1999 | P1751 | |
| The Aesthetics of Risk | John C. Welchman | 2008 | P1752 | |
| Criss Crossing: pratiche di rete e culture queer | Italia Creativa | Fabio Bozzato, Elena Piaggi | P1753 | |
| Theatre & Prison | Caoimhe McAvinchey | 2011 | P1754 | |
| Twentieth Century Theatre: A Sourcebook | Richard Drain | 1995 | P1755 | |
| Space in Performance: Making Meaning in the Theatre | Gay McAuley | 2000 | P1756 | |
| Privatising Culture: Corporate Art Intervention since the 1980s | Chin-tao Wu | 2002 | P1757 | |
| Performa 09, Back to Futurism | RoseLee Goldberg | Lana Wilson | 2011 | P1758 |
| Ai Weiwei’s Blog: Writings, interviews, and Digital Rants, 2006-2009 | Ai Weiwei | Lee Ambrozy | 2011 | P1759 |
| Stephen Cripps: Pyrotechnic Sculptor | Stephen Cripps | 1992 | P1760 | |
| Admixture: Human Migration and Genetic Inheritance | Joshua Sofaer, C. Tyler-Smith, D. Eagleman | 2011 | P1761 | |
| Viver A Rua | Joshua Sofaer | 2011 | P1762 | |
| Phantom | Laura Wady | 2010 | P1763 | |
| Solo show: New Media Art | Aye Ko | 2009 | P1764 | |
| Myanmar-Nippon: Performance Art Exchange (2005) | Various | 2005 | P1765 | |
| 2nd Beyond Pressure: International Festival of Performance Art, Yangon, Myanmar 2009 | Various | 2009 | P1766 | |
| Monografija Performans | Vlasta Delimar | Misko Suvakovic, Marijan Spoljar, Vlado Martek | 2003 | P1767 |
| Lorelei | Vlasta Delimar, | Suzana Brezovec, Mirta Jurilj, Milan Bozic, Sven Medvesek | 2010 | P1768 |
| The Cut: Interviews, Maps, Drawings, Plans, Archives, Photos, Histories from Hackney Wick | Chris Dorley-Brown | 2011 | P1769 | |
| Down and Under, Up and Over: Animalworks by Sun Yuan and Peng Yu | Meiling Cheng, Sun Yuan, Peng Yu | 2011 | P1770 | |
| Being Watched: Yvonne Rainer and the 1960s | Yvonne Rainer, Carrie Lambert-Beatty | 2008 | P1771 | |
| Ulrike and Eamon Compliant | Blast Theory | 2009 | P1772 | |
| Benevolent Asylum: An Eclipse of Historical Fiction | Lily Hibberd | 2011 | P1773 | |
| Frogtopia Hongkornucopia | Kwok Mang-Ho, The Frog King | 2011 | P1774 | |
| Animalworks in China | Meiling Cheng | 2007 | P1775 | |
| Les Demoiselles d/L.A. Sacred Naked Nature Girls’ Untitled Flesh | Meiling Cheng | 1998 | P1776 | |
| How to See a Work of Art in Total Darkness | Darby English | 2007 | P1777 | |
| Year of the Artist, Breaking the Barriers | June 2000-May 2001 | P1778 | ||
| Life + Reality | Tatsumi Orimoto | 2011 | P1779 | |
| This Is Happening In Real Time | Theron Schimdt | 2011 | A0461 | |
| Sex and Isolation and other essays | Bruce Benderson | 2007 | P1780 | |
| The Female Complaint: The Unfinished Business of Sentimentality in American Culture | Lauren Berlant | 2008 | P1781 | |
| Who Was That Man? A Present for Mr Oscar Wilde | Neil Bartlett, Oscar Wilde | 1988 | P1782 | |
| Pop Trauma | Common Culture | 2006 | P1783 | |
| The FeMuseum: Unpainted Ladies | The FeMUSEum, Amy Lame, Bird La Bird, Lois Weaver, Carmelita Tropicana | 2011 | P1785 | |
| Invisible Things | Fevered Sleep, David Harradine | 2011 | P1786 | |
| The Declaration of Super Modern Dance | Pavlos Kountouriotis | 2010 | P1784 | |
| Abracadabra | City of Women, Mara Vujic | October 2011 | P1787 | |
| Liverpool Biennial 2002 | afoundation | 2002 | P1788 | |
| Prove di Dramaturgia (special issue on Performing Pop) | September 2011 | P1789 | ||
| Freeing The Body: The Power of Being | Gabrielle Roth | 1989 | A0462 | |
| Kiasma (special issue on Africa in art) | 2011 | P1790 | ||
| Plays One: My Arm, An Oak Tree, ENGLAND, The Author | Tim Crouch | 2011 | P1791 | |
| Internships in the Arts: A Guide for Arts Organisations | Creative & Cultural Skills, Arts Council England | 2011 | P1792 | |
| Do It Yourself | Dan Thompson | A0463 | ||
| Not If But When: Culture Beyond Oil | 2011 | P1793 | ||
| Notes From Away (Diario de a Bordo) | Marie Ange Bordas | Feb-March 2011 | P1794 | |
| 10th Korea Experimental Arts Festival leaflets and program notes | Various | 2011 | P1795 | |
| Explorer’s Handbook: A Guide to Exploring Places | Dan Thompson | P1796 | ||
| Things Found in Books (From a Collection) | Dan Thompson | 2011 | P1797 | |
| Empty Shops Toolkit | Dan Thompson, Empty Shops Network | 2010 | P1798 | |
| Counter Point Multidisciplinary Art Event | Nov-Dec 2011 | P1799 | ||
| I, Carmelita Tropicana: Performing Between Cultures | Alina Troyano, Carmelita Tropicana | 2000 | P1800 | |
| Mutual Dependencies | Katharine Meynell | 2011 | P1801 | |
| Conversations Across Borders: A Performance Artist Converses Theorists, Curators, Activists and Fellow Artists | Guillermo Gomez-Pena | Laura Levin | 2011 | P1802 |
| Useful Art | Kathy Noble, Tania Bruguera | 2012 | A0464 | |
| DIY 6: 2009 | Various | Aug-Sep 2009 | P1803 | |
| 3 Labels: Issue 3 | Various | Sophia Yadong Hao | 2011 | P1804 |
| Metamembrana | Marcel.li Antunez Roca | 2009 | P1805 | |
| Patrick Caulfield | Patrick Caulfield | 1999 | P1806 | |
| Hockney Paints the Stage | David Hockney, Martin Friedman | 1985 | P1807 | |
| One Foot Has Not Yet Reached the Next Street | Keith Arnatt | 1992 | P1808 | |
| Pictura Britannica: Art from Britain | Various | Bernice Murphy | 1997 | P1809 |
| Shock Value: A Tasteful Book About Bad Taste | John Waters | Foreword by Simon Doonan | 2005 | P1810 |
| Beyond experience: culture, consumer & brand. Using Art to Render Authenticity in Business. | James H. Gilmore & B. Joseph Pine II | Tina Mermiri | P1811 | |
| When Attitudes Become Form Philip Morris Becomes Sponsor | Hubertus Butin | P1812 | ||
| The Arm's Length Principle and the Arts: An International Perspective - Past, Present and Future | Harry Hillman-Chartrand and Claire McCaughey | 1989 | A0465 |
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